The 70-year-old actor and director has been named in a sexual harassment lawsuit filed by a stunt performer who said that she was subjected to perform an impromptu rape scene on the set of "Horizon: An American Saga - Chapter 2" in 2023.
The stunt woman, who has previously worked on "Barbie" and "Yellowjackets," is suing for an undisclosed amount and has requested a trial by jury.
Costner's lawyer, Marty Singer, denied the claims in a statement to Business Insider. "Our client Kevin Costner always wants to make sure that everyone is comfortable working on his films and takes safety on set very seriously," Singer said, adding that the claim has "absolutely no merit."
Here's a timeline of all the headline-making missteps, scandals, and controversies Costner has faced throughout his career.
Costner's career suffered in 1995 thanks to the critical and box-office disaster that was "Waterworld."
Kevin Costner and Jeanne Tripplehorn in "Waterworld" (1995).
Universal Pictures
Costner starred in, produced, and later took over directing duties for the postapocalyptic action film "Waterworld," which made headlines before its release thanks to its ballooning budget, which made it one of the expensive movies of its day.
Production setbacks, on-set injuries (including one sustained by Costner himself), and a natural disaster that destroyed an important set all inflated the final cost to a then-record $175 million.
When the film landed in theaters, the critical consensus was that it was also one of the worst movies ever made.
Costner, who personally invested $22 million into the film, lost more than just money in the aftermath of the box office flop. His career took a downward turn that continued with the release of his second directorial effort, "The Postman," two years later in 1997. That film collected a handful of Razzies, including Worst Actor and Worst Director.
Costner made an enemy of the Lakota Sioux following the release of "Dances With Wolves."
Kevin Costner directing "Dances With Wolves."
Orion Pictures
"Dances With Wolves," Costner's 1990 Oscar-winning directorial debut, was praised for its attempt to portray Native American people and their culture more authentically than previous Western films.
Costner also found himself embraced by the Lakota Sioux nation, whom he enlisted to fill out his cast of Native American characters.
But five years after the film was released, the New York Times reported that the Lakota Sioux had felt "betrayed" by Costner after he put forward a proposal to build a casino, golf course, and resort on National Forest land in Deadwood, South Dakota, an area which they consider sacred.
Costner and his brother and business partner, Dan Costner, offered to swap a 600-acre parcel of land 10 miles away for the land they were seeking, something the tribe resisted.
While the Costners did acquire land in South Dakota to build their resort, it never materialized and the pair put the 1,000 acres of land on sale for $14 million in 2013.
However, it's not completely in the past. Costner is still involved in a decadeslong legal battle with an artist whom he commissioned to create a bronze sculpture for the failed resort.
Stephen Baldwin brought a lawsuit against Costner in 2012 and accused him of cheating him out of millions of dollars.
Kevin Costner defended himself in court against accusations that he cheated Stephen Baldwin out of millions of dollars.
Tom Williams/Roll Call via Getty Images
After the Deepwater Horizon oil spill in the Gulf of Mexico in 2010, Costner was forced to defend himself in court against accusations that he cheated Stephen Baldwin out of millions of dollars.
The federal lawsuit brought against Costner by Baldwin and his business partner, Spyridon C. Contogouris, claimed that Costner hid details of a lucrative deal with BP before they sold their stake in Costner's company that created centrifugal oil-water separators.
Baldwin and Contogouris sought $17 million in damages, stating they could have made at least that much in the deal.
After a two-week trial, the jury sided with Costner and they got nothing.
Costner left "Yellowstone" before it ended following rumors of a behind-the-scenes feud with cocreator Taylor Sheridan.
Kevin Costner and "Yellowstone" showrunner Taylor Sheridan clashed during the show's fifth and final season.
Paramount Network, Phillip Faraone/Getty Images for Viacom
After reports began to circulate in early 2023 that Costner had clashed with Taylor Sheridan, the "Yellowstone" showrunner, over shooting schedules, the Paramount Network announced in May 2023 that the series' fifth season would be its last.
Before the final episodes — which promptly killed off Costner's character — began airing in late 2024, things got ugly in the press. It was alleged that Costner offered to spend only a week on set for the final episodes, while Costner claimed that Sheridan dragged his feet with the scripts, leaving him no option but to opt out. The Oscar winner even said at one point that he would "probably go to court" with the show's producers over his final paycheck, but as of 2025, that lawsuit hasn't materialized.
The actor's messy legal separation from his second wife turned into tabloid fodder in 2023.
Kevin Costner and Christine Baumgartner, photographed in 2019.
The interest in their divorce was fueled by jabs made by their respective lawyers in filings: Baumgartner's lawyers cast doubts on whether Costner had been faithful during their marriage. Costner's camp claimed Baumgartner inflated her child support payment request to cover $188,000 worth of plastic surgery.
The two appeared to be headed for a contentious trial until they reached an undisclosed settlement agreement in September 2023.
Costner mortgaged his house to fund his first "Horizon" movie. It became one of the biggest box-office flops of 2024.
Kevin Costner directing on the set of "Horizon."
Richard Foreman/Warner Bros.
Part of the reason Costner couldn't continue his commitments to "Yellowstone" toward the end of its run was because of production on his own Western film franchise, "Horizon," which was originally conceived as four feature-length films that would be released in the space of a year.
However, following the first film's disappointing box office performance upon its release in June 2024, the scheduled release date of the second film was pushed back from August 2024. It still hasn't been released.
To get "Horizon" made, Costner mortgaged his property in Santa Barbara and invested $38 million of his own money. Costner and his undisclosed financial backers are also covering the first film's marketing, which Variety estimated cost $30 million.
The self-financing route was a huge gamble, and one that it appears Costner is still paying off. As it stands, "Horizon: An American Saga - Chapter 1" has made $38 million at the global box office, meaning it hasn't yet made a profit.
In May 2025, Costner and his "Horizon 2" producers were sued by a stunt performer who says she was made to perform an impromptu rape scene.
Kevin Costner directed, wrote, produced, and starred in "Horizon: An American Saga – Chapter 1" and "Horizon: An American Saga – Chapter 2."
Warner Brothers Pictures
In a lawsuit filed in California on Tuesday and viewed by Business Insider, Devyn LaBella accused the actor-director, the production companies behind his "Horizon" film series, and 10 additional unnamed individuals involved in producing "Horizon: An American Saga — Chapter 2" of breach of contract and sexual harassment.
In the suit, LaBella, who was the stunt double for actor Ella Hunt, said that she was made to perform in a "violent unscripted" rape scene without the required notice and consent and without a mandatory intimacy coordinator present.
She also said it was an open set, allowing "anyone" to walk in and "observe the scene being performed."
"I was left exposed, unprotected, and deeply betrayed by a system that promised safety and professionalism," LaBella told The Hollywood Reporter, which broke the news Tuesday.
Costner's attorney denied the allegations in a statement provided to Business Insider.
As 2019 neared its close, Del Rey's first two albums, "Born to Die" and "Ultraviolence," both landed on several decade-end lists. She was named one of the decade's defining artists by Business Insider.
But shortly after, Del Rey's behavior began to make more headlines than her music.
Her reputation suffered a rapid downturn, thanks to a string of controversial public statements, questionable accessories, and a strong tendency to double down.
Many fans even said they'd "lost respect" for the singer, and she became increasingly described online as a "problematic white woman." More recently, Del Rey has faced backlash for leaning into what listeners have described as a "conservative Southerner vibe" with her music, aesthetics, and inner circle.
Keep reading for a timeline of her biggest scandals and inflammatory comments.
Note: This article has been updated since its original publish date.
May 2020: Del Rey posted an unprompted public statement about her own reputation
It all began on May 21, four months after the 2020 Grammys, when Del Rey shared a lengthy open letter on Instagram.
Posed as a "question for the culture," Del Rey praised her own legacy and broadly described her critics as "pathetic."
"Now that Doja Cat, Ariana, Camila, Cardi B, Kehlani and Nicki Minaj and Beyoncé have had number ones with songs about being sexy, wearing no clothes, fucking, cheating etc," she wrote, "can I please go back to singing about being embodied, feeling beautiful by being in love even if the relationship is not perfect, or dancing for money, or whatever I want, without being crucified or saying that I'm glamorizing abuse?"
"I'm fed up with female writers and alt singers saying that I glamorize abuse," she continued, "when in reality I'm just a glamorous person singing about the realities of what we are all now seeing are very prevalent emotionally abusive relationships all over the world."
She defended writing songs about being "submissive" in relationships, despite what she described as "a long 10 years of bullshit reviews."
"I also feel it really paved the way for other women to stop 'putting on a happy face' and to just be able to say whatever the hell they wanted to in their music," she wrote, "unlike my experience where if I even expressed a note of sadness in my first two records I was deemed literally hysterical as though it was literally the 1920s."
Del Rey concluded her statement by plugging her forthcoming poetry books, mentioning that she donates to "Native American foundations," and announcing a new album.
It remains unclear what triggered Del Rey's statement, or why she felt compelled to defend her music after months of glowing reviews.
Early in her career, Del Rey was seen as a controversial figure, but largely due to accusations of inauthenticity and artifice — especially because she orchestrated an aesthetic pivot after releasing a "flop" album under her birth name, Lizzy Grant.
Del Rey's tragic-glam persona that she introduced in the "Born To Die" era, which leaned heavily on images of white Americana, received far more scrutiny than her lyrics. She was also criticized in 2014 for telling Fader, "Feminism is just not an interesting concept."
Del Rey may have been reacting to a 2019 article from The Independent, in which writer Helen Brown "examines how easy it is to misread her lyrics as 'antifeminist'" — although Brown actually defends Del Rey's "sharp" songwriting and roundly praises her newest album.
Additionally, six out of the seven people she mentioned were women of color, which sparked accusations of racism.
As Tulane University's Christine Capetola wrote, in addition to her reductive descriptions of their music, Del Rey "failed to recognize Black female artists' decades-long — and ongoing — struggle to express their sexualities on their own terms within the realm of pop music."
Del Rey also implied that she's more "delicate" than her peers, and claimed that feminism is intolerant of "women who look and act like me."
"The optics of Lana, a white woman, complaining about feminism lacking space for her while critiquing the acclaim allotted to several Black pop artists is mortifying," Ashley Reese wrote for Jezebel.
YouTuber D'Angelo Wallace said Del Rey's album announcement was amplified by media coverage of the controversy.
"Was Lana Del Rey profiting off Black outrage to sell her album? Yes," he said in a video titled, "Lana Del Rey has Lana Del LOST IT."
"I don't think she did it on purpose," he said. "But once she realized who she was making mad, and that it was getting her even more attention than she initially was looking for, she made four follow-up comments. And they were all about the outrage."
He added: "I'm just gonna be honest. This is where my respect for her started to dip."
Shortly after, Del Rey doubled down and insisted she's not racist
Del Rey's response to the backlash focused on her reasoning for naming specific artists.
"To be clear because I knowwww you love to twist things. I fucking love these singers and know them. #that is why I mentioned them," she wrote. "I would like to have some of the same freedom of expression without judgment of hysteria."
"I haven't had the same opportunity to express what I wanted to express without being completely decimated," she continued in a second comment. "And if you want to say that has something to do with race that's your opinion but that's not what I was saying."
"This is the problem with society today," she said in a third comment. "It's exactly the point of my post — there are certain women that culture doesn't want to have a voice it may not have to do with race I don't know what it has to do with."
"I don't care anymore but don't ever ever ever ever bro- call me racist because that is bullshit."
"And my last and final note on everything," Del Rey wrote in a fourth comment, "when I said people who look like me — I meant the people who don't look strong or necessarily smart, or like they're in control etc. it's about advocating for a more delicate personality, not for white women — thanks for the Karen comments tho. V helpful."
However, Del Rey's comments struck many people as overly defensive, tone-deaf, and unproductive, rather than illuminating.
"'Don't ever call me racist' is hands-down the single-most disappointing reaction to accusations of racism," Wallace said in his video.
yeah when you offend a group of ppl, even if it wasn’t your intent..this is not the right response. why is so hard to just say “i hear you, i apologize for how my statement made you guys feel, it was never my intentions, i just wanted to shed light on blank” and keep it moving https://t.co/2WSbRE4V8z
— lady gaga’s defense attorney (@codistweets) May 22, 2020
Black writers like Nichole Perkins and Roxane Gay also pointed out Del Rey's use of "coded" language and self-victimization.
So the women that she mentioned previously cannot be delicate? The narrative of the "strong black woman" that ultimately prevents us from being allowed to display any sort of vulnerability is just another racist bias she doesn't realize she has... She needs to stop talking asap
Del Rey posted an additional statement on Instagram, accusing her critics of wanting a 'race war'
One day after her original post, Del Rey continued to insist that it "wasn't controversial at all," despite national news coverage and widespread backlash.
In her additional statement, she implied that Ariana Grande and Doja Cat reached out to express discomfort with her message.
But "despite the feedback," Del Rey doubled down once again.
"I want to say that I remain firm in my clarity and stance in that what i was writing about was the importance of self-advocacy for the more delicate and often dismissed, softer female personality, and that there does have to be room for that type in what will inevitably become a new wave/3rd wave of feminism that is rapidly approaching," she wrote, even though the third wave of feminism began more than 20 years ago.
"I'm sorry that the folks who I can only assume are super Trump/Pence supporters or hyper liberals or flip-flopping headline grabbing critics can't read and want to make it a race war," she continued.
She also accused her female critics of being "disassociated from their own fragility and sexuality" and wanting "drama."
"My aim and my message are clear. That I have control of my own story," she concluded. "If the women I mention don't wanna be associated with me that's absolutely fine by me."
Again, fans criticized Del Rey for dismissing feedback rather than engaging with it.
Many noted that Del Rey's repeated self-characterization as a "delicate" woman plays into racist stereotypes, which historically paint white women as more feminine or fragile — allowing them to escape accountability more easily.
It also highlights the idea that Del Rey is "playing the victim."
"Lana really wants to act like she's the most original artist playing the victim and honestly she's full of shit," one person wrote on X (then known as Twitter).
She was also mocked for not-so-casually plugging her poetry book in the midst of her non-apology.
Del Rey made a further attempt to defend her open letter 3 days later — and compared herself to another woman of color
"In that post — my one and only personal declaration I've ever made, thanks for being so warm and welcoming — was about the need for fragility in the feminist movement," Del Rey said on May 25 in a six-minute video on Instagram.
"When I mentioned women who 'look like me,' I didn't mean white like me, I mean the kind of women who, you know, other people might not believe," Del Rey said in the video. "The difference is, when I get on the pole, people call me a whore, but when twigs gets on the pole, it's art."
She added: "The culture is super sick right now. And the fact that they wanna turn my post, my advocacy for fragility, into a race war — it's really bad. It's actually really bad."
She also expressed frustration that her letter received backlash, though she didn't address any of the specific criticism she received from artists and fans of color.
"It really, again, makes you reach into the depth of your own heart and say, 'Am I good-intentioned?' And of course, for me, the answer is always yes," she said. "I barely ever share a thing, and this is why."
Del Rey wrapped up by insisting that she's "not racist," plugging her poetry books, and refusing to apologize for her original statement: "Fuck off if you don't like the post."
Once again, Del Rey was perceived as being resentful towards successful women of color, ignorant of her own privilege, and determined to play the victim.
"The fact that she said race war and doesn't see twigs as a fragile, delicate woman is... You're really making it worse," one person wrote.
Another added: "You can hear FKA twigs' pain on 'Magdalene' period. I need Lana to stop bringing black women into her argument for creating a brand she cannot escape from."
Most fans (and former fans at this point) agreed that Del Rey's video "only made things worse."
"I didn't think she was this kind of person," Wallace said in his video. "Now I have the knowledge that Lana Del Rey is kind of ruthless in her pursuit of getting people to talk about her, and she doesn't seem to care who gets angry in the process, or even if what she's saying is right. So, that's a lot."
June 2020: She was called out by Black artists for sharing videos of protesters
According to Billboard, the first video showed a man holding a sign that read "no justice no peace," while the second showed people breaking into storefronts and running away with merchandise. She disabled comments on the post.
On X, Kehlani implored Del Rey to remove the videos because they showed uncensored faces and identifying features, which could lead to "dangerous" consequences for the protesters.
".@LanaDelRey please remove your instagram post it's dangerous as fuck and a very poor choice of moments to post," Kehlani tweeted. "by all means protest, but DO NOT endanger people with your very massive platform. oh and turn your fuckin comments on man."
Kehlani added: "it's about furthering endangering the lives of black people. it's about responsibility."
Tinashe echoed Kehlani's comments in a tweet of her own.
"@LanaDelRey why the fuck are you posting people looting stores on your page literally WHAT IS YOUR PROBLEM," she wrote.
After Del Rey removed the video from Instagram, Kehlani and Tinashe both deleted their tweets.
October 2020: Del Rey came under fire after apparently wearing a mesh face mask
Aside from postponing her album, which was originally slated for release in September 2020, Del Rey remained fairly quiet in the wake of her divisive video — except to promote her aforementioned poetry book, "Violet Bent Backwards Over the Grass."
In October, Del Rey hosted a book signing at a Barnes & Noble in Los Angeles during the height of the COVID-19 pandemic.
In videos and photos from the event, she appeared to wear a mesh-style face mask, which, according to the CDC's recommendations, would not effectively barrier respiratory droplets.
"I love you sis but please wear a real mask, it gives a bad message," one user commented on Del Rey's Instagram video.
"i love lana sm but what the frick is she doing ? the covid situation in the united states is worsening and she refuses to wear a proper mask, that really infuriates me," another fan wrote on X. "so many ppl have died there."
Others called Del Rey "selfish" and said they were growing tired of defending her.
Lana Del Rey is the perfect example of what being an ignorant problematic white woman does to you.... it ages you 40x older. 2019 Vs. 2020. pic.twitter.com/T65SVaKqLO
"The mask had plastic on the inside," Del Rey wrote. "They're commonly sewn in by stylists these days. I don't generally respond to articles because I don't care. But there ya go. Same goes for everyone's masks in my video. I'm lucky enough to have a team of people who can do that."
She also seemed to poke fun at the controversy in her music video for "Chemtrails Over the Country Club," in which she dons a nearly identical mask.
Lana Del Rey in "Chemtrails Over the Country Club."
Lana Del Rey/YouTube
January 10, 2021: Del Rey unveiled the cover art for her new album — and preemptively defended it with a 'problematic' comment
The black-and-white cover for "Chemtrails Over the Country Club" shows Del Rey grinning and surrounded by friends, all huddled around a table.
Shortly after she shared the image, Del Rey commented on her own Instagram post with preemptive self-defense.
"No this was not intended — these are my best friends, since you are asking today," she wrote, although it's unclear who was asking. (This was written as a stand-alone comment, not a reply to anyone in particular.)
"As it happens when it comes to my amazing friends and this cover, yes, there are people of color on this record's picture and that's all I'll say about that," she wrote. "We are all a beautiful mix of everything - some more than others, which is visible and celebrated in everything I do."
"In 11 years working I have always been extremely inclusive without trying to," she continued. "My best friends are rappers, my boyfriends have been rappers. My dearest friends have been from all over the place, so before you make comments again about a WOC/POC issue, I'm not the one storming the capital, I'm literally changing the world by putting my life and thoughts and love out there on the table 24 seven. Respect it."
The following day, during an interview with BBC's Annie Mac, Del Rey said that "actually half the people in this photo are people of color."
"I just feel like if that's really what people are gonna say, I have an answer for them, which is that if you look closer, you will see people of color," she added. "It's a black-and-white image, so zoom in, you know. It's just weird, you know?"
Naturally, some people did make jokes about the cover's perceived lack of diversity, while others called the image "tone deaf."
Del Rey was also mocked for claiming that she's "literally changing the world" with her writing.
"We love her and understand her intentions but we cannot keep defending this shit," one fan commented on Del Rey's Instagram post. "That comment is so problematic in so many ways."
"I literally have her lyrics tattooed on my body but I'm also a political activist and I cannot defend this shit at all. I wish we could be excited about the album and only that but shit like this makes it hard to be," the fan continued. "Nothing about her statement is okay."
"If she's going to breathe life into [the] aesthetics of a time where racism was at one of its peaks, and not use her platform in the same breath to advocate today's issues properly, accurately, and tactfully. That's an issue."
January 11, 2021: Del Rey was criticized for saying Trump 'doesn't know that he's inciting a riot'
During an interview with BBC's Annie Mac, Del Rey compared President Donald Trump to "people who didn't know they hurt other people."
"You know, he doesn't know that he's inciting a riot, and I believe that," she said, adding that Trump has "delusions of grandeur."
"The madness of Trump… As bad as it was, it really needed to happen. We really needed a reflection of our world's greatest problem, which is not climate change but sociopathy and narcissism," she said, per Complex. "Especially in America. It's going to kill the world. It's not capitalism, it's narcissism."
One person replied on X: "Lana stans gonna be doing some mental gymnastics to explain this one."
Del Rey then lashed out at 'larger magazines' for 'taking my well-intentioned and believe it or not liberal comments out of context'
The day following her interview with Mac, Del Rey responded to Complex's coverage of her comments.
"OK complex not that our 10 year relationship matters I guess," she wrote in a since-deleted post on Twitter, now X. "Thanks for the cool soundbite taken out of context, I said that the bigger problem is Sociopathy-so whether he meant to incite a riot is less important than the larger issue in America at hand -the problem of sociopathy."
"It's fucked up," she continued. "You know I'm real. You know I voted for Biden. I'm super steady in everything I've ever said. You probably listened to my entire interview. So whoever wrote this is a genuine piece of shit. I am the one helping bringing the problem with narcissism to light."
"I'm actually not tone deaf, I don't think there's anything tone deaf about responding to questions about why there are only white women on a album cover when that's just not the case," she tweeted. "I'm not gonna let people say that some thing is what it isn't. You're jealous I get it."
In an additional (now-deleted) tweet, Del Rey added that her new music is "great" and described herself as "one of the only artists who is genuine."
Del Rey continued tweeting about her BBC interview, clarifying that she meant to criticize Trump's "significant lack of empathy" and "the issue of sociopathy and narcissism in America."
"I'll say it again I don't appreciate the larger magazines taking my well-intentioned and believe it or not liberal comments out of context," she wrote. "It's actually what I sing about quite often. It's what I've been condemned for saying."
She also expressed disdain for negative publicity, citing her "long term relationship" with magazines like Complex and Rolling Stone, calling the former "pathetic."
Uproxx's Steven Hyden described the now-deleted tweet as "a hilarious and illuminating snapshot of pop-star brain."
Indeed, Del Rey has lashed out at journalists and music critics in the past.
Back in September 2019, she tweeted her displeasure with Ann Powers' review of "Norman Fucking Rockwell!" for NPR — even though Powers described the album as "instantly compelling, a pro asserting her future spot in the Rock and Roll Hall of Fame."
True to form, Del Rey doubled down with a video, in which she defended her comments about Trump and called out Complex again.
"I just wanna talk about a couple of things, some of the articles that are coming out today, about me thinking that Trump didn't mean to incite the riots," she began. "I think it's cute that that's the little takeaway that Complex gets from that — especially with our relationship over the last 10 years, obviously completely disregarded."
"I get it. I have something to say, and I don't just show up giggling and talking about my hair and my makeup," she continued. "I was asked directly political questions for over 40 minutes by the BBC Radio 1, and I answered them."
"Lana is beyond parody," one person wrote. "People are saying she's the epitome of white woman feminism and she defends herself with more white woman feminism."
"I just wanted to let you know that tomorrow we are going to be deactivating my social media accounts, and that is simply because I have so many other interests and other jobs I'm doing that require privacy and transparency," Del Rey said.
"I'm still very present and love what I do. I'm absolutely here for the music. I'm also just going on some different endeavors and I want to say thank you so much for all the support and I do hope that you like the record," she added, referencing her eighth album "Blue Banisters," which was released later that same month.
Del Rey later became active again on Instagram, using the account handle @honeymoon, though her X account remains inactive.
March 24, 2023: She included a megachurch pastor's sermon on her new album, dividing fans
On Del Rey's ninth studio album, "Did You Know That There's a Tunnel Under Ocean Blvd," track five is titled "Judah Smith Interlude."
The four-minute track gives an uninterrupted platform to Judah Smith, a preacher at the Christian megachurch Churchome. Smith, Del Rey, and producer Jack Antonoff are all listed as cowriters.
Del Rey also thanked Smith in a Facebook post a few months prior, "for giving me good guidance" and "for letting me record a part of his sermon for this record."
In the song, Smith denounces "a life dominated with lust" and praises God as "the fascinating artist who fashioned it all."
"The Spirit of God says, 'I'll infuse you with desirеs for what you have and what's in front of you,'" Smith preaches.
As Them previously reported, many fans — especially those who identify as queer — were divided in their reactions to "Judah Smith Interlude." One X user called it "creepy," while another said, "it's giving conversion therapy cult leader."
Indeed, Smith has reportedly made homophobic comments in the past. According to Marie Claire, he called homosexuality a sin comparable to "murder, rape, or living with your girlfriend" during a 2005 interview. (The interview in question isn't available online.)
Hillsong has long been associated with anti-abortion and anti-LGBTQ views. A report from NPR described it as "an ultra-conservative church with a dark past," including connections to pedophilia.
"I was uncomfortable. I'm not religious and thought it was weird to include. Considering who he is, it's very weird," one person wrote on Reddit. Another agreed, reasoning that Del Rey could have invented "a weird fake religious monologue" instead of "publicizing a real pastor that sucks."
However, some fans of Del Rey have defended "Judah Smith Interlude" as satirical or "ironic." As Coleman Spilde wrote for the Daily Beast, "Del Rey is exactly the type of person who would attend a celebrity-studded mega-church, both for a cleansing of the soul and to lambaste its intrinsic flamboyance with her friends."
"As a gay atheist that grew up in the Catholic Church, y'all are really bent out of shape over this," another fan commented in a Reddit thread. "I love how provocative this whole thing is and it's exactly why I love Lana."
June 24, 2023: Del Rey arrived 30 minutes late to the stage at Glastonbury, telling the crowd, 'My hair takes so long to do'
"I was so fucking late that I am about to rush this set today," she told the crowd. "If they cut power, they cut power. I'm super fucking sorry. My hair takes so long to do. I love you to death. Let's keep on running the set as it's supposed to go."
As a result, Del Rey's microphone was cut off due to the festival's strict midnight curfew — although she encouraged the crowd to sing her final song, "Video Games," instead.
Despite some outrage directed at Glastonbury, many fans blamed Del Rey and said she lacked respect for the fans who came to see her perform.
September 26, 2024: Del Rey married Jeremy Dufrene, an alligator tour guide based in Louisiana
About one month after Del Rey and Dufrene sparked romance rumors, paparazzi photos surfaced of the singer wearing a white gown at a public bayou in Des Allemandes, Louisiana.
"Jeremy is the one and only. And amazing. And we're very happy," Del Rey later wrote on Instagram.
Fans were shocked and confused by the news of Del Rey's nuptials. For many, her marriage to Dufrene confirmed their suspicions that she has embraced a conservative lifestyle; unverified screenshots from Dufrene's public Facebook that appear to show support for Trump throughout the 2024 election. (Dufrene's social media accounts have since been set to private.)
Nearly three months after her wedding, Del Rey praised her husband as an "honest partner who has no skin in the game" during a speech at the Variety Hitmakers ceremony.
"It's super nerve-racking to have to hold onto an innocent perception of how things could go when you're in an industry where maybe your values or your morals don't quite match up with what's going on — especially when people think that you probably don't have any morals or values," she said, per Billboard.
Resharing a clip of her speech on X, Meghan McCain wrote: "Lana is code talking about being a conservative woman here. I know what I speak of."
Lana is code talking about being a conservative woman here. I know what I speak of. https://t.co/PLPUdjcSlu
April 25, 2025: Del Rey sang about kissing Morgan Wallen during her Stagecoach debut
Del Rey debuted several unreleased songs during her first-ever performance at Stagecoach, California's biggest country music festival.
One song, titled "57.5," includes an intimate lyric about the country musician Morgan Wallen, whose rise to fame has been marked by a string of arrests and scandals.
"I kissed Morgan Wallen / I guess kissing me kind of went to his head," Del Rey sang. "If you want my secret to success / I suggest don't go ATVing with him when you're out West."
Before delivering the lyric, Del Rey warned the crowd, "This is the last time I'm ever gonna say this line."
Del Rey's name-dropping of Wallen inspired a flurry of mixed reactions. Although the song depicts their encounter in a negative light, which many fans relished as juicy gossip, Del Rey seemed to know that willingly associating herself with Wallen — who's best known in liberal circles for flouting COVID-19 protocols and using a racial slur on camera — would invite attention, speculation, and possibly even backlash.
"Every couple months Lana has to remind y'all she's a conservative," one detractor wrote on X. Other posts referred to her as a "secret Republican" and "MAGA Del Rey." Over on Reddit, self-proclaimed former fans lamented the progression of her songwriting ("This can't be the same woman that wrote 'Cruel World'") and her recently countrified aesthetic ("This whole trad wife southern cosplay isn't really for me").
LDR10 singles are horrible, visuals are horrible, released a song about kissing morgan wallen, every song is flopping, and everyone is unstanning lana. we truly won pic.twitter.com/QeCXXkJafk
Reactions were similarly mixed on TikTok, where some people described the revelation as "iconic" and others as problematic. One video criticizing Wallen, Del Rey, her husband, and her fans has amassed over 64,000 likes.
"Y'all are about to call me 'the friend that's too woke' and I don't really give a shit, 'cause Lana Del Rey getting on that main stage and saying she kissed Morgan Wallen actually is that bad," the creator said.
Representatives for Del Rey have not responded to requests for comment from Business Insider.