TikTok has proven to be a powerful platform to help tunes go viral and now the company is making it easier for songwriters to benefit from that reach. The social media site has rolled out a pair of new features in beta: a Songwriter label that identifies users as such under their profile, and a Songwriter Music Tab that lets them spotlight tracks they've written or co-written. 

So far, only a limited number of publishers and songwriters can apply to get the new label and tab. TikTok noted that several established songwriters including Lauren Christy (Avril Lavigne, Britney Spears), Toby Gad (Fergie, John Legend) and Justin Tranter (Dua Lipa, Ariana Grande) are among the first to gain access. Others who want to join can put their names on a waitlist. 

TikTok and its parent ByteDance developed the Songwriter Features after surveying 871 songwriters and doing 18 in-depth interviews. Those findings informed the design of the feature with the aim of improving discovery and monetization opportunities while raising songwriters' profiles on TikTok. The platform noted that 53 percent of full-time songwriters who post content on social media do so on TikTok. 

When it comes to royalties and copyright, TikTok has taken a similar tack to YouTube and other social media sites. All the music available on TikTok can be used in videos and the platform has deals in place with distributors and labels to license music. Artists then receive royalties whenever creators use their music on TikTok, the amount of which depends on the individual distributor. 

TikTok is following belatedly in the heels of Spotify, which has offered a similar songwriter spotlight feature since 2020. Last month, ByteDance introduced the TikTok for Artists music insight platform designed to help musicians gain access to "data and insights about their music, posts and followers." 

TikTok will now let songwriters highlight tracks they’ve written or co-written directly on their profiles. The list of songs will live within the “Music” tab on their profile, similar to the one TikTok already offers for artists on the platform. Users who register as songwriters will also get a “Songwriter” label beneath their account name.

These new features build upon some of TikTok’s existing tools for songwriters, including the “New” tag that appears on newly released music and the ability for users to save a song on a music streaming service. TikTok also rolled out a “BehindTheSong” hub in 2023, where songwriters, artists, and producers can share more about the making of their music, in addition to the more recently launched “Off the Record” series with artists like Shakira, Charli XCX, and Meghan Trainor.

Music is a huge part of TikTok, with the platform helping boost the popularity of songs and even drive TikTokers to stardom. It has also worked with artists like Taylor Swift to build hubs to promote their music, and added the ability for users to save songs to their SoundCloud accounts in May. In 2023, it launched a standalone music streaming app, but shut it down in 2024. 

For now, TikTok is launching its new songwriter features in a closed beta with a “limited number” of publisher partners. Songwriters and publishers can sign up for a waitlist to gain access to these features in the future.

On Monday, sheet music platform Soundslice says it developed a new feature after discovering that ChatGPT was incorrectly telling users the service could import ASCII tablature—a text-based guitar notation format the company had never supported. The incident reportedly marks what might be the first case of a business building functionality in direct response to an AI model's confabulation.

Typically, Soundslice digitizes sheet music from photos or PDFs and syncs the notation with audio or video recordings, allowing musicians to see the music scroll by as they hear it played. The platform also includes tools for slowing down playback and practicing difficult passages.

Adrian Holovaty, co-founder of Soundslice, wrote in a blog post that the recent feature development process began as a complete mystery. A few months ago, Holovaty began noticing unusual activity in the company's error logs. Instead of typical sheet music uploads, users were submitting screenshots of ChatGPT conversations containing ASCII tablature—simple text representations of guitar music that look like strings with numbers indicating fret positions.

Read full article

Comments

• The Hamptons have long been a popular summer destination for bankers and traders.
• We spoke to Wall Street insiders and others about the top hot spots for summer 2025.
• Here are the 7 places they said you'll find finance industry insiders this summer.

Whether by car, helicopter, the LIRR, or the infamous Jitney bus, if it's a Friday afternoon between Memorial and Labor Day, Wall Street is going "out east."

The Hamptons have been a haven for the ultrawealthy since the Astors and Vanderbilts set up estates there more than a century ago, but the transition from fishing and whaling towns to playground for urban professionals really started to take off in the freewheeling 1980s, during Wall Street's boom years.

Since then, the secret has been out, and over the last decade, social media and Bravo's "Summer House" have introduced a whole new generation to these once-sleepy seaside towns of Long Island.

Walker Ward, who previously sold data and research to hedge funds and other large investors, told Business Insider that the Hamptons remain a recreation hub for stressed-out Wall Streeters looking to escape the heat and humidity of the city.

"There's so much to do there," Ward said, who has summered there for the better part of the last decade. "Why wouldn't you want to go out there if you could afford it?"

Whether you're looking to relax or rage, there's something for everyone — as long as you have deep pockets. And, as with any destination for the wealthy, these resort towns offer ample opportunity to peacock.

"The Hamptons, especially with social media, have become a runway show for people to go out and flaunt what they have, how much money they make, and what kind of car they're driving," said Ward, who now parodies Wall Street on social media as WalkSauce42.

In preparation for the July 4 holiday, we spoke to current and former financial industry professionals, as well as some Hamptons locals and business proprietors, about this year's hottest hangouts. Some of the industry insiders we spoke to asked to remain anonymous to protect their jobs because speaking to the press is either forbidden or frowned upon.

Here are 7 top Hamptons hangouts for bankers, traders, and more.

Surf Lodge

This was the most-mentioned spot, which is why we're putting it first. It's a quaint seaside hotel and restaurant, as well as a sceney place to get bottle service on the beach and hear live music and top DJs in Montauk. But FYI, tickets for entry on July 4th are pretty much sold out. A table on the beach for 10 for the next day is listed as $7,500.

A nearly $100 chicken tender tower went viral a few summers ago, thanks in part to TikTok and Instagram posts by Ward.

"The tendie towers baby, that's the intern's favorite, and the holy grail," Ward joked to BI. "Everyone knows Surf Lodge."

Someone who previously worked at a large investment bank confirmed it's popular with the Wall Street crowd.

"It's got a DJ, a deck. You pay thousands for a table," he said.

Le Bilboquet Sag Harbor

The Sag Harbor outpost of this Upper East Side French restaurant opened in 2017, and has since built a reputation for being "one of the satellite offices for the elite," said Ward, who currently summers in Amagansett, between East Hampton and Montauk.

The restaurant bans shorts and flip-flops and is perched alongside a marina deep enough to allow large yachts to dock.

"Everyone loves to sit there and drink wine and look at the sterns of all these massive yachts," Ward said.

The Wall Street recruiter described it as "another see and be seen spot."

The menu offers a seafood tower complete with a dozen oysters, king crab, langoustine, shrimp, a half lobster, snow crab and shrimp for $250, a 100-gram tin of Caviar Ossetra Imperial for $490, and their signature Le Poulet Cajun, a $39 Cajun-spice-rubbed chicken with a beurre-blanc sauce, salad, and fries.

Stephen Talkhouse

Stephen Talkhouse, founded in 1987, is also known for its live music scene. It's become so popular with vacationers that one Hamptons local complained to BI of summer lines that "wrapped around the village." Ward agreed, saying you have to know the staff in order to "Trojan Horse" your way in.

Located in Amagansett, between Montauk and East Hampton, its website describes it as "a legendary music scene and casual neighborhood bar in one. The music calendar for the July Fourth weekend includes "Secret Sellebrity Society Band" and alt-rockers "Kids That Fly."

Mary Lou's

The Palm Beach outpost of Mary Lou's is well attended by local financiers and the socially or politically connected. It's also attracted popular musical acts from The Chainsmokers to Mojave Grey.

Mary Lou's Montauk branch, which opened earlier this year, is aiming to provide the same ambiance and flair. Cofounder Alex Melilla told BI that the crowd so far has been "a more mature crowd, affluent crowd, influencers, tastemakers, as well as a great local scene." The

The Wall Street set may be especially drawn to the special menu set to be curated by the team behind Marea, the luxurious seafood restaurant just a stone's throw from Deutsche Bank Center in midtown, which Mary Lou's will offer during a weekend later this month.

Duryea's Montauk

Duryea's is a seafood restaurant on the water in Montauk known for its $97 lobster cobb salad.

Duryea's was purchased by Apollo CEO Marc Rowan in 2014, and it quickly turned from a classic lobster shack into one of the sceniest restaurants on the East Coast. Hampton's legend and Food Network star Ina Garten has said it is one of her favorite restaurants.

"In my 20's that was the only place we would go on summer weekends there because it was cheap and easy," one Wall Street recruiter said. Not anymore. "People go to Duryea's on their yachts and tender to shore."

Gurney's Montauk

Wall Streeters looking to decompress might turn to Gurney's Resort & Seawater Spa, a 146-room hotel and spa with multiple al fresco dining options along a lush stretch of beach in Montauk.

The Wall Street headhunter said it remains one of the most popular outposts for the financial crowd — and Lizabeth Zindel, the editor-in-chief of Hamptons Social Magazine, explained why: "It's absolutely beautiful," Zindel told BI. "There's a huge terrace as well, which overlooks the ocean from up above."

On the menu at the outdoor Firepit lounge are creative cocktail concoctions like the Chocolate Negroni; the "Afternoon Tea" featuring Earl Grey, bergamot, gin, and cream; and the "Improved Grasshopper" featuring mint and chocolate liqueurs. Each is $23.

The country clubs

As with any wealthy enclave, the Hamptons boasts numerous country clubs.

The Hampton's local described Southampton's Shinnecock, which is hosting next year's US Open, as the "fanciest golf place out here." Ward cited East Hampton's Maidstone Club as another place where "fancy people" from the Street spend their time "hobnobbing."

"Maidstone is the Arnie poster above the bed," he said, referring to a poster of Arnold Schwarzenegger as a pro bodybuilder above an aspiring muscleman's bed. "It's what you aspire to be."

• Sean "Diddy" Combs used to be one of the richest people in the music industry.
• His record label, Bad Boy Records, is just one source of his former empire.
• Musicians like Faith Evans, Janelle Monáe, and Machine Gun Kelly were once signed to the label.

Before Sean Combs, also known as Diddy, was sued by more than a dozen people, alleging sexual misconduct among other things, he was a powerful music tastemaker, creating his own record label.

Diddy founded Bad Boy Records in 1993 and went on to sign major musicians such as The Notorious BIG, Mase, and Faith Evans. It's impossible to think of '90s and '00s rap without also thinking of Bad Boy, which released 13 No. 1 albums from 1997 to 2022.

Over the years, Bad Boy and its founder gained a reputation for being difficult to work with, highlighted by multiple public instances of friction between artists and the label.

In a statement provided to Business Insider, a representative for Combs said, "It's easy to reduce a 30-year legacy to a few negative statements, but that doesn't capture the full story."

"Sean Combs and Bad Boy Records were more than just a label — they were a cultural movement that shaped music, launched careers, and produced iconic hits," they said. "Focusing only on grievances distorts the narrative. The label's contributions remain an essential part of music history."

Before Diddy was arrested in September 2024, he had begun the process of reverting the publishing rights of many of Bad Boy's most famous songs to their original artists, provided they signed agreements, as reported by Billboard.

On Wednesday, a Manhattan jury found Diddy not guilty of sex trafficking and racketeering, but convicted him of two lesser charges: two counts of transportation to engage in prostitution.

"It's a great victory for Sean Combs. It's a great victory for the jury system," Diddy's lawyer Mark Agnifilo said, NBC reported.

Diddy, who remains in custody, is facing up to 20 years in prison, but experts say it's unlikely he'll serve for that long. His sentencing is scheduled for October. At this point, it's unclear what will happen to Diddy and his career.

Bad Boy is still in existence today and remains one source of Diddy's wealth. Here are 15 of the biggest acts that have released albums through Bad Boy since its inception.

The Notorious BIG

Biggie was one of the first artists signed to Bad Boy, and his two studio albums ("Ready to Die" in 1994 and "Life After Death," which was released 16 days after his death in 1997) were released through Bad Boy.

Publicly, the two appeared to be close friends, and Diddy released "I'll Be Missing You" with Biggie's wife, Faith Evans, in 1997.

However, their relationship had become strained. Rolling Stone reported the "Juicy" rapper was preparing to leave Bad Boy. He "was absolutely about to leave Puff" before he was shot, fellow rapper Babs Bunny told the publication.

In the decades since his death, Biggie's mother Violetta Wallace (before her death in February 2025), negotiated with Diddy to gain control of her son's music, per Variety. In February 2025, his estate partnered with Primary Wave Music to handle his music in the future.

Primary Wave did not respond to a request for comment.

Faith Evans

Evans, who was married to The Notorious BIG from 1994 until he died in 1997, was also signed to Bad Boy Records.

Her first three albums, 1995's "Faith," 1998's "Keep the Faith," and 2001's "Faithfully," were put out through Bad Boy. She then moved to Capitol Records.

"In my heart, I really wanted to try and leave Bad Boy after Big died. I mean, after I came back to any type of reality, any clear thinking. I just was so distraught," Evans told XXL in 2014.

Evans said she left Bad Boy because she felt Diddy and the label were paying more attention to other artists, but she emphasized that there was no bad blood.

Evans did not respond to a request for comment.

Mase

Mase released his first two albums, "Harlem World" and "Double Up" through Bad Boy, and was also known as Diddy's hype man through the '90s.

Their partnership collapsed after he released his third album, "Welcome Back," in 2004, also with Bad Boy.

Mase said he felt like his contract was too constricting, leading him to crash a Diddy interview on V103 in Atlanta and demand that Diddy sign paperwork allowing him to feature on other artists' songs.

Things simmered down until 2022, when Mase once again criticized Diddy's business practices in a now-deleted Instagram post.

"Your past business practices knowingly has continued purposely starved your artist and been extremely unfair to the very same artist that helped u obtain that Icon Award on the iconic Badboy label," he wrote.

Mase added that he had offered Diddy $2 million to buy his songs back and was refused. "This is not black excellence at all," he wrote.

Diddy responded during an interview on the syndicated iHeartRadio show "The Breakfast Club" and said that Mase actually owed him $3 million after failing to deliver an album.

In 2023, on another "Breakfast Club" appearance, Diddy said they were "brothers" and that he had "unconditional love" for Mase.

Mase's rights were returned to him when Diddy allowed songs from Bad Boy to revert back to artists that year.

In 2024, Mase called Diddy's arrest "the big payback" and added that "reparations is getting closer and closer" on an episode of the podcast he cohosts with Cam'ron, "It Is What It Is."

During the trial, Mase wondered aloud if he should attend Diddy's trial on his podcast, but it doesn't appear that he ever went.

Mase did not respond to Business Insider's request for comment.

112

The R&B group 112's first four albums were released through Bad Boy from 1996 to 2003. Most famously, they were featured alongside Diddy and Faith Evans on the song "I'll Be Missing You."

As MTV reported, 112 said that they left Bad Boy for Def Jam because of a "lack of money and attention." They added that they also left because their contract was "doo-doo."

"We still work with [Diddy] as far as getting ideas. We got three joints from his camp. It's no bad blood, it's no love lost," said member Mike in 2003.

"It's unfortunate what happened with Diddy," 112 member Slim said while appearing on "Ryan Cameron Uncensored" after the verdict was announced on Wednesday. "That's somebody people looked up to, and there was no win for any of the victims or anybody involved in the situation. It's more like you learn something from this."

112 did not respond to a request for comment.

Cassie

Cassie started publicly dating Diddy shortly after her debut album, "Cassie," was released in 2006 through Bad Boy. They dated until 2018.

In November 2023, Cassie sued Diddy and accused him of rape, abuse, and blowing up Kid Cudi's car after Diddy found out the rapper was interested in Cassie. The suit was settled the same month for an undisclosed amount, The New York Times reported.

In May 2024, CNN published a 2016 video that appeared to show Diddy dragging and kicking Cassie through the halls of a California hotel. Diddy apologized in a since-deleted Instagram post and said he was "disgusted" by his behavior in the video.

In an Instagram post, Cassie thanked fans for their support after the video was made public. "The outpouring of love has created a place for my younger self to settle and feel safe now, but this is only the beginning," she wrote. "Domestic Violence is THE issue."

Cassie was one of the witnesses called during Diddy's trial, taking the stand for four days. "I hope that people still see what Cassie did and think that she really made a difference," her lawyer, Douglas H. Wigdor, told ABC News after the verdict announcement.

"She was pleased that he's been found guilty and held responsible to federal crimes, something that he's never been held responsible [for] in his entire life," Wigdor said outside the courthouse.

Cassie Ventura had no comment on the lawsuit when reached by Business Insider.

Shyne

In December 1999, Diddy, his then-girlfriend Jennifer Lopez, and his protégé, Shyne, were arrested after a nightclub shooting, but Shyne was the only one who went to prison.

He was later convicted of assault and sentenced to 10 years in prison, reports The New York Times.

Bad Boy released his self-titled debut album in September 2000, while he was in prison.

In 2012, Shyne, who served almost nine years, told MTV that he and Diddy made amends.

"As far as Puff is concerned, that's been a long time coming," he said. "He had reached out to me twice while I was in the pen, but I just wasn't ready for it."

In 2024, he spoke about Diddy's legal troubles. He told journalists soon after Diddy's arrest, "Let us not forget what the cold facts are. This is someone who destroyed my life."

A Hulu documentary following Shyne, "The Honorable Shyne," is set to be released on November 18. In the trailer, he said he believed he was set up to be the fall guy for the shooting.

In December, he told People, "We live in a world, in democracies at least, where the rule of law is tantamount. Everyone is innocent until proven guilty. I pray for justice, I pray for the victims. I pray for Diddy."

Shyne did not respond to a request for comment.

The Lox

The Lox released their first album, 1998's "Money, Power & Respect," via Bad Boy before the trio — Sheek Louch, Styles P, and Jadakiss — left for Ruff Ryders and Interscope.

That wasn't without its drama. The Lox said they had to plead with Diddy to get off Bad Boy and started a grassroots campaign to "Free The Lox," as they felt they weren't receiving a fair publishing deal.

This culminated in a 2005 appearance on Hot 97 in which Styles P threw a chair at Diddy, per Billboard.

"We made one record with you, 'Money Power & Respect.' It's 10 years later, and you still got half of our publishing. And you can't make it justifiable that you deserve half of our publishing," Styles P is heard saying in the recording.

According to AllHipHop, a deal was struck soon after the altercation.

In 2023, Jadakiss appeared on an episode of the podcast "I Am Athlete," saying how he appreciated how Diddy handled the situation: "He could've played much harder ball than he played."

The Lox did not respond to a request for comment.

Janelle Monáe

Monáe is one of the remaining artists signed to Bad Boy who isn't Diddy or his family members.

All four of Monáe's albums have been released through Bad Boy, including the 2019 album of the year nominee "Dirty Computer" and her most recent album, 2023's "The Age of Pleasure" (though both were also co-released by Atlantic Records).

"I got to say, I was scared to be partnering with a major label after a few years of being independent. I met Puff at a time I had decided to live frugally," Monáe told Billboard in 2018.

"But when I spoke to him, his words were, 'I love what you and Wondaland are doing," she continued, referencing the indie record label she had founded. "I don't want to be creatively involved. I just want people to know who you are and what you guys are doing.'"

"It was so humbling and beautiful. We're still close," she added.

Monáe did not respond to a request for comment.

Dream

Dream, a girl group, was formed in 1998 and then signed to Bad Boy as its first white act.

Their first album, "It Was All a Dream," was released in 2001 and debuted at No. 6 on the Billboard 200. Their second album, 2003's "Reality," failed to chart at all, and they were dropped from Bad Boy and broke up.

"There were some shady people who maybe didn't have the best intentions for children. And there were some people who maybe were just doing business," Ashley Poole, a former member, told Complex in 2016.

"There was a big disconnect from Puff and us because we were from such different worlds," continued Poole. "Puff was straight business. He didn't care if feelings were hurt. He said what he needed to say. He would tell us we needed to lose weight."

One of Dream's former members, Alex Chester-Iwata, told Business Insider that working with Bad Boy was "a nightmare," saying they "pitted each of us against each other."

Another group member, Holly Restani, told Business Insider what she thought of the verdict.

"Sean Combs, the same as all individuals, should be held accountable for his wrongdoings, namely his abuses of power, coercion, manipulation, violence, and harm of others in positions beneath him," she said.

"Many of these are well documented and known to many to have occurred. He was acquitted of the charges the prosecution brought in his trial. He is not free of accountability, nor is he innocent," she continued.

The other members of Dream did not respond to a request for comment.

Yung Joc

Yung Joc was one of the biggest musicians signed to Bad Boy South, another offshoot of Bad Boy, this time focusing on rappers out of cities like Atlanta.

Both of the rapper's albums (2006's "New Joc City" and 2007's "Hustlenomics") were released by Bad Boy South.

Two years later, it went south: In 2009, Yung Joc told Billboard he was planning to sue Bad Boy and Block Entertainment, his original record label that partnered with Bad Boy, for "failure to pay royalties and advances for his first two albums and charging 'outrageous clearance fees' for his collaborations with other artists."

"Diddy said he's got to stay out of it because it's between me and Block Entertainment," he said, adding, "I feel like [Bad Boy] isn't doing anything to try to intervene and help the situation."

It's unclear if he ever filed the suit.

He hasn't released an album since, though he has put out singles and EPs independently.

In 2014, Yung Joc told The Grio, "Diddy and I are great. We made a lot of money together. Every time we've crossed paths since, it was love."

Yung Joc did not respond to a request for comment.

French Montana

All four of French Montana's albums have been Bad Boy releases, most recently 2021's "They Got Amnesia."

"The deal [with Diddy] just felt right and it felt like it was the right thing to do. I felt like I can make a change with this for the music culture that I came from," Montana told Billboard in 2011.

In April 2024, during an episode of "Vlad TV," he confirmed he had left Bad Boy.

"I fulfilled everything. I make sure everybody got their money. I made sure, you know, Rozay got his money," he said, referring to rapper Rick Ross, who also owns a record label. "I made sure Puff got his money, made sure Epic got their money."

French added that he left Bad Boy on good terms with Diddy.

Montana did not respond to a request for comment.

New Edition

After an eight-year hiatus, New Edition teamed up with Bad Boy for their first album, "One Love." It was released in 2004 and is their last album to date.

The band's members said there were lots of disagreements about the future of the band with Diddy and his label. In a 2005 radio interview, they opened up about the problems.

"Diddy, when we didn't agree with him on certain songs, we would get sent home for like six, seven months. You know, it would just be nothing being done," said member Ricky Bell.

The final straw, they said, came when a song that none of the members liked appeared on the album instead of a song they worked on together with their longtime producers, Jimmy Jam and Terry Lewis.

"On top of that, Puffy paid himself $50,000, on top of that put a song on it that we didn't like, and we just felt like that was just a slap in the face. No respect," Bell added.

New Edition did not respond to a request for comment.

Pitbull

Pitbull released two albums via Bad Boy: 2006's "El Mariel" and 2007's "The Boatlift."

Pitbull was one of the first acts signed to Bad Boy Latino, an offshoot founded by Diddy and Emilio Estefan in 2005, per Billboard. He was also a partner in the venture and had an A&R role.

It didn't last long. Before "The Boatlift" was announced, Pitbull said he was leaving the label. Pitbull was dissatisfied with his role, a 2006 New York Post report said.

"I told him, 'Yo, I want a piece. If I'm gonna get in the bed with you, I want a piece,'" he said. "I got a whole lot to bring to the table, which [he] is gonna definitely capitalize off of."

Pitbull did not respond to a request for comment.

Machine Gun Kelly

From 2012 to 2022, Machine Gun Kelly's six albums and three EPs were released through Bad Boy. His most recent EP, "Genre: Sadboy," was released in March through Interscope.

The "Wild Boy" rapper was first signed in 2011, as Diddy noted in a now-deleted Instagram post in August 2019.

"When I first signed @machinegunkelly I knew he was going to be a star. I didn't know how exactly we'd get there but I knew it would happen," he wrote. "'I'm so proud of the artist he is becoming, he's shown all the traits of an artist that will stand the test of time."

Kelly did not respond to a request for comment.

B5

Both of B5's albums — 2005's "B5" and 2007's "Don't Talk Just Listen" — were released by Bad Boy. They were a departure from Bad Boy's roster, as the group was primarily a boy band that also appeared on Radio Disney.

During an interview with The Shade Room in 2023, the brothers said they didn't regret leaving Bad Boy. "We just couldn't see eye to eye so we decided to split," said Patrick Breeding.

They added that after Diddy announced his intentions to revert publishing to the original musicians, they hadn't heard anything from him.

"We didn't hear anything. We didn't get no calls or nothing like that from them," said Carnell Breeding.

Dustin Breeding added, "Puff, Diddy, yeah, we all want our publishing too. We were so young at the time, we didn't understand the business of it. But looking back now, damn, why our names wasn't on the credit?"

B5 did not respond to a request for comment.

Spotify is adding new personalization features to Discover Weekly, the popular and influential playlist streamed by millions of users. The regularly updated playlist will now have buttons for genres like pop, R&B, and funk at the top, allowing users to tell Spotify what they want more of.

The Discover Weekly playlist is one of the more noteworthy things Spotify has introduced: the company says songs on the playlist have been streamed more than 100 billion times. The weekly mixtape — generated via Spotify algorithms — promised to introduce users to new music that they might enjoy, pulling from listener data. But more recently, there have been complaints that Discover Weekly playlists, meant for finding new music, were spitting out the same songs, and that the platform’s systems weren’t accurately classifying genres. (Spotify told Business Insider in May that it had updated genre accuracy and the Discover Weekly recommendation algorithm.) In addition to the genre options, the Discover Weekly playlist is getting a refreshed look with different cover art.

Spotify reshaped how people listen to music, prioritizing the playlist over the album or even the artist themselves: playlists became a battleground for labels and artists who wanted exposure. In the last few years, the music platform has taken personalization even further, tailoring selections to the individual user. The company has introduced features like an AI-powered “DJ,” an AI text-to-playlist builder tool, and even a fake AI podcast with fake AI hosts that discuss users’ listening habits. The ability to more closely guide the Discover Weekly offerings signals that hyper-personalization remains a priority — and perhaps that Spotify is aware of some of the user dissatisfaction.

We’ve been waiting for Spotify’s lossless streaming for more than four years, but there are some new and promising hints that the feature might finally arrive sometime soon.

The X account for Spicetify, a command-line tool that lets you customize the Spotify client, says that a new version of Spotify includes some hidden mentions of lossless. In a screenshot the account shared, for example, lossless appears in the sidebar to connect a device. Another screenshot shows lossless as an option for streaming quality in the app’s settings. The Spicetify account also says it has seen code that lossless will be available on Spotify Connect and in the web player.

To be clear: Spotify’s lossless streaming still isn’t available yet. But these small lossless mentions and recent reporting indicate that the company may be ready to add lossless at long last.

Spotify initially announced a “Spotify HiFi” tier in 2021 that it intended to launch that year, but that didn’t happen. Spotify CEO Daniel Ek said in 2024 that the company was working on a “deluxe” version of Spotify. And in February, Bloomberg reported that Spotify was aiming to roll out a new “Music Pro” tier with features like higher-quality streaming by the end of this year. The tier could cost as much as $5.99 per month more than its current subscriptions, Bloomberg says.

Services like Apple Music, Amazon Music, and Tidal already offer lossless streaming.

Artist and musician Brian Eno — who also composed the iconic Windows 95 operating system startup chime — called on Microsoft today to “suspend all services that support any operations that contribute to violations of international law,” saying the company plays a role in “surveillance, violence, and destruction in Palestine.” It’s the latest high-profile instance of the tech giant being pressed on its contracts with the Israeli government.

“I gladly took on the [Windows 95] project as a creative challenge and enjoyed the interaction with my contacts at the company,” Eno wrote on Instagram. “I never would have believed that the same company could one day be implicated in the machinery of oppression and war.”

The musician — who was a member of the influential rock band Roxy Music and has also had a long, storied solo career — specifically called out Microsoft’s contracts with Israel’s Ministry of Defense. Microsoft acknowledged last week that it has contracts with the Israeli government for cloud and AI services, but claimed that an internal review conducted found “no evidence” that its tools were used to “target or harm people” in Gaza.

Microsoft has been taken to task in recent weeks over its business dealings with the Israeli government specifically. The outcry over Microsoft’s contracts relates to Israel’s ongoing bombardment of Gaza following the October 7th, 2023, Hamas attack. Human rights groups, including commissions at the United Nations, have accused Israel of war crimes and genocidal acts in its military operation that has killed thousands; as of this month, the Gaza Health Ministry reported more than 52,000 deaths, though some researchers say that number could be as high as 109,000 people.

Some of Microsoft’s fiercest critics are its own employees opposed to the company’s ties to Israel.

Earlier this week during Microsoft’s developer conference, multiple onstage events were disrupted, including CEO Satya Nadella’s keynote speech on Monday. During the event, Microsoft employee Joe Lopez interrupted Nadella, yelling, “How about you show Israeli war crimes are powered by Azure?” The following day, a protester described only as a “Palestinian tech worker” disrupted another executive’s presentation. On Wednesday, protesters disrupted a third session — and in the commotion, Microsoft inadvertently revealed internal messages regarding Walmart’s use of AI.

In April, Microsoft employee Ibtihal Aboussad disrupted a 50th-anniversary event, calling Microsoft AI CEO Mustafa Suleyman “a war profiteer.” Another employee disrupted a second Microsoft event the same day. The acts of protest were organized by the No Azure for Apartheid group, which calls for Microsoft to terminate contracts with the Israeli government and endorse a permanent ceasefire, among other demands. Aboussad was fired from the company; the second protester, Vaniya Agrawal, was dismissed early after putting in her resignation.

Microsoft did not immediately respond to a request for comment. Eno, a longtime critic of the Israeli government who’s backed pro-Palestine efforts, said on Instagram he would use his original earnings from the Windows 95 startup chime to help “the victims of the attacks on Gaza.”

• Cassie is a singer and actor, best known for her top-10 hit single "Me & U."
• She met Sean Combs, aka Diddy, in 2006 and signed to his label Bad Boy.
• She filed a lawsuit against him in 2023 and is a key witness in his criminal sex-trafficking and racketeering trial.

Cassie burst onto the music scene in 2006 with an irresistible blend of pop and R&B.

Although the singer, whose legal name is Casandra Ventura, withdrew from the spotlight in the ensuing years, she's still beloved by fans of 2000s club jams.

In 2023, she filed a lawsuit against Sean "Diddy" Combs, alleging abuse throughout their relationship, including rape. An attorney for Combs denied the allegations to Business Insider. Cassie is now a key accuser in Combs' criminal sex-trafficking and racketeering trial, which began on May 12.

Here's everything to know about Cassie's career, her connection to Diddy, and what her life is like today.

Cassie broke out with the club hit 'Me & U'

Before launching her music career, Cassie had done some modeling for brands like Delia's.

In 2006, when she was 19 years old, she released her debut single "Me & U." It became her first hit, reaching No. 1 on Billboard's Hot R&B/Hip-Hop Songs chart and No. 3 on the Hot 100.

"Me & U" set the tone for her self-titled debut album, which was praised by critics for its "hypnotic groove" and "flippant playfulness." Rolling Stone later described the album as "the most brilliantly minimalist R&B album of its era."

In a positive review for Slant, Sal Cinquemani also said, "'Me & U' has single-handedly revived his ailing Bad Boy imprint," referring to Combs, then known as Diddy.

Cassie signed to Bad Boy Records in 2006

An archived feature from 2008 said that Combs heard "Me & U" in a club and felt inspired to help Cassie's career.

Combs teamed up with Ryan Leslie, who wrote and produced the song, to record Cassie's album.

In 2008, she announced her plans to release her sophomore album.

"I guess I grew up a lot but I'm still in essence the same person," Cassie, then 21, told Billboard. "Lots has changed in my life, stuff that has made me think about things differently. I'm more vulnerable and you can hear my vocals better this time around. There's real emotion and a much realer connection with my fans."

At the time, Combs praised Cassie's musical development, which he said was reflected in the album.

"We pulled out, we took our time, we developed her for like, a year-and-a-half," he told Billboard in a 2008 interview. "People are just going to see her there and be like, 'Wow, she's really cocooned into a butterfly.'"

However, the album was delayed several times. She didn't release new music until 2012, when she surprise-dropped a set of three mixtapes. She continued releasing singles sporadically in the years following.

Cassie has dabbled in acting

Cassie played Sophie in the 2008 film "Step Up 2: The Streets," and has also appeared in "The Perfect Match" and on several episodes of "Empire."

Additionally, she appeared in the 2022 TV movie "Hip Hop Family Christmas Wedding."

Cassie was in a tumultuous relationship with Diddy for over a decade

Prior to her lawsuit, gossip news sites reported that Cassie and Combs maintained an on-again, off-again relationship. They reportedly started dating in 2007 and broke up in 2018.

Cassie's 2023 civil lawsuit accused Combs of serious allegations, painting the music mogul as an extremely violent and angry ex-partner.

It details several instances when the music mogul physically and mentally abused Cassie, as well as used intimidation tactics to keep her in the relationship. Combs quickly settled the suit shortly after it was filed.

Combs has been accused of sexual assault, rape, drugging, and other forms of violence in more than 50 civil lawsuits. He was arrested in September following a grand jury indictment and has denied the charges against him and all other allegations of sex abuse.

Combs' criminal sex-trafficking and racketeering trial began on Monday. Cassie, the prosecution's key witness in the case, took the stand on Tuesday and Wednesday to testify against Combs.

Cassie married Alex Fine in 2019 and has three children

Following her split from Combs in 2018, Cassie began a relationship with Alex Fine, a professional bull rider, model, and personal trainer.

In June 2019, the singer revealed that she and Fine were expecting their first child together. The couple tied the knot in a small, surprise wedding in September of that year in Malibu, California. Their daughter, Frankie Stone, was born in early December.

Cassie and Fine welcomed their second child, a baby girl named Sunny Cinco, in March 2021.

In February 2025, Cassie revealed that she was pregnant with their third child, a son. While testifying Wednesday, Cassie's stylist, Deonte Nash, said he called Cassie to congratulate her on the birth of the baby, born Tuesday, about two weeks after Cassie testified against Combs.

Additional reporting by Laura Italiano.

Libby Torres contributed to an earlier version of this story.

The music-sharing platform SoundCloud quietly updated its terms of use in February last year, adding language that lets it train AI models on its users’ content, as TechCrunch reported. And while the company says it hasn’t used user-created content for model training, it doesn’t rule out the possibility that it will in the future.

Marni Greenberg, SVP and head of communications at SoundCloud, provided the following in a statement emailed to The Verge.

SoundCloud has never used artist content to train AI models, nor do we develop AI tools or allow third parties to scrape or use SoundCloud content from our platform for AI training purposes. In fact, we implemented technical safeguards, including a “no AI” tag on our site to explicitly prohibit unauthorized use.

Greenberg went on to say that SoundCloud’s terms of service update “was intended to clarify how content may interact with AI technologies within SoundCloud’s own platform.” She said the company uses AI for things like personalized recommendations and fraud detection, and suggests its plans for future uses of AI on its platform fall along similar lines.

When we asked about letting users opt out of having their music used for generative AI development, here’s what Greenberg had to say:

The TOS explicitly prohibits the use of licensed content, such as music from major labels, for training any AI models, including generative AI. For other types of content uploaded to SoundCloud, the TOS allows for the possibility of AI-related use. 

Importantly, no such use has taken place to date, and SoundCloud will introduce robust internal permissioning controls to govern any potential future use. Should we ever consider using user content to train generative AI models, we would introduce clear opt-out mechanisms in advance—at a minimum—and remain committed to transparency with our creator community.

Hopefully SoundCloud will go to greater lengths to tell users about those opt-out mechanisms than it appears to have done for last year’s AI-related terms of use update. Tech ethicist Ed Newton-Rex, who spotted the changes reported by TechCrunch, posted that they “can’t see any emails” alerting them that the terms had been altered. I’ve contributed to SoundCloud, too, and also didn’t find any emails about the changes when I checked. SoundCloud’s terms say it will provide “prominent notice” about significant alterations to its terms, but doesn’t guarantee you’ll see that in an email.

Here’s SoundCloud’s original full statement, as provided to to The Verge by Greenberg:

SoundCloud has always been and will remain artist-first. Our focus is on empowering artists with control, clarity, and meaningful opportunities to grow. We believe AI, when developed responsibly, can expand creative potential—especially when guided by principles of consent, attribution, and fair compensation.

SoundCloud has never used artist content to train AI models, nor do we develop AI tools or allow third parties to scrape or use SoundCloud content from our platform for AI training purposes. In fact, we implemented technical safeguards, including a “no AI” tag on our site to explicitly prohibit unauthorized use.

The February 2024 update to our Terms of Service was intended to clarify how content may interact with AI technologies within SoundCloud’s own platform. Use cases include personalized recommendations, content organization, fraud detection, and improvements to content identification with the help of AI Technologies.

Any future application of AI at SoundCloud will be designed to support human artists, enhancing the tools, capabilities, reach and opportunities available to them on our platform. Examples include improving music recommendations, generating playlists, organizing content, and detecting fraudulent activity. These efforts are aligned with existing licensing agreements and ethical standards. Tools like Musiio are strictly used to power artist discovery and content organization, not to train generative AI models.

We understand the concerns raised and remain committed to open dialogue. Artists will continue to have control over their work, and we’ll keep our community informed every step of the way as we explore innovation and apply AI technologies responsibly, especially as legal and commercial frameworks continue to evolve.

Apple is launching a new global Viral Chart playlist in Apple Music that consists of tracks people are discovering through the company’s Shazam service. The playlist, which is updated daily, shows the top 50 songs people have heard playing out in the real world and have logged through Shazam. You can see charts on Shazam’s website as well.

The playlists use “Shazam’s data to offer a comprehensive view of today’s fastest-growing songs across the globe, David Emery, who works for Apple Music in the UK, says on Threads. Emery notes that charts reflect songs going viral on Shazam in “real time” and then ranks them based on “their weekly growth in Shazam volume.”

As of writing, the top viral songs in the list include Shake It To The Max (FLY) [Remix] by Moliy, Nothing’s Gonna Stop Us Now by Starship, and Hot Together by The Pointer Sisters. On Shazam’s website, you can look at the rankings by country, if you’d like.

• A small fraction of all No. 1 hits have ruled the Billboard Hot 100 for 10 weeks or more.
• "Old Town Road" and "A Bar Song (Tipsy)" are tied for the all-time record with 19 weeks apiece.
• Listen to the complete playlist on Business Insider's Spotify.

The Billboard Hot 100 is widely considered to be the definitive all-genre singles chart in the US.

Since it was launched in 1958, well over 1,000 songs have reached the coveted No. 1 spot, but far fewer have reigned long enough to reach double-digit weeks — or, even more impressively, surpass that milestone.

According to Billboard, only 4% of all No. 1 hits have topped the Hot 100 for 10 weeks or more. All 46 songs that have achieved the feat are listed below, in chronological order.

1. "You Light Up My Life" by Debby Boone

"You Light Up My Life" was the first song in history to chart at No. 1 for 10 weeks.

2. "Physical" by Olivia Newton-John

"Physical" charted at No. 1 for 10 weeks.

3. "End of the Road" by Boyz II Men

"End of the Road" charted at No. 1 for 13 weeks.

4. "I Will Always Love You" by Whitney Houston

"I Will Always Love You" charted at No. 1 for 14 weeks.

5. "I Swear" by All-4-One

"I Swear" charted at No. 1 for 11 weeks.

5. "I'll Make Love to You" by Boyz II Men

"I'll Make Love to You" charted at No. 1 for 14 weeks.

7. "One Sweet Day" by Mariah Carey and Boyz II Men

"One Sweet Day" charted at No. 1 for 16 weeks, making Boyz II Men the first artist in history to earn double-digit weeks atop the chart with three different songs.

8. "Macarena (Bayside Boys Mix)" by Los Del Rio

"Macarena (Bayside Boys Mix)" charted at No. 1 for 14 weeks.

9. "Un-Break My Heart" by Toni Braxton

"Un-Break My Heart" charted at No. 1 for 11 weeks.

10. "I'll Be Missing You" by Puff Daddy and Faith Evans featuring 112

"I'll Be Missing You" charted at No. 1 for 11 weeks.

11. "Candle in the Wind 1997/Something About the Way You Look Tonight" by Elton John

"Candle in the Wind 1997/Something About the Way You Look Tonight" charted at No. 1 for 14 weeks.

12. "The Boy Is Mine" by Brandy and Monica

"The Boy Is Mine" charted at No. 1 for 13 weeks.

13. "Smooth" by Santana featuring Rob Thomas

"Smooth" charted at No. 1 for 12 weeks.

14. "Maria Maria" by Santana featuring The Product G&B

"Maria Maria" charted at No. 1 for 10 weeks.

15. "Independent Women, Pt. 1" by Destiny's Child

"Independent Women, Pt. 1" charted at No. 1 for 11 weeks.

16. "Foolish" by Ashanti

"Foolish" charted at No. 1 for 10 weeks.

17. "Dilemma" by Nelly featuring Kelly Rowland

"Dilemma" charted at No. 1 for 10 weeks.

18. "Lose Yourself" by Eminem

"Lose Yourself" charted at No. 1 for 12 weeks.

19. "Yeah!" by Usher featuring Lil Jon and Ludacris

"Yeah!" charted at No. 1 for 12 weeks.

20. "We Belong Together" by Mariah Carey

"We Belong Together" charted at No. 1 for 14 weeks.

21. "Gold Digger" by Kanye West featuring Jamie Foxx

"Gold Digger" charted at No. 1 for 10 weeks.

22. "Irreplaceable" by Beyonce

"Irreplaceable" charted at No. 1 for 10 weeks.

23. "Low" by Flo Rida featuring T-Pain

"Low" charted at No. 1 for 10 weeks.

24. "Boom Boom Pow" by The Black Eyed Peas

"Boom Boom Pow" charted at No. 1 for 12 weeks.

25. "I Gotta Feeling" by The Black Eyed Peas

"I Gotta Feeling" charted at No. 1 for 14 weeks.

26. "We Found Love" by Rihanna featuring Calvin Harris

"We Found Love" charted at No. 1 for 10 weeks.

27. "Blurred Lines" by Robin Thicke featuring T.I. and Pharrell

"Blurred Lines" charted at No. 1 for 12 weeks.

28. "Happy" by Pharrell Williams

"Happy" charted at No. 1 for 10 weeks.

29. "Uptown Funk!" by Mark Ronson featuring Bruno Mars

"Uptown Funk!" charted at No. 1 for 14 weeks.

30. "See You Again" by Wiz Khalifa featuring Charlie Puth

"See You Again" charted at No. 1 for 12 weeks.

31. "Hello" by Adele

"Hello" charted at No. 1 for 10 weeks.

32. "One Dance" by Drake featuring WizKid and Kyla

"One Dance" charted at No. 1 for 10 weeks.

33. "Closer" by The Chainsmokers featuring Halsey

"Closer" charted at No. 1 for 12 weeks.

34. "Shape of You" by Ed Sheeran

"Shape of You" charted at No. 1 for 12 weeks.

35. "Despacito" by Luis Fonsi and Daddy Yankee featuring Justin Bieber

"Despacito" charted at No. 1 for 16 weeks.

36. "God's Plan" by Drake

"God's Plan" charted at No. 1 for 11 weeks.

37. "In My Feelings" by Drake

"In My Feelings" charted at No. 1 for 10 weeks, becoming Drake's third entry on this list. He holds the record for the most solo songs with double-digit weeks atop the Hot 100.

Drake also holds the record for the most No. 1 song debuts in history, with nine to his name.

38. "Old Town Road" by Lil Nas X featuring Billy Ray Cyrus

"Old Town Road" holds the record for the longest stretch at No. 1 with 19 weeks. It also became the fastest song in history to be certified diamond and won two Grammy Awards.

39. "The Box" by Roddy Ricch

"The Box" charted at No. 1 for 11 weeks.

40. "Butter" by BTS

"Butter" charted at No. 1 for 10 nonconsecutive weeks.

41. "Easy On Me" by Adele

"Easy On Me" charted at No. 1 for 10 nonconsecutive weeks, becoming Adele's second song to reach the milestone.

42. "As It Was" by Harry Styles

"As It Was" charted at No. 1 for 15 nonconsecutive weeks, the longest reign ever for a British artist.

43. "All I Want for Christmas Is You"

Nearly three decades years after its release, "All I Want for Christmas Is You" returned to No. 1 in December 2022 for its milestone 10th week atop the chart.

The holiday classic is Carey's third song to earn double-digit weeks atop the Hot 100, making her the third artist and first woman to achieve the feat thrice.

In 2024, the song experienced another holiday surge, earning its 18th total week at No. 1 and surpassing "One Sweet Day" as Carey's longest-reigning hit on the Hot 100. It trails the all-time record by just one week.

44. "Last Night" by Morgan Wallen

"Last Night" charted at No. 1 for 16 nonconsecutive weeks, despite Morgan Wallen's many controversies.

45. "A Bar Song (Tipsy)" by Shaboozey

"A Bar Song (Tipsy)," Shaboozey's breakout hit, charted at No. 1 for 19 nonconsecutive weeks, the most ever among solo hits. It's tied with "Old Town Road" for the all-time record.

46. "Luther" by Kendrick Lamar with SZA

"Luther" was released as track three on Kendrick Lamar's album, "GNX," and originally debuted at No. 3 on the Hot 100.

Shortly after Lamar's Super Bowl halftime show (which SZA joined to perform both "Luther" and their 2018 hit "All the Stars"), "Luther" rose to the top spot. It has dominated the chart for 10 consecutive weeks.

• Lana Del Rey has regularly faced backlash since early 2020.
• It all started when Del Rey posted an unprompted public statement defending her own reputation.
• After repeatedly doubling down, she's since been described as "the epitome of white woman feminism."

At the dawn of a new decade, Lana Del Rey seemed poised at the summit of the indie-pop mountain.

The songstress, now 39, was still riding the high of "Norman Fucking Rockwell!" — her career-topping sixth album, which was crowned as Pitchfork's best of 2019 and nominated for album of the year at the Grammy Awards.

As 2019 neared its close, Del Rey's first two albums, "Born to Die" and "Ultraviolence," both landed on several decade-end lists. She was named one of the decade's defining artists by Business Insider.

But shortly after, Del Rey's behavior began to make more headlines than her music.

Her reputation suffered a rapid downturn, thanks to a string of controversial public statements, questionable accessories, and a strong tendency to double down.

Many fans even said they'd "lost respect" for the singer, and she became increasingly described online as a "problematic white woman." More recently, Del Rey has faced backlash for leaning into what listeners have described as a "conservative Southerner vibe" with her music, aesthetics, and inner circle.

Keep reading for a timeline of her biggest scandals and inflammatory comments.

Note: This article has been updated since its original publish date.

May 2020: Del Rey posted an unprompted public statement about her own reputation

It all began on May 21, four months after the 2020 Grammys, when Del Rey shared a lengthy open letter on Instagram. 

Posed as a "question for the culture," Del Rey praised her own legacy and broadly described her critics as "pathetic."

"Now that Doja Cat, Ariana, Camila, Cardi B, Kehlani and Nicki Minaj and Beyoncé have had number ones with songs about being sexy, wearing no clothes, fucking, cheating etc," she wrote, "can I please go back to singing about being embodied, feeling beautiful by being in love even if the relationship is not perfect, or dancing for money, or whatever I want, without being crucified or saying that I'm glamorizing abuse?"

"I'm fed up with female writers and alt singers saying that I glamorize abuse," she continued, "when in reality I'm just a glamorous person singing about the realities of what we are all now seeing are very prevalent emotionally abusive relationships all over the world."

She defended writing songs about being "submissive" in relationships, despite what she described as "a long 10 years of bullshit reviews."

"I also feel it really paved the way for other women to stop 'putting on a happy face' and to just be able to say whatever the hell they wanted to in their music," she wrote, "unlike my experience where if I even expressed a note of sadness in my first two records I was deemed literally hysterical as though it was literally the 1920s."

Del Rey concluded her statement by plugging her forthcoming poetry books, mentioning that she donates to "Native American foundations," and announcing a new album.

It remains unclear what triggered Del Rey's statement, or why she felt compelled to defend her music after months of glowing reviews.

Early in her career, Del Rey was seen as a controversial figure, but largely due to accusations of inauthenticity and artifice — especially because she orchestrated an aesthetic pivot after releasing a "flop" album under her birth name, Lizzy Grant.

Del Rey's tragic-glam persona that she introduced in the "Born To Die" era, which leaned heavily on images of white Americana, received far more scrutiny than her lyrics. She was also criticized in 2014 for telling Fader, "Feminism is just not an interesting concept."

Del Rey may have been reacting to a 2019 article from The Independent, in which writer Helen Brown "examines how easy it is to misread her lyrics as 'antifeminist'" — although Brown actually defends Del Rey's "sharp" songwriting and roundly praises her newest album.

Whatever Del Rey's motivations may have been, her 2020 statement was poorly received.

While some agreed she's been unfairly judged as "antifeminist" in the past, many were angry that she name-dropped other artists to make her point.

Additionally, six out of the seven people she mentioned were women of color, which sparked accusations of racism.

As Tulane University's Christine Capetola wrote, in addition to her reductive descriptions of their music, Del Rey "failed to recognize Black female artists' decades-long — and ongoing — struggle to express their sexualities on their own terms within the realm of pop music." 

Del Rey also implied that she's more "delicate" than her peers, and claimed that feminism is intolerant of "women who look and act like me."

"The optics of Lana, a white woman, complaining about feminism lacking space for her while critiquing the acclaim allotted to several Black pop artists is mortifying," Ashley Reese wrote for Jezebel.

YouTuber D'Angelo Wallace said Del Rey's album announcement was amplified by media coverage of the controversy. 

"Was Lana Del Rey profiting off Black outrage to sell her album? Yes," he said in a video titled, "Lana Del Rey has Lana Del LOST IT."

"I don't think she did it on purpose," he said. "But once she realized who she was making mad, and that it was getting her even more attention than she initially was looking for, she made four follow-up comments. And they were all about the outrage."

He added: "I'm just gonna be honest. This is where my respect for her started to dip."

Shortly after, Del Rey doubled down and insisted she's not racist

Del Rey's response to the backlash focused on her reasoning for naming specific artists.

"To be clear because I knowwww you love to twist things. I fucking love these singers and know them. #that is why I mentioned them," she wrote. "I would like to have some of the same freedom of expression without judgment of hysteria."

"I haven't had the same opportunity to express what I wanted to express without being completely decimated," she continued in a second comment. "And if you want to say that has something to do with race that's your opinion but that's not what I was saying."

"This is the problem with society today," she said in a third comment. "It's exactly the point of my post — there are certain women that culture doesn't want to have a voice it may not have to do with race I don't know what it has to do with."

"I don't care anymore but don't ever ever ever ever bro- call me racist because that is bullshit."

"And my last and final note on everything," Del Rey wrote in a fourth comment, "when I said people who look like me — I meant the people who don't look strong or necessarily smart, or like they're in control etc. it's about advocating for a more delicate personality, not for white women — thanks for the Karen comments tho. V helpful."

However, Del Rey's comments struck many people as overly defensive, tone-deaf, and unproductive, rather than illuminating. 

"'Don't ever call me racist' is hands-down the single-most disappointing reaction to accusations of racism," Wallace said in his video. 

Black writers like Nichole Perkins and Roxane Gay also pointed out Del Rey's use of "coded" language and self-victimization.

Del Rey posted an additional statement on Instagram, accusing her critics of wanting a 'race war'

One day after her original post, Del Rey continued to insist that it "wasn't controversial at all," despite national news coverage and widespread backlash.

In her additional statement, she implied that Ariana Grande and Doja Cat reached out to express discomfort with her message.

But "despite the feedback," Del Rey doubled down once again.

"I want to say that I remain firm in my clarity and stance in that what i was writing about was the importance of self-advocacy for the more delicate and often dismissed, softer female personality, and that there does have to be room for that type in what will inevitably become a new wave/3rd wave of feminism that is rapidly approaching," she wrote, even though the third wave of feminism began more than 20 years ago.

"I'm sorry that the folks who I can only assume are super Trump/Pence supporters or hyper liberals or flip-flopping headline grabbing critics can't read and want to make it a race war," she continued.

She also accused her female critics of being "disassociated from their own fragility and sexuality" and wanting "drama."

"My aim and my message are clear. That I have control of my own story," she concluded. "If the women I mention don't wanna be associated with me that's absolutely fine by me."

Again, fans criticized Del Rey for dismissing feedback rather than engaging with it.

Many noted that Del Rey's repeated self-characterization as a "delicate" woman plays into racist stereotypes, which historically paint white women as more feminine or fragile — allowing them to escape accountability more easily.

It also highlights the idea that Del Rey is "playing the victim."

"Lana really wants to act like she's the most original artist playing the victim and honestly she's full of shit," one person wrote on X (then known as Twitter). 

She was also mocked for not-so-casually plugging her poetry book in the midst of her non-apology.

Del Rey made a further attempt to defend her open letter 3 days later — and compared herself to another woman of color

"In that post — my one and only personal declaration I've ever made, thanks for being so warm and welcoming — was about the need for fragility in the feminist movement," Del Rey said on May 25 in a six-minute video on Instagram.

"When I mentioned women who 'look like me,' I didn't mean white like me, I mean the kind of women who, you know, other people might not believe," Del Rey said in the video. "The difference is, when I get on the pole, people call me a whore, but when twigs gets on the pole, it's art."

She added: "The culture is super sick right now. And the fact that they wanna turn my post, my advocacy for fragility, into a race war — it's really bad. It's actually really bad."

She also expressed frustration that her letter received backlash, though she didn't address any of the specific criticism she received from artists and fans of color.

"It really, again, makes you reach into the depth of your own heart and say, 'Am I good-intentioned?' And of course, for me, the answer is always yes," she said. "I barely ever share a thing, and this is why."

Del Rey wrapped up by insisting that she's "not racist," plugging her poetry books, and refusing to apologize for her original statement: "Fuck off if you don't like the post."

Once again, Del Rey was perceived as being resentful towards successful women of color, ignorant of her own privilege, and determined to play the victim.

People were especially infuriated by Del Rey's mention of FKA twigs, a mixed-race singer, songwriter, and dancer.

Twigs has trained as a pole dancer and incorporated acrobatics into her art, as in her Grammy-nominated music video for "Cellophane." She has also incorporated the skill into live performances of "Magdalene," an album that explores the demonization of women throughout history and her own experiences with heartbreak and trauma.

Twigs also said that pole dancing helped her feel like her "strong self again" after she had six fibroid tumors removed from her uterus in 2018.

For her part, Del Rey portrayed a stripper in her 2013 short film for "Tropico," which was criticized for "appropriating Latino gangster culture."

"The fact that she said race war and doesn't see twigs as a fragile, delicate woman is... You're really making it worse," one person wrote. 

Another added: "You can hear FKA twigs' pain on 'Magdalene' period. I need Lana to stop bringing black women into her argument for creating a brand she cannot escape from."

Most fans (and former fans at this point) agreed that Del Rey's video "only made things worse."

"I didn't think she was this kind of person," Wallace said in his video. "Now I have the knowledge that Lana Del Rey is kind of ruthless in her pursuit of getting people to talk about her, and she doesn't seem to care who gets angry in the process, or even if what she's saying is right. So, that's a lot."

June 2020: She was called out by Black artists for sharing videos of protesters

During the wave of Black Lives Matter protests sparked by the death of George Floyd, Del Rey shared two videos on Instagram.

According to Billboard, the first video showed a man holding a sign that read "no justice no peace," while the second showed people breaking into storefronts and running away with merchandise. She disabled comments on the post.

On X, Kehlani implored Del Rey to remove the videos because they showed uncensored faces and identifying features, which could lead to "dangerous" consequences for the protesters.

".@LanaDelRey please remove your instagram post it's dangerous as fuck and a very poor choice of moments to post," Kehlani tweeted. "by all means protest, but DO NOT endanger people with your very massive platform. oh and turn your fuckin comments on man."

Kehlani added: "it's about furthering endangering the lives of black people. it's about responsibility."

Tinashe echoed Kehlani's comments in a tweet of her own.

"@LanaDelRey why the fuck are you posting people looting stores on your page literally WHAT IS YOUR PROBLEM," she wrote.

After Del Rey removed the video from Instagram, Kehlani and Tinashe both deleted their tweets.

October 2020: Del Rey came under fire after apparently wearing a mesh face mask

Aside from postponing her album, which was originally slated for release in September 2020, Del Rey remained fairly quiet in the wake of her divisive video — except to promote her aforementioned poetry book, "Violet Bent Backwards Over the Grass."

In October, Del Rey hosted a book signing at a Barnes & Noble in Los Angeles during the height of the COVID-19 pandemic.

In videos and photos from the event, she appeared to wear a mesh-style face mask, which, according to the CDC's recommendations, would not effectively barrier respiratory droplets.

Fans left comments on her Instagram posts, which she has since deleted, begging her to wear a "real mask."

"I love you sis but please wear a real mask, it gives a bad message," one user commented on Del Rey's Instagram video.

"i love lana sm but what the frick is she doing ? the covid situation in the united states is worsening and she refuses to wear a proper mask, that really infuriates me," another fan wrote on X. "so many ppl have died there."

Others called Del Rey "selfish" and said they were growing tired of defending her.

The image of COVID-19 slipping through the holes in her mask also became a meme on social media.

Del Rey later said that her mask had a plastic lining, in response to a critical article in the Michigan Daily.

"The mask had plastic on the inside," Del Rey wrote. "They're commonly sewn in by stylists these days. I don't generally respond to articles because I don't care. But there ya go. Same goes for everyone's masks in my video. I'm lucky enough to have a team of people who can do that."

She also seemed to poke fun at the controversy in her music video for "Chemtrails Over the Country Club," in which she dons a nearly identical mask.

January 10, 2021: Del Rey unveiled the cover art for her new album — and preemptively defended it with a 'problematic' comment

The black-and-white cover for "Chemtrails Over the Country Club" shows Del Rey grinning and surrounded by friends, all huddled around a table.

Shortly after she shared the image, Del Rey commented on her own Instagram post with preemptive self-defense.

"No this was not intended — these are my best friends, since you are asking today," she wrote, although it's unclear who was asking. (This was written as a stand-alone comment, not a reply to anyone in particular.)

"As it happens when it comes to my amazing friends and this cover, yes, there are people of color on this record's picture and that's all I'll say about that," she wrote. "We are all a beautiful mix of everything - some more than others, which is visible and celebrated in everything I do."

"In 11 years working I have always been extremely inclusive without trying to," she continued. "My best friends are rappers, my boyfriends have been rappers. My dearest friends have been from all over the place, so before you make comments again about a WOC/POC issue, I'm not the one storming the capital, I'm literally changing the world by putting my life and thoughts and love out there on the table 24 seven. Respect it."

The following day, during an interview with BBC's Annie Mac, Del Rey said that "actually half the people in this photo are people of color."

"I just feel like if that's really what people are gonna say, I have an answer for them, which is that if you look closer, you will see people of color," she added. "It's a black-and-white image, so zoom in, you know. It's just weird, you know?"

Naturally, some people did make jokes about the cover's perceived lack of diversity, while others called the image "tone deaf."

But the real backlash came in response to Del Rey's comment, which was described as "textbook white fragility problematic white woman."

Del Rey's note about befriending and dating "rappers" was particularly provocative, since it implies that "rappers" is an ethnic category and reinforces the notion that Black friends can inoculate white people against racism.

Del Rey was also mocked for claiming that she's "literally changing the world" with her writing.

"We love her and understand her intentions but we cannot keep defending this shit," one fan commented on Del Rey's Instagram post. "That comment is so problematic in so many ways."

"I literally have her lyrics tattooed on my body but I'm also a political activist and I cannot defend this shit at all. I wish we could be excited about the album and only that but shit like this makes it hard to be," the fan continued. "Nothing about her statement is okay."

"If she's going to breathe life into [the] aesthetics of a time where racism was at one of its peaks, and not use her platform in the same breath to advocate today's issues properly, accurately, and tactfully. That's an issue."

January 11, 2021: Del Rey was criticized for saying Trump 'doesn't know that he's inciting a riot'

During an interview with BBC's Annie Mac, Del Rey compared President Donald Trump to "people who didn't know they hurt other people."

"You know, he doesn't know that he's inciting a riot, and I believe that," she said, adding that Trump has "delusions of grandeur."

Del Rey was referring to the violent riot at the US Capitol on January 6, 2021, when pro-Trump supporters stormed the building after attending a nearby Trump rally.

Five people died, and the outgoing president was impeached for "incitement of insurrection."

"The madness of Trump… As bad as it was, it really needed to happen. We really needed a reflection of our world's greatest problem, which is not climate change but sociopathy and narcissism," she said, per Complex. "Especially in America. It's going to kill the world. It's not capitalism, it's narcissism."

One person replied on X: "Lana stans gonna be doing some mental gymnastics to explain this one."

Del Rey then lashed out at 'larger magazines' for 'taking my well-intentioned and believe it or not liberal comments out of context'

The day following her interview with Mac, Del Rey responded to Complex's coverage of her comments.

"OK complex not that our 10 year relationship matters I guess," she wrote in a since-deleted post on Twitter, now X. "Thanks for the cool soundbite taken out of context, I said that the bigger problem is Sociopathy-so whether he meant to incite a riot is less important than the larger issue in America at hand -the problem of sociopathy."

"It's fucked up," she continued. "You know I'm real. You know I voted for Biden. I'm super steady in everything I've ever said. You probably listened to my entire interview. So whoever wrote this is a genuine piece of shit. I am the one helping bringing the problem with narcissism to light."

Hardly one to stifle momentum, Del Rey also responded to the Australian blog Tone Deaf, which had published an article criticizing the defense of her album cover.

"I'm actually not tone deaf, I don't think there's anything tone deaf about responding to questions about why there are only white women on a album cover when that's just not the case," she tweeted. "I'm not gonna let people say that some thing is what it isn't. You're jealous I get it."

In an additional (now-deleted) tweet, Del Rey added that her new music is "great" and described herself as "one of the only artists who is genuine."

Del Rey continued tweeting about her BBC interview, clarifying that she meant to criticize Trump's "significant lack of empathy" and "the issue of sociopathy and narcissism in America."

"I'll say it again I don't appreciate the larger magazines taking my well-intentioned and believe it or not liberal comments out of context," she wrote. "It's actually what I sing about quite often. It's what I've been condemned for saying."

She also expressed disdain for negative publicity, citing her "long term relationship" with magazines like Complex and Rolling Stone, calling the former "pathetic."

Uproxx's Steven Hyden described the now-deleted tweet as "a hilarious and illuminating snapshot of pop-star brain."

Indeed, Del Rey has lashed out at journalists and music critics in the past.

Back in September 2019, she tweeted her displeasure with Ann Powers' review of "Norman Fucking Rockwell!" for NPR — even though Powers described the album as "instantly compelling, a pro asserting her future spot in the Rock and Roll Hall of Fame."

True to form, Del Rey doubled down with a video, in which she defended her comments about Trump and called out Complex again.

"I just wanna talk about a couple of things, some of the articles that are coming out today, about me thinking that Trump didn't mean to incite the riots," she began. "I think it's cute that that's the little takeaway that Complex gets from that — especially with our relationship over the last 10 years, obviously completely disregarded."

"I get it. I have something to say, and I don't just show up giggling and talking about my hair and my makeup," she continued. "I was asked directly political questions for over 40 minutes by the BBC Radio 1, and I answered them."

Many people saw Del Rey's tweets as another attempt to play the victim or another example of "white feminism." The term is used to describe performative activism that centers white people in the fight for equality, as opposed to intersectionality.

"Lana is beyond parody," one person wrote. "People are saying she's the epitome of white woman feminism and she defends herself with more white woman feminism."

 Others simply made jokes or said they'd lost patience with Del Rey's antics.

September 12, 2021: Del Rey deactivated her social media accounts

In a black-and-white video posted on Instagram, the musician thanked fans for their support and announced her decision to delete social media.

"I just wanted to let you know that tomorrow we are going to be deactivating my social media accounts, and that is simply because I have so many other interests and other jobs I'm doing that require privacy and transparency," Del Rey said.

"I'm still very present and love what I do. I'm absolutely here for the music. I'm also just going on some different endeavors and I want to say thank you so much for all the support and I do hope that you like the record," she added, referencing her eighth album "Blue Banisters," which was released later that same month.

Del Rey later became active again on Instagram, using the account handle @honeymoon, though her X account remains inactive.

March 24, 2023: She included a megachurch pastor's sermon on her new album, dividing fans

On Del Rey's ninth studio album, "Did You Know That There's a Tunnel Under Ocean Blvd," track five is titled "Judah Smith Interlude."

The four-minute track gives an uninterrupted platform to Judah Smith, a preacher at the Christian megachurch Churchome. Smith, Del Rey, and producer Jack Antonoff are all listed as cowriters. 

Del Rey also thanked Smith in a Facebook post a few months prior, "for giving me good guidance" and "for letting me record a part of his sermon for this record."

In the song, Smith denounces "a life dominated with lust" and praises God as "the fascinating artist who fashioned it all."

"The Spirit of God says, 'I'll infuse you with desirеs for what you have and what's in front of you,'" Smith preaches.

As Them previously reported, many fans — especially those who identify as queer — were divided in their reactions to "Judah Smith Interlude." One X user called it "creepy," while another said, "it's giving conversion therapy cult leader." 

Indeed, Smith has reportedly made homophobic comments in the past. According to Marie Claire, he called homosexuality a sin comparable to "murder, rape, or living with your girlfriend" during a 2005 interview. (The interview in question isn't available online.)

Churchome is also associated with Hillsong, an Australian megachurch best known for attracting famous followers like Chris Pratt. In fact, Justin Bieber once led worship at Churchome, and Smith was featured on Bieber's 2021 EP "Freedom."

Hillsong has long been associated with anti-abortion and anti-LGBTQ views. A report from NPR described it as "an ultra-conservative church with a dark past," including connections to pedophilia.

"I was uncomfortable. I'm not religious and thought it was weird to include. Considering who he is, it's very weird," one person wrote on Reddit. Another agreed, reasoning that Del Rey could have invented "a weird fake religious monologue" instead of "publicizing a real pastor that sucks."

However, some fans of Del Rey have defended "Judah Smith Interlude" as satirical or "ironic." As Coleman Spilde wrote for the Daily Beast, "Del Rey is exactly the type of person who would attend a celebrity-studded mega-church, both for a cleansing of the soul and to lambaste its intrinsic flamboyance with her friends."

"As a gay atheist that grew up in the Catholic Church, y'all are really bent out of shape over this," another fan commented in a Reddit thread. "I love how provocative this whole thing is and it's exactly why I love Lana."

June 24, 2023: Del Rey arrived 30 minutes late to the stage at Glastonbury, telling the crowd, 'My hair takes so long to do'

Del Rey is far from the only artist who's been late to headline a major festival. However, some people were frustrated with the explanation she gave for the delay.

"I was so fucking late that I am about to rush this set today," she told the crowd. "If they cut power, they cut power. I'm super fucking sorry. My hair takes so long to do. I love you to death. Let's keep on running the set as it's supposed to go."

As a result, Del Rey's microphone was cut off due to the festival's strict midnight curfew — although she encouraged the crowd to sing her final song, "Video Games," instead.

Despite some outrage directed at Glastonbury, many fans blamed Del Rey and said she lacked respect for the fans who came to see her perform.

Others described her performance as "chaotic" and "disappointing."

September 26, 2024: Del Rey married Jeremy Dufrene, an alligator tour guide based in Louisiana

About one month after Del Rey and Dufrene sparked romance rumors, paparazzi photos surfaced of the singer wearing a white gown at a public bayou in Des Allemandes, Louisiana.

People quickly confirmed that Del Rey and Dufrene tied the knot in the same place where Dufrene operates his swamp boat tours.

"Jeremy is the one and only. And amazing. And we're very happy," Del Rey later wrote on Instagram.

Fans were shocked and confused by the news of Del Rey's nuptials. For many, her marriage to Dufrene confirmed their suspicions that she has embraced a conservative lifestyle; unverified screenshots from Dufrene's public Facebook that appear to show support for Trump throughout the 2024 election. (Dufrene's social media accounts have since been set to private.)

Nearly three months after her wedding, Del Rey praised her husband as an "honest partner who has no skin in the game" during a speech at the Variety Hitmakers ceremony.

"It's super nerve-racking to have to hold onto an innocent perception of how things could go when you're in an industry where maybe your values or your morals don't quite match up with what's going on — especially when people think that you probably don't have any morals or values," she said, per Billboard.

Resharing a clip of her speech on X, Meghan McCain wrote: "Lana is code talking about being a conservative woman here. I know what I speak of."

April 25, 2025: Del Rey sang about kissing Morgan Wallen during her Stagecoach debut

Del Rey debuted several unreleased songs during her first-ever performance at Stagecoach, California's biggest country music festival.

One song, titled "57.5," includes an intimate lyric about the country musician Morgan Wallen, whose rise to fame has been marked by a string of arrests and scandals.

"I kissed Morgan Wallen / I guess kissing me kind of went to his head," Del Rey sang. "If you want my secret to success / I suggest don't go ATVing with him when you're out West."

Before delivering the lyric, Del Rey warned the crowd, "This is the last time I'm ever gonna say this line."

Del Rey's name-dropping of Wallen inspired a flurry of mixed reactions. Although the song depicts their encounter in a negative light, which many fans relished as juicy gossip, Del Rey seemed to know that willingly associating herself with Wallen — who's best known in liberal circles for flouting COVID-19 protocols and using a racial slur on camera — would invite attention, speculation, and possibly even backlash.

"Every couple months Lana has to remind y'all she's a conservative," one detractor wrote on X. Other posts referred to her as a "secret Republican" and "MAGA Del Rey." Over on Reddit, self-proclaimed former fans lamented the progression of her songwriting ("This can't be the same woman that wrote 'Cruel World'") and her recently countrified aesthetic ("This whole trad wife southern cosplay isn't really for me").

Reactions were similarly mixed on TikTok, where some people described the revelation as "iconic" and others as problematic. One video criticizing Wallen, Del Rey, her husband, and her fans has amassed over 64,000 likes.

"Y'all are about to call me 'the friend that's too woke' and I don't really give a shit, 'cause Lana Del Rey getting on that main stage and saying she kissed Morgan Wallen actually is that bad," the creator said.

Representatives for Del Rey have not responded to requests for comment from Business Insider.

Do you remember when sharing music on a website meant uploading MP3 files and dealing with clunky audio players? I sure do.

Thankfully, many streaming services have made it easier to share music online, and Spotify is leading the way. As one of the world’s largest music platforms, it offers straightforward embedding options that work well with WordPress.

As a music lover and WordPress user, I decided to look for the most reliable methods for adding Spotify content to WordPress sites. Whether you’re a music reviewer, podcast creator, or just want to share your favorite playlist, I will show you how to embed audio content without touching a single line of code.

In this guide, I’ll show you 2 easy methods to embed Spotify in WordPress. These are great options for sharing a single track, a full album, a podcast episode, or an entire playlist. 🎶

Why Embed Spotify in WordPress?

If you’re a musician or podcaster, then embedding Spotify content on your WordPress website is a powerful way to promote your work and connect with your audience.

Instead of sending visitors away to your Spotify profile, you can feature your music or episodes right where your fans already are – like on your podcasting website or the professional hub for your music.

That said, even if you’re not sharing your own content, adding Spotify embeds can still make your site more engaging. Whether you’re writing music reviews or curating playlists, embedding audio tracks can take your content to the next level.

And here are the types of Spotify content you can embed:

• Single tracks – Perfect for promoting your own music or highlighting a specific song.
• Albums – Great for showcasing full releases, especially for artists or music reviewers.
• Playlists – Share your favorite collections or set the mood with themed playlists.
• Podcasts – Ideal if you host a podcast and want to share episodes on your site.
• Artist profiles – Highlight your own Spotify artist page or feature others you support.

The best part? Spotify comes with easy embed links that you can use in WordPress.

How to Embed Spotify in WordPress

WordPress makes it easy to embed Spotify content right out of the box. You can simply paste a Spotify link into the content editor. WordPress will then automatically turn it into an embedded player within a Spotify block.

In this guide, I’ll cover 2 easy ways to embed Spotify in WordPress:

Both methods let you embed songs, albums, playlists, podcasts, or artist profiles without writing a single line of code!

Method 1: Embed Spotify Using the Spotify Block in WordPress (No Plugin Needed)

This is the easiest method because you just need to add a block in the WordPress block editor. It’s great for adding tracks, playlists, or podcast episodes directly to your posts or pages – no extra plugins needed.

Step 1: Find the Spotify Content Link

First, let’s get the Spotify content link.

You can start by opening the Spotify web player or desktop application to access its content (logging in is optional).

From the ‘Home’ screen, you need to use the ‘Search’ feature to find the content you want to embed. You can search by song title, album title, or artist name.

For example, I looked for Dream, Ivory’s artist page.

Just click on the relevant search result when it appears.

Once inside, you can click the three-dot button next to the ‘Follow’ button on the artist’s profile.

Next, hover over the ‘Share’ option and then click ‘Copy link to artist.’

If you want to embed a single track, then you can click on the three-dot button for a track.

Then, simply hover over the ‘Share’ option and click the ‘Copy Song Link’ button.

To embed a full album, scroll down the artist page to the ‘Discography’ section.

After that, just click on the album you want to share to open it.

You’ll see a three-dot button below the album name; go ahead and click it.

From here, you can hover over ‘Share’ and click ‘Copy Album Link.’

The process is pretty much the same for playlists and podcasts.

Just make sure you’re clicking the right three-dot button depending on whether you’re on a song, album, playlist, show, or artist page.

Step 2: Embed the Spotify Content into WordPress

Now, let’s add the link to your WordPress website.

You can embed Spotify content into any post or page. For this tutorial, I’ll show you how to do it inside a blog post using the WordPress block editor.

From your WordPress dashboard, let’s go to Posts » Add New Post or edit an existing post where you want the Spotify player to appear.

You can just paste the Spotify link straight into the editor. But I will also show you how to add the dedicated Spotify block.

In the editor, click the ‘+’ button to add a block.

Then, simply search for ‘Spotify Embed.’

Once you’ve found the ‘Spotify Embed’ block, give it a click to add it to the editor.

Now, you can paste the Spotify link you copied earlier into the block.

You can then click the ‘Embed’ button or press ‘Enter.’

WordPress will automatically fetch and display a live preview of the embedded player.

Before publishing, you might want to adjust the ‘Media settings.’ You can find this slider in the ‘Block’ tab on the right.

Turning on this setting helps the Spotify player look good on all screen sizes, which can help with mobile-friendly design.

When you’re happy with how the Spotify player looks, you can go ahead and click ‘Publish’ or ‘Update’ to make it live.

Now, when visitors view your post, they’ll see a fully interactive Spotify player they can use to listen to the audio content directly.

Method 2: Embed Spotify Using the EmbedPress Plugin (More Customizable)

This method is ideal if you want more flexibility when embedding Spotify content. The EmbedPress plugin lets you customize how your music, playlists, or podcasts appear on your site without using any code.

You can control the size of the audio player and even make the content shareable on social networks. It’s also suitable if you’re using the classic editor because it doesn’t rely on blocks.

Step 1: Install the EmbedPress Plugin

To get started, you’ll need to install and activate the free EmbedPress plugin.

So, let’s log in to your WordPress dashboard and go to Plugins » Add New Plugin.

In the search bar, type ‘EmbedPress,’ then click ‘Install Now’ and ‘Activate’ when it appears.

Need help installing a plugin? Check out this step-by-step guide on how to install a WordPress plugin.

Step 3: Copy the Spotify Content URL

For this tutorial, I’m going to show you how to find Spotify playlist and podcast links.

Let’s start by going to the Spotify web player or desktop application. You don’t need to be logged in to your account for this step.

Once inside, you can use the search bar at the top to find the Spotify playlist or podcast you want to embed.

On the results page, scroll down to the ‘Playlist’ section.

After that, go ahead and click on the playlist that you want to embed.

From here, you can click the three-dot button under the playlist name or near the ‘+’ button.

This will expand the menu where you can hover over ‘Share’ and click ‘Copy link to playlist.’

You can also go to an artist page, as they usually have a curated playlist.

For example, I went to Nina Simone’s artist page and scrolled down to find her ‘Artist pick’ playlist.

Once you’ve opened the playlist, just click the three-dot button near the title or the ‘+’ icon.

Then, hover over ‘Share’ and choose ‘Copy link to playlist.’

When it comes to podcasts, the process is pretty similar. Simply start by using the ‘Search’ feature to go to the podcast.

Once inside, you can click the three-dot button, hover over ‘Share,’ and click ‘Copy Show Link.’

If you want to share an episode instead, then you can scroll down the podcast page.

Then, click the ‘Share’ icon next to the episode you want to embed and copy the link.

The process is pretty much the same for songs, albums, and artist pages.

Just make sure you’re clicking the right three-dot button.

Step 4: Add the Spotify URL to WordPress Using the EmbedPress Block

Once you get your link, you can embed Spotify content into any WordPress post or page using the EmbedPress block.

To get started, you can create a new post by navigating to Posts » Add New Post. Alternatively, you can open the post where you want to embed the track, playlist, or podcast.

In the editor, let’s click the ‘+’ icon.

Then, you can go ahead and search for the EmbedPress block.

Once you’ve found the block, simply click on it to add it to the editor.

After that, paste your Spotify link into the block.

Don’t forget to click the ‘Embed’ button or press ‘Enter.’

EmbedPress will then instantly fetch the preview and display it right inside the editor.

Now, you will have access to extra controls for the audio player.

In the right panel, you can find the option to resize the player by adjusting its width and height.

Plus, you can enable social sharing to make your content more discoverable.

With this setting, you can choose whether to show the icons at the top, left, right, or bottom of the Spotify player.

EmbedPress Pro also allows you to change the color of the audio player and add a ‘Follow’ button. This can help you get more Spotify followers directly from your WordPress website.

When you’re done customizing, just click ‘Publish’ or ‘Update’ to make it live.

That’s it! Your Spotify content is now fully ready to go on your WordPress website. 🎧

💡 Note: If you’re using the old Classic Editor, then you can simply paste the Spotify link into the Visual editor.

The EmbedPress plugin will automatically detect the URL and convert it into an embed.

Take It Further: Sell Your Tracks, Albums, or Sample Packs 💿

Embedding your tracks on your website is just one way to get more listeners.

If you’re a musician, then you can also sell your songs directly from your WordPress site — no middlemen, no platform fees. It’s a smart way to keep full control over your music, grow your fanbase, and earn more from every download.

The easiest way to do this is by using a plugin called Easy Digital Downloads.

Unlike general eCommerce plugins, Easy Digital Downloads is built specifically for selling digital products like MP3s. That means no extra setup for shipping or inventory — just the tools you actually need.

You can sell singles, full albums, or even sample packs with features like secure file delivery, discount codes, and customer management built right in.

For detailed instructions, you can see this guide on how to sell music online in WordPress.

Alternatively, if you want to sell physical music, like vinyl or CDs, then you’ll need a full store with shipping, tax, and inventory support. I recommend using WooCommerce because it’s the most popular eCommerce plugin for WordPress and makes it super easy to sell products online.

You can follow this step-by-step guide on how to start an online store to get started.

FAQs Around How to Embed Spotify in WordPress

If you’re just getting started or still have questions about embedding Spotify links, you’re not alone. Here are some common questions I often hear from WordPress users:

How do I embed a Spotify playlist into WordPress?

You can copy the Spotify playlist link and paste it into a Spotify block in the WordPress editor. WordPress will automatically convert it into an embedded player. Alternatively, a premium plugin like EmbedPress gives you more control over the audio player’s look and branding.

How do I add a Spotify podcast to my WordPress site?

You can copy the podcast episode or show link from Spotify and paste it into the Spotify block in the WordPress block editor. It will instantly turn into a playable embed. Using a plugin like EmbedPress will also allow you to control how the audio player looks and get more followers directly from your website.

How do I play background music on a WordPress site?

Most modern browsers limit autoplaying background music to protect the user experience, especially on mobile devices, where unexpected sounds can be intrusive. Similarly, WordPress also doesn’t support autoplay out of the box.

That said, there are more user-friendly ways to share background music:

• Use a plugin with a custom play button – Plugins like HTML5 Audio Player let you add a small play/pause button. You can place it in a header, footer, or floating sidebar so that visitors can choose to start the music.
• Embed Spotify or other music players – Instead of true background music, you can embed a playlist or single track using Spotify or another streaming service. Visitors can click play whenever they’re ready to listen.

I hope this article has helped you learn how to embed Spotify in WordPress and make your music website more interesting. Next, you can check out our guides on how to add MP3 audio files in WordPress or our expert picks of the best WordPress plugins for podcasters.

If you liked this article, then please subscribe to our YouTube Channel for WordPress video tutorials. You can also find us on Twitter and Facebook.

The post How to Embed Spotify in WordPress (2 Easy Methods) first appeared on WPBeginner.