Sly Stone, the revolutionary musician and dynamic showman whose Sly and the Family Stone transformed popular music in the 1960s and ’70s and beyond with such hits as “Everyday People,” “Stand!” and “Family Affair,” died Monday at age 82

Stone, born Sylvester Stewart, had been in poor health in recent years. His publicist Carleen Donovan said Stone died in Los Angeles surrounded by family after contending with chronic obstructive pulmonary disease and other ailments.

Founded in 1966-67, Sly and the Family Stone was the first major group to include Black and white men and women, and well embodied a time when anything seemed possible — riots and assassinations, communes and love-ins. The singers screeched, chanted, crooned and hollered. The music was a blowout of frantic horns, rapid-fire guitar and locomotive rhythms, a melting pot of jazz, psychedelic rock, doo-wop, soul and the early grooves of funk.

Sly’s time on top was brief, roughly from 1968-1971, but profound. No band better captured the gravity-defying euphoria of the Woodstock era or more bravely addressed the crash which followed. From early songs as rousing as their titles — “I Want To Take You Higher,” “Stand!” — to the sober aftermath of “Family Affair” and “Runnin’ Away,” Sly and the Family Stone spoke for a generation whether or not it liked what they had to say.

Stone’s group began as a Bay Area sextet featuring Sly on keyboards, Larry Graham on bass; Sly’s brother, Freddie, on guitar; sister Rose on vocals; Cynthia Robinson and Jerry Martini horns and Greg Errico on drums. They debuted with the album “A Whole New Thing” and earned the title with their breakthrough single, “Dance to the Music.” It hit the top 10 in April 1968, the week the Rev. Martin Luther King was murdered, and helped launch an era when the polish of Motown and the understatement of Stax suddenly seemed of another time.

Led by Sly Stone, with his leather jumpsuits and goggle shades, mile-wide grin and mile-high Afro, the band dazzled in 1969 at the Woodstock festival and set a new pace on the radio. “Everyday People,” “I Wanna Take You Higher” and other songs were anthems of community, non-conformity and a brash and hopeful spirit, built around such catchphrases as “different strokes for different folks.” The group released five top 10 singles, three of them hitting No. 1, and three million-selling albums: “Stand!”, “There’s a Riot Goin’ On” and “Greatest Hits.”

For a time, countless performers wanted to look and sound like Sly and the Family Stone. The Jackson Five’s breakthrough hit, “I Want You Back,” and the Temptations’ “I Can’t Get Next to You” were among the many songs from the late 1960s that mimicked Sly’s vocal and instrumental arrangements. Miles Davis’ landmark blend of jazz, rock and funk, “Bitches Brew,” was inspired in part by Sly, while fellow jazz artist Herbie Hancock even named a song after him.

“He had a way of talking, moving from playful to earnest at will. He had a look, belts, and hats and jewelry,” Questlove wrote in the foreword to Stone’s memoir, “Thank You (Falettinme Be Mice Elf Agin),” named for one of his biggest hits and published through Questlove’s imprint in 2023. “He was a special case, cooler than everything around him by a factor of infinity.”

In 2025, Questlove released the documentary “Sly Lives! (aka The Burden of Black Genius).”

Sly’s influence has endured for decades. The top funk artist of the 1970s, Parliament-Funkadelic creator George Clinton, was a Stone disciple. Prince, Rick James and the Black Eyed Peas were among the many performers from the 1980s and after shaped in part by Sly, and countless hip-hop artists have sampled his riffs, from the Beastie Boys to Dr. Dre and Snoop Dogg. A 2005 tribute record included Maroon 5, John Legend and the Roots.

“Sly did so many things so well that he turned my head all the way around,” Clinton once wrote. “He could create polished R&B that sounded like it came from an act that had gigged at clubs for years, and then in the next breath he could be as psychedelic as the heaviest rock band.”

A dream dies, a career burns away

By the early ’70s, Stone himself was beginning a descent from which he never recovered, driven by the pressures of fame and the added burden of Black fame. His record company was anxious for more hits, while the Black Panthers were pressing him to drop the white members from his group. After moving from the Bay Area to Los Angeles in 1970, he became increasingly hooked on cocaine and erratic in his behavior. A promised album, “The Incredible and Unpredictable Sly and the Family Stone” (“The most optimistic of all,” Rolling Stone reported) never appeared. He became notorious for being late to concerts or not showing up at all, often leaving “other band members waiting backstage for hours wondering whether he was going to show up or not,” according to Stone biographer Joel Selvin.

Around the country, separatism and paranoia were setting in. As a turn of the calendar, and as a state of mind, the ’60s were over. “The possibility of possibility was leaking out,” Stone later explained in his memoir.

On “Thank You (Falettinme Be Mice Elf Agin),” Stone had warned: “Dying young is hard to take/selling out is harder.” Late in 1971, he released “There’s a Riot Going On,” one of the grimmest, most uncompromising records ever to top the album charts. The sound was dense and murky (Sly was among the first musicians to use drum machines), the mood reflective (“Family Affair”), fearful (“Runnin’ Away”) and despairing: “Time, they say, is the answer — but I don’t believe it,” Sly sings on “Time.” The fast, funky pace of the original “Thank You (Falettinme Be Mice Elf Agin)” was slowed, stretched and retitled “Thank You For Talkin’ to Me, Africa.”

The running time of the title track was 0:00.

“It is Muzak with its finger on the trigger,” critic Greil Marcus called the album.

“Riot” highlighted an extraordinary run of blunt, hard-hitting records by Black artists, from the Stevie Wonder single “Superstition” to Marvin Gaye’s “What’s Going On” album, to which “Riot” was an unofficial response. But Stone seemed to back away from the nightmare he had related. He was reluctant to perform material from “Riot” in concert and softened the mood on the acclaimed 1973 album “Fresh,” which did feature a cover of “Que Sera Sera,” the wistful Doris Day song reworked into a rueful testament to fate’s upper hand.

By the end of the decade, Sly and the Family Stone had broken up and Sly was releasing solo records with such unmet promises as “Heard You Missed Me, Well I’m Back” and “Back On the Right Track.” Most of the news he made over the following decades was of drug busts, financial troubles and mishaps on stage. Sly and the Family Stone was inducted into the Rock & Roll of Fame in 1993 and honored in 2006 at the Grammy Awards, but Sly released just one album after the early ’80s, “I’m Back! Family & Friends,” much of it updated recordings of his old hits.

He would allege he had hundreds of unreleased songs and did collaborate on occasion with Clinton, who would recall how Stone “could just be sitting there doing nothing and then open his eyes and shock you with a lyric so brilliant that it was obvious no one had ever thought of it before.”

Sly Stone had three children, including a daughter with Cynthia Robinson, and was married once — briefly and very publicly. In 1974, he and actor Kathy Silva wed on stage at Madison Square Garden, an event that inspired an 11,000-word story in The New Yorker. Sly and Silva soon divorced.

A born musician, a born uniter

He was born Sylvester Stewart in Denton, Texas, and raised in Vallejo, California, the second of five children in a close, religious family. Sylvester became “Sly” by accident, when a teacher mistakenly spelled his name “Slyvester.”

He loved performing so much that his mother alleged he would cry if the congregation in church didn’t respond when he sang before it. He was so gifted and ambitious that by age 4 he had sung on stage at a Sam Cooke show and by age 11 had mastered several instruments and recorded a gospel song with his siblings. He was so committed to the races working together that in his teens and early 20s he was playing in local bands that included Black and white members and was becoming known around the Bay Area as a deejay equally willing to play the Beatles and rhythm and blues acts.

Through his radio connections, he produced some of the top San Francisco bands, including the Great Society, Grace Slick’s group before she joined the Jefferson Airplane. Along with an early mentor and champion, San Francisco deejay Tom “Big Daddy” Donahue, he worked on rhythm and blues hits (Bobby Freeman’s “C’mon and Swim”) and the Beau Brummels’ Beatle-esque “Laugh, Laugh.” Meanwhile, he was putting together his own group, recruiting family members and local musicians and settling on the name Sly and the Family Stone.

“A Whole New Thing” came out in 1967, soon followed by the single “Dance to the Music,” in which each member was granted a moment of introduction as the song rightly proclaimed a “brand new beat.” In December 1968, the group appeared on “The Ed Sullivan Show” and performed a medley that included “Dance to the Music” and “Everyday People.” Before the set began, Sly turned to the audience and recited a brief passage from his song “Are You Ready”:

This story was originally featured on Fortune.com

You'll have to wait a little longer for The Legend of Zelda movie. Nintendo said on Monday that the film's new release date is May 7, 2027. That's six weeks later than the slot it announced earlier this year. The company attributed the rescheduling to production delays.

"This is Miyamoto," Nintendo's announcement post began. "For production reasons, we are changing the release date of the live-action film of The Legend of Zelda to May 7, 2027. It will be some weeks later than the release timing we originally announced, and we will take the extra time to make the film as good as it can be. Thank you for your patience."

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We don't know much about the movie yet. Its director (Wes Ball) and screenwriter (T.S. Nowlin) are both known for The Maze Runner trilogy. Ball also worked on Kingdom of the Planet of the Apes, the fourth installment in the modern reboots.

In 2023, Ball suggested that the film could have an anime influence. He described it as "this awesome fantasy-adventure movie that isn’t like Lord of the Rings, it’s its own thing. I've always said, I would love to see a live-action Miyazaki. That wonder and whimsy that he brings to things, I would love to see something like that."

Like his "White Lotus" character Saxon Ratliff, Patrick Schwarzenegger is a lover of smoothies determined to match his parents' stratospheric success.

While his arrogant and shallow character rubbed many viewers the wrong way, Schwarzenegger, however, is nothing but charming as we chat on the phone while he gets his steps in around LA. "I walk and talk," he explains.

I've discovered there are parts of Schwarzenegger's routine that Saxon would be positively allergic to, such as heading to the beach with his fiancée in the morning to say prayers and share a moment of gratitude.

For the latest installment of Business Insider's "5-9" series, which Schwarzenegger took part in to promote Venmo's new debit card, the 31-year-old actor shared how else he spends the hours of the day when he's not working.

What time do you usually get up, and what's your morning routine?

I've gone to a new state or country every week since "The White Lotus" came out, so it's been a whirlwind of not having a routine and waking up at the most random times.

This is my first full week in LA since the start of the year, and it's been great. I got up today at 6.15 a.m. — I never set an alarm clock, but I always wake up around 6 a.m. My fiancée and I went on a walk for our coffee and then down to the beach to say our gratitude and prayers.

Usually, I'd work out after, but I didn't today as my fiancée had to go to the airport. So we made some breakfast, I had a sauna, and then went to the office.

What do you have for breakfast?

This morning, I had egg bites and Greek yogurt with berries, which is what I have on most days: eggs, Greek yogurt, fruit, or oatmeal. I try to get 40 to 50 grams of protein and some sort of carbs and fat.

Do you eat before or after working out, or both?

Afterward, if I'm working out really early in the morning, but sometimes I'll have something light before, like some fruit and nuts or peanut butter and banana.

Much has been made of your character's love of smoothies on "The White Lotus." Are you a fan?

Oh yes, I am. I used to drink smoothies all the time. Now I don't drink them as much, but I do love them. This conversation is actually making me want to go get a smoothie.

If I'm gearing up for a role or a project and I need to gain weight, then I will bring in the smoothies because they help me get a lot of calories quickly. So I do love a peanut butter banana smoothie.

The best combo.

10,000 steps and recovering in the sauna

Tell me more about your approach to working out.

I work out in the mornings when I can and try to get my 10,000 steps in too.

Are you walking now?

I am. I walk and talk. I try to do five days of lifting a week, and some sort of cardio. I stay pretty active.

Do you follow a particular workout split?

I usually do a push day, pull day, and leg day, or a more cardio-focused full-body day. Sometimes I do typical weight training, other days more high-intensity interval style.

What are your recovery essentials?

Food, sleep, and hydration are the main things. I love the sauna, the jacuzzi, and massages, but they're less important.

When you're not working, how do you relax and have fun?

Working out is fun for me. It is part of my daily life and what I like to do, and I feel better. And the same with my eating.

I also like going on walks, hanging with my friends and family, hiking, biking, and watching movies and TV shows. I love cooking and baking and finding new coffee shops, and I use my new Venmo debit card for all of it.

Martinis and early nights

What do you like to have for dinner, and who cooks?

I would get in trouble if I said I always cook dinner. Abby cooks most of the time. I cook breakfast pretty much every morning, although she made the egg bites today.

We go out frequently, but try to cook as much as possible when we're in town because we're not often here.

What's your favorite thing to cook?

We cook sweet potatoes every night. We love Japanese sweet potatoes. We also make a lot of eggs and pancakes. Abby makes a really good chicken salad. She makes a bunch of good stuff for me.

Lucky you.

I know, seriously.

So what's your ideal evening when you're at home?

Well, last night Abby and I went and did a workout together. We did this hot Pilates class, and then we picked up some food, made dinner, had a little dessert, went on a walk afterward for the sunset, then watched a movie. If it's a date night, we go out, get some cocktails, and have fun.

Do you have a favorite cocktail?

I've been on a martini kick in recent years.

Nice. Do you have a nighttime routine?

No, I don't really. I kind of just get in bed, and I'm usually pretty tired from the day. I try not to watch TV in the bedroom, and I fall asleep pretty easily at around 10 p.m. I try to get eight hours.

I suppose when you're so active, you get into bed and you're exhausted.

Yeah, exactly … I'm always out in the sun and walking around, and I sleep better.

• The first installment of the beloved "Lord of the Rings" trilogy came out in 2001.
• Several stars like Ian McKellen and Orlando Bloom reprised their roles in the "Hobbit" films.
• Sean Bean and Karl Urban have gone on to play iconic TV characters. 

Believe it or not, it's been over two decades since the "Lord of the Rings" trilogy wrapped in 2003.

The film franchise, based on the J. R. R. Tolkien novel of the same name, received critical acclaim — and also launched several actors' careers.

Since leaving Middle Earth, many of the franchise's stars have gone on to play other iconic roles. Here's a look at what the star-studded cast is up to today.

Elijah Wood played Frodo Baggins.

Wood played a hobbit named Frodo in the "Lord of the Rings" films. 

After inheriting the One Ring from his cousin Bilbo Baggins, Frodo bravely volunteers to take it to Mordor to be destroyed, kicking off the epic journey across Middle Earth.

Wood began acting at a young age and had several major film credits before "The Fellowship of the Ring" (2001), like "Flipper" (1996) and "Avalon" (1990).

Wood has since acted across a variety of genres.

Wood has stayed busy with movies of all genres, including the action-comedy "Spy Kids 3D: Game Over" (2003), romantic drama "Eternal Sunshine of the Spotless Mind" (2004), animated musical "Happy Feet" (2006), and psychological slasher "Maniac" (2012). 

In 2010, Wood cofounded the production company SpectreVision, formerly known as The Woodshed, and has gone on to produce films like "A Girl Walks Home Alone at Night" (2014),  "Mandy" (2018), and "Color Out of Space" (2019).

In addition to his other career as a DJ, Wood still found time to work on projects like Cartoon Network's "Over the Garden Wall," "I Don't Feel at Home in This World Anymore" (2017), and "Come to Daddy" (2019).

These days, you can catch him in the ensemble cast of Showtime's "Yellowjackets."

Viggo Mortensen played Aragorn.

The Danish-American actor Mortensen played Aragorn — the son of Arathorn, heir of Isildur, and eventual King of Gondor. 

Aragorn is a member of the Fellowship and leads the fight against Sauron's army while the One Ring is being destroyed.

Before joining the "Lord of the Rings" cast, Mortensen had worked with directors like Peter Weir, Brian De Palma, Tony Scott, Ridley Scott, and Jane Campion. 

Fans would likely recognize him from films like "Young Guns II" (1990), "Crimson Tide" (1995), "The Portrait of a Lady" (1996), and "G.I. Jane" (1997).

Mortensen has been nominated for several Academy Awards.

Mortensen has since been nominated for best actor at the Academy Awards three times, for "Eastern Promises" (2007), "Captain Fantastic" (2016), and "Green Book" (2018), and has received numerous other honors. 

He made his feature directorial debut with the 2020 drama "Falling," which he also wrote, coproduced, and starred in opposite Lance Henriksen.

Most recently, the actor starred in "Eureka" (2023). 

Sean Bean played Boromir.

Bean played Boromir, the son of Denethor and a member of the Fellowship.

Boromir primarily appears in the first movie, as he dies defending Merry and Pippin against a horde of orcs after briefly allowing himself to be tempted by the One Ring.

Bean was previously known for his roles in action thrillers like "Patriot Games" (1992), "GoldenEye" (1995), and "Ronin" (1998).

Bean played another beloved fantasy character on "Game of Thrones."

After meeting his character's demise in "The Fellowship of the Ring," Bean appeared in "Equilibrium" (2002), portrayed Odysseus in "Troy" (2004), and chased Nicolas Cage in "National Treasure" (2004).

He went on to famously play Ned Stark on HBO's "Game of Thrones." 

More recently, he played Mr. Wilford on TNT's "Snowpiercer," John Parse in Brandon Cronenberg's 2020 sci-fi thriller "Possessor," and Ian on the BBC drama "Marriage."

Dominic Monaghan played Meriadoc "Merry" Brandybuck.

Monaghan played the troublesome hobbit Merry in the "Lord of the Rings" films. 

Merry is a hobbit from Frodo's village who finds himself leaving the Shire and joining Frodo's dangerous adventure.

He had acted in several TV movies, but "The Fellowship of the Ring" was Monaghan's big-screen debut. 

Monaghan had a major role on "Lost."

After concluding the film trilogy, Monaghan landed the role of Charlie Pace on ABC's "Lost" and appeared on the series until 2010.

After that, he hosted and produced the BBC wildlife docuseries "Wild Things With Dominic Monaghan" from 2012 to 2016.

He also starred in the video short for Eminem and Rihanna's "Love the Way You Lie," played a mutant in "X-Men Origins: Wolverine" (2009), and joined another major franchise when he appeared in "Star Wars: The Rise of Skywalker" (2019).

He voiced Archibald Desnay on Amazon Prime's 2022 animated adaptation of "Critical Role," "The Legend of Vox Machina." Most recently, he voiced an Orc in the animated "Lord of the Rings" prequel "The War of the Rohirrim" (2024).

Sean Astin played Samwise Gamgee.

Astin portrayed the loyal hobbit Samwise, Frodo's best friend. 

Save for a few brief separations, Sam is always by Frodo's side and risks his life many times to save his friends.

Astin had several notable credits before the fantasy franchise, famous for roles in films like "The Goonies" (1985) and "Rudy" (1993). 

Astin has worked on several major TV shows.

Astin has since done a lot of voice-over work for animated films and video games, even providing the voice for Raphael on Nickelodeon's "Teenage Mutant Ninja Turtles."

In 2017, he joined the second season of Netflix's "Stranger Things" as Joyce's love interest, Bob Newby.

He has several projects in the works, and he also recently played a recurring role on the sitcom "The Conners."

Ian McKellen played Gandalf.

If not for McKellen's character, the Fellowship would never have formed and likely would not have survived.

McKellen mainly began his professional acting career on the stage in the early 1960s. A year before the fantasy trilogy debuted, he joined the Marvel universe as Magneto in the "X-Men" franchise.

McKellen also appeared in the "Hobbit" films.

McKellen continued playing Magneto during and after the "Lord of the Rings" trilogy, most recently in "X-Men: Days of Future Past" (2014).

The actor is one of the few "Lord of the Rings" cast members to also appear in the "Hobbit" films, reprising his role as the powerful wizard.

Some of McKellen's more recent turns include Cogsworth in the live-action "Beauty and the Beast" (2017) and Gus the Theatre Cat in "Cats" (2019).

He also has several recent theater credits in the UK, including "Hamlet" and "The Cherry Orchard."

John Rhys-Davies played Gimli.

The Welsh actor Rhys-Davies portrayed the dwarf warrior Gimli. 

Gimli is the representative for the dwarfs in the Fellowship and the son of Glóin, one of Bilbo's companions during the events of "The Hobbit."

Rhys-Davies, who also provided the voice of Treebeard in the films, previously played Sallah in several "Indiana Jones" films and Vasco Rodrigues on NBC's miniseries "Shogun," for which he received an Emmy nomination. 

Rhys-Davies has continued working on fantasy projects.

After "The Lord of the Rings," he appeared in a number of notable TV movies and on shows like Comedy Central's "TripTank."

There are a few other fantasy projects on his recent résumé, including ABC's "Once Upon a Time" and MTV's "The Shannara Chronicles." 

Rhys-Davies has also lent his voice to video games and animated projects like Guillermo del Toro's Netflix miniseries "Wizards" and the 2019 feature "Mosley."

Most recently, he voiced a character in "Aquaman and the Lost Kingdom" (2023).

Orlando Bloom played Legolas.

Bloom played the master archer and wood elf Legolas.

The arrow-wielding hero is also a member of the Fellowship and eventually becomes Gimli's best friend, even though dwarfs and elves historically hated each other.

Bloom was relatively unknown when he was cast in the trilogy, but between the first and second films, he appeared in "Black Hawk Down" (2002).

Bloom has played other action-packed roles.

Bloom famously played Will Turner in four of the "Pirates of the Caribbean" installments. 

Alongside McKellen, he also revisited the role of Legolas in the "Hobbit" films. 

In addition to other hit projects like "Troy" (2004) and "The Three Musketeers" (2011), the actor starred on the Amazon series "Carnival Row" as Rycroft Philostrate.

More recently, he starred in the action film "Red Right Hand" (2024).

Billy Boyd played Peregrin "Pippin" Took.

Boyd played Pippin, the immature best friend of Merry, and appeared in all three "Lord of the Rings" films. 

As a part of the Fellowship, his antics cause trouble for the group, but he always means well.

Boyd had primarily worked on television before he was cast in the first film of the trilogy and continued to do so in between the franchise's sequels.

Boyd continues making music and acting.

Boyd appeared in "Master and Commander: The Far Side of the World" alongside Russell Crowe in 2003, the same year as "The Lord of the Rings: The Return of the King." 

The next year, he provided the voice of Glen and Glenda for the horror film "Seed of Chucky" (2004). 

Boyd is also a musician and got to write and perform a song for "The Hobbit: The Battle of the Five Armies" (2014).

He was seen on episodes of FX's "Snowfall," ABC's "Grey's Anatomy," and Starz's "Outlander." He also appeared in the 2021 thriller "An Intrusion."

More recently, he voiced a character in the anime "Lord of the Rings" prequel, "The War of the Rohirrim."

Ian Holm played Bilbo Baggins.

The English actor Holm played Bilbo Baggins, the previous ring bearer. 

Bilbo is Frodo's guardian and cousin, and he is unnaturally old because of the effects of the One Ring.

Even before the film franchise, Holm was a Tony Award-winning actor, probably best known to fantasy and sci-fi fans for playing Ash in the Ridley Scott film "Alien" (1979).

Holm has starred in a variety of films.

After the "Lord of the Rings" trilogy, Holm worked on an impressive array of films like "Garden State" (2004), "Lord of War" (2005), and "Ratatouille" (2007).

In 2020, Holm died at age 88 of complications related to Parkinson's disease.

Liv Tyler played Arwen Undómiel.

Tyler brought Arwen, daughter of Lord Elrond, to life on the big screen. The elf saves Frodo from the Black Riders and later marries Aragorn.

Before "The Fellowship of the Ring," Tyler had been in plenty of films, including "Stealing Beauty" (1996) and "Armageddon" (1998).

Tyler has since been on several hit shows.

Tyler joined another major franchise in 2008 as Betty Ross in Marvel's "The Incredible Hulk." In 2025, she reprised the role in "Captain America: Brave New World."

Elsewhere, Tyler played Meg Abbott on HBO's "The Leftovers," Lady Isabella Fitzwilliam on ITV-Hulu's "Harlots," Eve in the sci-fi thriller "Ad Astra" (2019), and Michelle Blake on Fox's "9-1-1: Lone Star."

Hugo Weaving played Lord Elrond.

Elrond, played by Weaving, is the Lord of Rivendell. The elf was there when Isildur claimed the One Ring and tried to get him to destroy it, to no avail.

Fans would likely recognize Weaving as Agent Smith in "The Matrix" films, a franchise that mostly ran at the same time as the "Lord of the Rings" movies. 

Weaving continues to act in blockbuster hits.

Weaving went on to play V in "V for Vendetta" (2006), voice Megatron in Michael Bay's "Transformers" films, and portray the Red Skull in "Captain America: The First Avenger" (2011). 

Weaving starred in the drama "Lone Wolf" and appeared on the Binge miniseries "Love Me" in 2021.

Most recently, he played the villainous Frank Harness in the thriller series "Slow Horses."

Cate Blanchett played Galadriel.

Blanchett portrayed Galadriel, Lady of the Golden Wood and grandmother to Arwen. 

In "The Fellowship of the Ring," she gives each traveler a special gift, including the "star-glass" that later proves useful against the giant spider.

Blanchett didn't get a ton of screen time in the films — only a minute and 23 seconds, according to Screen Rant. 

She had appeared in several movies before "The Lord of the Rings," like "Elizabeth" (1998) and "The Talented Mr. Ripley" (1999).

Blanchett is now an Academy Award-winning actor.

Immediately after "The Lord of the Rings," Blanchett appeared in "The Life Aquatic with Steve Zissou" (2004) and "The Aviator" (2004), which earned her an Oscar win. 

She racked up more nominations for "Notes on a Scandal" (2006), "I'm Not There" (2007), and "Elizabeth: The Golden Age" (2007) before winning another Oscar for "Blue Jasmine" (2013). 

Blanchett was nominated yet again for her work in "Carol" (2016) and played the activist Phyllis Schlafly in the FX miniseries "Mrs. America."

More recently, she starred in "Don't Look Up" (2021), "Tár" (2022), "Guillermo del Toro's Pinocchio" (2022), and the TV series "Disclaimer" (2024).

Andy Serkis played Gollum.

Serkis' portrayal of Gollum was an impressive feat of motion-capture technology. 

Throughout the films, Gollum, originally known as Sméagol, is painted as an antagonist and a representation of the One Ring's consequences.

Before his performance in the trilogy, Serkis had been in several shows and films, like "Career Girls (1997)" and "Among Giants" (1998).

Serkis has appeared in other major film franchises.

Serkis reprised Gollum in "The Hobbit: An Unexpected Journey" (2012) and did groundbreaking performance-capture work for the "Planet of the Apes" films. 

He then joined the Marvel Cinematic Universe in the flesh as Ulysses Klaue, provided the voice of Baloo in "Mowgli: Legend of the Jungle" (2018), and was Snoke in the recent "Star Wars" trilogy. 

Recently, Serkis played Alfred Pennyworth in "The Batman" alongside Robert Pattinson and Kino Loy on the Disney+ series "Andor."

Christopher Lee played Saruman.

A film legend, Lee took a notable turn as the wizard Saruman the White, who was introduced as a respectable ally but turned out to be a power-hungry pawn of Sauron.

Before his role in the fantasy films, he starred in many movies like "Sherlock Holmes and the Deadly Necklace" (1962) and "Count Dracula" (1977).

Lee acted in several other notable films.

After the "Lord of the Rings" trilogy, Lee appeared in several films and shorts, like "Charlie and the Chocolate Factory" (2005) and "Hugo" (2011), before reprising his role as Saruman in "The Hobbit: An Unexpected Journey."

In 2015, Lee died at age 93 after being hospitalized for heart failure and respiratory problems.

Miranda Otto played Éowyn.

Otto played arguably one of the most important characters in the trilogy, Éowyn. 

Disguised as a Rider of Rohan, Éowyn, shield maiden of Rohan and daughter of Éomund, ultimately kills the Witch-king of Angmar during the Battle of the Pelennor Fields. 

Before her turn in the "Lord of the Rings" films, Otto appeared in movies like "The Well" (1998) and "The Thin Red Line" (1998).

Otto has acted on several series.

Shortly after the Middle Earth films, Otto appeared on-screen again in the 2005 adaptation of "War of the Worlds." 

She has since worked on films like "Annabelle: Creation" (2017) and miniseries like USA's "The Starter Wife," ABC's "Cashmere Mafia," and Fox's "24: Legacy." 

In 2018, she showed off her fantasy roots on the Netflix series "Chilling Adventures of Sabrina" as aunt Zelda Spellman.

Otto recently appeared on several TV miniseries, like SBS' "The Unusual Suspects." In 2024, she reprised her role of Éowyn in the "Lord of the Rings" prequel anime film, "The War of the Rohirrim."

John Noble played Denethor II.

Noble made playing a troublesome ruler look fun. The last viewers saw of Denethor, he was falling off a cliff on fire after he had tried burning his son alive.

Before the fantasy franchise, the actor had been on TV series and in films like "The Monkey's Mask" (2001).

Noble has since worked on several hit TV shows.

Noble is probably best known for playing Walter Bishop on the Fox series "Fringe." 

Like his "Lord of the Rings" costars Blanchett and Weaving, Noble also appeared as a guest on the ABC series "Rake" before signing longer stints on shows like Fox's "Sleepy Hollow," The CW's "DC's Legends of Tomorrow," and CBS' "Elementary." 

He also showed up as Billy Butcher's father on an episode of Amazon Prime's "The Boys."

More recently, he worked on Netflix's "Cowboy Bebop," Paramount+'s "Star Trek: Prodigy," and Apple TV+'s "Severance."

Karl Urban played Éomer.

Urban played Éomer, the leader of the Riders of Rohan who later becomes King of the Mark.

Before the trilogy, he played Julius Caesar on Syfy's "Xena: Warrior Princess" and appeared in several films.

Urban continues to make a name for himself as an action star.

Urban became an action-movie star shortly after "The Return of the King" with "The Chronicles of Riddick" (2004), followed by "The Bourne Supremacy" (2004) and "Doom" (2005). 

He later played Leonard "Bones" McCoy in "Star Trek" (2009) and continued his action-star legacy as the titular judge in "Dredd" (2012).

Urban plays Billy on "The Boys" — making Noble's guest appearance a "Lord of the Rings" reunion.

• The 2025 Tony Awards were held in New York City on Sunday.
• Celebrities arrived dressed to the nines for the awards show.
• Stars like Cynthia Erivo wore stunning looks, while others missed the mark with their outfits.

Broadway's biggest stars gathered for the most exciting theater event of the year on Sunday: the Tony Awards.

Cynthia Erivo hosted the 2025 Tonys at Radio City Music Hall in New York City. The evening was full of live performances, including a medley of "Hamilton" songs performed by the original Broadway cast.

The attendees included stage actors, Hollywood stars, and even influencers. Some attendees came dressed to impress in ball gowns and statement suits, while others' outfits fell flat.

Take a look at the best and worst looks celebrities wore to the 2025 Tony Awards.

Lea Michele's tuxedo dress was effortlessly chic.

Michele walked the red carpet in a black tuxedo dress designed by Michael Kors.

The neckline dipped low, and a slit cut the skirt on one side, creating a sexy and balanced look. Michele also let the dress speak for itself, wearing black heels and simple jewelry.

Cecily Strong's floral ensemble was too busy.

Strong wore a floor-length, long-sleeve coat dress designed by Badgley Mischka. It had a pretty silhouette, with its collared neckline, belted waist, and full skirt.

However, the green dress was covered in an array of hot pink flowers from head to toe. The pattern was overwhelming to the eye, and the look might have been better if Strong wore the coat unbuttoned with an unpatterned shift underneath it to break up the colors.

Cynthia Erivo arrived to host the Tonys in a gown with an intricate bodice.

Schiaparelli designed Erivo's taupe gown, which had a regal feel that set the tone for her role as host of the evening.

The gown's column skirt had a sheen to it, while the off-the-shoulder bodice was covered in sparkly, floral beading. The neckline hovered around Erivo's frame, playing with structure.

Meanwhile, the bodice on Katie Holmes' dress didn't look cohesive with her skirt.

Holmes wore a custom Prada ensemble to the Tonys. The look featured the two main colors associated with "Wicked," as it had a high-neck, green blouse and a column-style pink skirt adorned with sparkly beading.

The two garments looked like they belonged to different outfits, and the green top in particular felt too casual for the Tonys. Holmes could have stood out on the red carpet if she had paired the skirt with a better top, but the look fell flat as it was.

Amal Clooney's pearl-covered dress stood out at the Tonys, while George Clooney's tuxedo was a bit boring.

Tamara Ralph Couture designed Amal Clooney's white gown, which had an off-the-shoulder neckline and hugged her figure before ending in a scalloped hem at her ankle.

Rows of pearls adorned the dress, making it look like the lawyer was dripping in the gems. White heels with a pointed detail completed her elegant ensemble.

George Clooney, on the other hand, just wore a black tuxedo and bow tie for the evening. It's a classic look, but it would have been nice to see him add a fashionable flair to the outfit through a brooch or other accessory.

Cole Escola won their first Tony in a dramatic ball gown that was perfect for the occasion.

Escola won the Tony for best performance by an actor in a leading role in a play on Sunday for their performance as Mary Todd Lincoln in "Oh, Mary!"

They accepted the award in a custom Wiederhoeft gown that paid tribute to Bernadette Peters, whom Escola used to emulate in YouTube videos and live performances. She also wore a similar dress when she won a Tony in 1999.

Escola's soft-blue gown had a corset bodice with a halter neckline. Ruched, off-the-shoulder sleeves made of sparkly fabric coordinated with a swath of matching fabric on Escola's waist, which gave way to a sparkly skirt. A long train trailed behind them, adding glamour to the look.

A red wig and choker tied Escola's outfit together.

The detailing on Kristin Chenoweth's blue gown looked dated.

Chenoweth attended the Tonys in a blue gown designed by Christian Siriano.

The corset bodice had a pointed neckline with exposed boning and sheer panels on the bodice. The asymmetrical skirt was also transparent, sitting atop a shorter bubble skirt that gave it volume.

Everything about Chenoweth's outfit looked like it belonged in 2012 instead of 2025, from the boning and sheer fabric to the electric-blue color. Chenoweth could have updated the look with modern accessories or a fuller skirt.

Emmy Raver-Lampman looked chic in a velvet suit.

Raver-Lampman's deep-blue suit consisted of a jacket with a bow fastening and wide-legged pants.

She wore the suit with no top, exposing her black bra and giving the ensemble a sexy edge.

The sheer nature of Phillipa Soo's dress was distracting.

Genny designed Soo's dress, which was made of a sheer fabric in pale pink.

The bodice was busy, featuring one strap, a large bow covered in beading on the chest, and a cutout. A fabric ruffle sat on Soo's waist, and the skirt flowed to the floor.

Although the dress had interesting elements, like the bow and waist ruffle, the transparent fabric distracted from every other part of the look, making the outfit feel busier than it was. Because the fabric was such a statement, the dress would have been better for Soo if it didn't feature the bow or additional detailing, as it would have offered a cleaner look.

Kalen Allen's green suit stood out on the red carpet.

The actor and content creator chose an emerald green suit from Naked Wardrobe for the Tonys.

Allen wore the oversize jacket open, showing off a low-cut white blouse and the high waistline of his wide-legged trousers. Heeled, white boots peeked out from underneath the pants, and Allen's glasses conveyed a sophisticated feel for the ensemble.

Julianne Hough's styling was too simple for the Tonys.

Hough's white Christian Siriano gown was pretty. It had a form-fitting silhouette before poofing out in a mermaid skirt made of voluminous tulle.

However, the ensemble felt imbalanced because Hough didn't wear any jewelry with the look and kept her bob down.

The outfit would have felt more cohesive if she had added statement earrings or a bold necklace. As she wore it, it seemed like Hough just forgot to add accessories.

Bow detailing made Sadie Sink's dress shine.

Sink, who was nominated for best performance by an actress in a leading role in a play for her performance in "John Proctor is the Villain," arrived at the Tonys in a custom Prada dress.

The silky, silver dress had a low, V-neckline, and it cinched at her waist before flowing into a floor-length skirt with a subtle train. Sparkly, clustered embellishments framed the neckline and formed a bow in the center for a pop of texture.

Paired with silver earrings, Sink's gown was glamorous without being over the top.

The polka dots on Gracie Lawrence's dress were a bit distracting.

Twiggy Moore designed Lawrence's mermaid-style pink dress. The gown was covered in large black polka dots, a strip of black fabric on the neckline, and a coordinating one on the skirt, complete with a bow.

The dark color and size of the polka dots were too much for the dress, and the gown would have looked sleeker if the dots had been smaller or a paler hue.

Lawrence was nominated for best performance by a featured artist in a musical at the Tonys.

Darren Criss won his first Tony award in a playful take on a traditional tuxedo.

Criss won a Tony for best performance by an actor in a leading role in a musical in "Maybe Happy Ending," which also took home the award for best musical.

Criss accepted the award in a black tuxedo, pairing high-waisted, wide-legged pants with a cropped jacket. The jacket featured white lapels and white buttons, putting a fresh spin on the traditional tuxedo look.

Warner Bros. Discovery has announced plans to split itself into two companies, separating its streaming and studios divisions from its linear television businesses. The split is expected to be completed by mid-2026 and is supposed to help “maximize the potential” of its portfolio of brands, according to the company.

Warner Bros. Television, Warner Bros. Motion Picture Group, DC Studios, HBO, and HBO Max, alongside their respective film and television libraries, will fall under a new “Streaming and Studios” company. Another company, described as “Global Networks,” will run entertainment, sports, and news television brands, including CNN, Bleacher Report, the Discovery Plus streaming service, TNT Sports in the US, and Discovery TV channels across Europe.

WBD had previously announced plans in December to restructure its business into two operating divisions, with WBD serving as the parent company. Now, it’s clear that was a precursor to this forthcoming split.

“The cultural significance of this great company and the impactful stories it has brought to life for more than a century have touched countless people all over the world. It’s a treasured legacy we will proudly continue in this next chapter of our celebrated history,” said WBD CEO David Zaslav. “By operating as two distinct and optimized companies in the future, we are empowering these iconic brands with the sharper focus and strategic flexibility they need to compete most effectively in today’s evolving media landscape.”

Final names for the two companies weren’t given, so it’s not clear which will get the Warner Bros. brand. Zaslav will serve as President and CEO of Streaming and Studios, while WBD CFO Gunnar Wiedenfels will be President and CEO of the Global Networks company. Both will continue in their current roles at WBD until the separation. Global Networks will receive a 20 percent stake in the Streaming and Studios spinoff.

The Financial Times reported in July 2024 that Zaslav was considering creating a new company to separate WBD’s streaming business from the growing debts of its suffering legacy TV networks. As today’s announcement doesn’t mention leadership plans for WBD following the separation, the future of the WBD brand is uncertain.

Seagate has announced a new 4TB version of its storage expansion card for the Xbox Series X and S consoles. It’s the first time the company has introduced a new capacity since launching 2TB and 512GB versions of the expansion card in late 2021.

The 4TB card is available starting today through Seagate’s online store and Best Buy for $499.99, but is discounted to $429.99 as part of a limited-time launch promotion. For comparison, the Xbox Series S starts at $379.99, while the Xbox Series X starts at $599.99. 

But, the added storage may be required by folks with large libraries of games. Depending on the options and expansions you install, games like Call of Duty: Black Ops 6 and Microsoft Flight Simulator can easily gobble up hundreds of gigs of storage each. You can increase the Xbox’s storage capacity using an external drive connected over USB, but to play games directly from an SSD, without having to move files around, requires the storage expansion cards.

You may want to wait for a price drop, though. The 2TB version of the card was originally priced at $399.99, but is now listed on Seagate’s online store for $249.99, with a current promotion bringing it down to $219.99. 

For nearly three years, Seagate was the only company offering expandable storage cards for the Xbox Series X and S, but in mid-2023 Western Digital introduced its own. Its current pricing and capacities are comparable to Seagate’s offerings. Western Digital hasn’t yet introduced a 4TB option.

Although the added competition did help bring the price of Seagate’s expansion cards down, they’re still more expensive than storage expansions for the PlayStation 5, which allows you to use any SSD as long as it meets certain performance requirements. Not only does Western Digital already sell a PS5-compatible 4TB SSD for $339.99, it also offers an 8TB option, although that will set you back a steep $699.99.

Capping off a very busy week in the world of gaming is Microsoft with its annual Xbox Games Showcase, providing “a look at brand-new games and updates from across our first-party studios and our incredible partners across the globe.” It was followed by a segment focused entirely on the sci-fi RPG The Outer Worlds 2.

The big reveal was portable gaming news, as Microsoft announced the Xbox app, Game Bar, and Windows OS updates that will arrive on two new ROG Xbox Ally handhelds. They’ll have a full-screen Xbox experience that’s supposed to make Windows more friendly to handhelds, and help them compete with the Steam Deck and other SteamOS-powered devices.

News for specific game titles included Gears of War: E-Day, Persona 4 Revival, and a surprise drop of Final Fantasy XVI on Xbox.

Read on below to find out about everything announced during the Xbox Games Showcase 2025.

• Final Fantasy XVI is out on Xbox right now, and FF7 Remake is coming too
• The Outer Worlds 2 will start at $79.99.
• Double Fine’s next game, Keeper, turns you into a walking lighthouse
• Did Microsoft just tease a Halo CE remaster?
• Blops is back.
• Gears of War: E-Day is coming in 2026
• Older Windows handhelds are getting Xbox full-screen upgrades too.
• Persona 4 is getting a remake
• Cowabunga.
• We’ve got Pokémon at home.
• Life is even stranger in space.
• Pokémon studio’s action RPG Beast of Reincarnation launches in 2026
• Grounded (again).
• Why did it have to be giants?
• Turn back the clock.
• Meaty.
• A bloody good time.
• Silksong spotted!
• Microsoft and Asus announce two Xbox Ally handhelds with new Xbox full-screen experience
• This is how Microsoft is combining Windows and Xbox for handheld PCs
• Higher on life.
• Outerworldly.
• And another one.
• Xbox’s next major games showcase streams in June

You can play the latest entry in the Final Fantasy series, Final Fantasy XVI, on Xbox right now. Shadow dropped during today’s Xbox Games Showcase, players will be able to experience FFXVI’s slick-ass kaiju monster battles, incredible voice acting, and ho-hum story (because, hey, you can’t expect Square Enix to be perfect at everything). In addition to the base game, players will also get access to FFXVI’s two story DLCs The Rising Tide and Echoes of the Fallen which adds more story and a new Eikon (the game’s version of summons) Leviathan.

But that’s not all as the partnership between Xbox and Square Enix continues apace. Last year, Xbox brought the critically acclaimed MMORPG Final Fantasy XIV to the system. Later it was rumored, due to Square Enix’s stated desire to expand their games beyond the PlayStation ecosystem, that it would bring the Final Fantasy VII remake project to Xbox as well. That rumor has been proven true. The absurdly titled Final Fantasy VII Remake Intergrade, which is the first entry in the FF7 reimagination project combined with the Yuffie-centric DLC, is coming to Xbox this winter.

Psychonauts developer Double Fine just announced a new game — and you’ll be able to play it soon. Keeper, a game where you play as a walking lighthouse with a seabird as a buddy, is launching on October 17th, 2025 on Xbox and PC.

Here’s a description from an Xbox Wire post about what you can expect from the game:

It has stood alone for countless years, but now the Lighthouse finds companionship in a curious and spirited seabird, who encounters the Lighthouse while seeking refuge from a creeping malevolent presence spreading throughout the isle. The Lighthouse discovers that its bright beam of light is able to affect the flora and fauna, and even seems to ward off the withering tendrils spreading throughout the world around it.  

Meanwhile the bird proves to be a useful and dextrous ally, able to interact with strange and ancient mechanisms. Together, these two unlikely friends set off together on an epic adventure, an odyssey of mystifying metamorphosis, and a journey that will take them into realms beyond understanding. 

The art in the trailer is absolutely gorgeous, and it looks like the world will be a beautiful one to explore. The game will be a “story told without words” and is a “strange, otherworldly tale,” according to the post. I’m looking forward to it.

Microsoft first revealed Gears of War: E-Day during its Xbox Games Showcase last year, and at today’s showcase it’s now putting a 2026 release window on the latest entry in the sci-fi shooter series. Developed by The Coalition, E-Day will release in a year that marks 20 years since the original Gears of War game debuted on the Xbox 360, and 25 years of Xbox.

E-Day is set 14 years before the first Gears game, and “tells the story of the first Locust emergence on Sera.” It’s being billed as an origin story, and once again stars Marcus Fenix. E-Day is the first title in the series since Gears 5 debuted in 2019.

Last month, Microsoft also announced a Gears of War remaster that also brings the franchise to PlayStation for the first time. Gears of War: Reloaded is launching on August 26th for Xbox Series X / S, PlayStation, and PC for $39.99. The remaster features 4K resolution, 120fps support, and cross-progression and cross-play for all platforms. Gears of War: Reloaded will also have two-player co-op for the campaign and 8-player multiplayer.

Xbox chief Phil Spencer confirmed the E-Day release window during the Xbox Games Showcase earlier today, and also revealed “the next Forza” is coming in 2026 too, as well as “the return of a classic that’s been with us since the beginning.” That classic may well be the Halo CE remaster I wrote about last year.

In the box office showdown between a deadly assassin and a chaotic CG alien, “Lilo & Stitch” still had the edge. The Disney juggernaut celebrated a third weekend at the top of the charts, while the John Wick spinoff “Ballerina” did not jeté as high as expected.

According to studio estimates Sunday, “From the World of John Wick: Ballerina” earned $25 million from 3,409 theaters in the U.S. and Canada. Several weeks ago it was tracking to open in the $35 to $40 million range, but that was adjusted down several times. Ultimately, it still came in lower than forecasts. The movie, directed by Len Wiseman, makes a sideline character out of Keanu Reeves’ John Wick and focuses on Ana de Armas. It takes place during the events of “John Wick 3.”

The box office performance is a bit perplexing result considering that “Ballerina” got good critic reviews and audience exit polls. Conventional wisdom would say that word of mouth might have given it a boost over the weekend. But, recently, opening weekend isn’t the end all that it used to be. “Ballerina” could be in the game for the long haul.

“Even though its part of the John Wick franchise, it’s playing like a true original. And that’s not a bad thing,” said Paul Dergarabedian, the senior media analyst for Comscore. “This was not a movie that was ever going to open like a ‘Mission: Impossible’ or another huge franchise.”

The Lionsgate release, a Thunder Road Films and 87Eleven Entertainment production, had a hefty production price tag reported to be in the $90 million range. But much of that cost has already been offset by foreign pre-sales. Internationally, it earned $26 million from 82 countries, bringing its global opening to $51 million.

As the first spinoff, it’s the second lowest opening of the five-film franchise – above only the first film which opened just over $14 million in 2014, which does not account for inflation. The franchise overall has grossed more than $1 billion worldwide.

Dergarabedian added that the R-rated “Ballerina” could also be positioned for a strong second weekend, when it goes up against family-targeted “How to Train Your Dragon.”

First place once again went to “Lilo & Stitch,” which added another $32.5 million in North America, bringing its domestic total to $335.8 and global tally to $772.6 million. In just 17 days, it’s already made more domestically than the live-action “The Little Mermaid” did in its entire run ($298 million).

“Mission: Impossible — The Final Reckoning” slid to third place with $15 million, bringing its worldwide total to $450.4 million. “Karate Kid: Legends” earned $8.7 million to take fourth place. And “Final Destination: Bloodlines” rounded out the top five with $6.5 million.

The new Wes Anderson movie “The Phoenician Scheme” expanded beyond New York and Los Angeles to 1,678 theaters nationwide. The Focus Features release starring Benicio del Toro made an estimated $6.3 million and landed in sixth place.

The R-rated anime “Dan Da Dan: Evil Eye” also made the top 10 in its first weekend. The GKIDS release made $3.1 million from 1,080 theaters.

Overall, the box office is up over 26% from this point in 2024.

Top 10 movies by domestic box office

With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:

• 1. “Lilo & Stitch,” $32.5 million.
• 2. “From the World of John Wick: Ballerina,” $25 million.
• 3. “Mission: Impossible – The Final Reckoning,” $15 million.
• 4. “Karate Kid: Legends,” $8.7 million.
• 5. “Final Destination: Bloodlines,” $6.5 million.
• 6. “The Phoenician Scheme,” $6.3 million.
• 7. “Bring Her Back,” $3.5 million.
• 8. “Dan Da Dan: Evil Eye,” $3.1 million.
• 9. “Sinners,” $2.9 million.
• 10. “Thunderbolts,” $2.5 million.

This story was originally featured on Fortune.com

After a symphony, online multiplayer and a remaster, the well-regarded (and often handheld) puzzler Lumines is getting Enhance’s full synesthetic, Tetris-flowing, treatment. Lumines Arise is almost here.

If you haven’t played the game before, Lumines’ premise centers on rotating and dropping four-square blocks made of one or two colors, building up larger squares of a single color. The game’s timeline sweeps across the playfield – to the beat of the soundtrack – erasing completed squares in its path, while also giving you the brief opportunity to quickly drop more squares, add multiplier combos and score even more points.

Lumines Arise adds a new mechanic to the addictive yet simple puzzle. 'Burst' is a refillable bar that you can trigger with L2/R2, which locks a square on the playing field, allowing you to pile on subsequent blocks. You can initiate Burst once the counter has rolled above 50, although it maxes out at 100. As you might expect for a synesthesia-tickling game like Arise, Burst mode has its own low-key musical accompaniment.

Lumines has never looked better. But that’s not just due to 2025 hardware power, but also design choices for Lumines’ skins – the unhinged wallpaper design and block themes that bubble up as you advance through puzzle stages. They’re delightfully mad and, at times, distracting. (As you play, the view of your Lumines blocks will occasionally ‘zoom’ closer – this is intentional. Game Director Takashi Ishihara said this was to both add some dynamism to what are typically static blocks, but also to pull the players’ attention back to the game at hand. Lumines Arise wants you to focus on the now, not the score, your Burst meter, or your customizable avatar.)

My favorite part of the demo was the final stage, which featured two chameleons simply raving along to the dance music. The soundtrack is, naturally, a banger, too. Lumines Arise features new music from Hydelic, also responsible for the award-winning soundtrack of Tetris Effect: Connected. (The band has already launched one track, "Only Human," on Bandcamp – it’s coming to other streaming services, too.)

On another stage, two skeletal hands, seemingly strung up like puppets, twitch and wriggle as you shift and rotate your blocks. If anything, I think Enhance missed a trick not mapping the finger movements to a DualSense controller. I said that in front of Ishihara because I have zero sense of decorum — apparently, he'd had the same idea. I now consider myself a game designer.

I got to briefly see Lumines Arise running on a Steam Deck, too. The time of the handheld console and PC is now, so it's nice to see a typically made-for-consoles game ready for this new gaming PC form factor.

Ishihara teased that there’s more to reveal ahead of Arise’s launch. The game will launch on both PS5 and Steam, and it will also feature VR compatibility on both platforms. While Enhance wasn’t yet willing to reveal the details, there will also be some form of multiplayer, but it seems like it’ll be in a different form compared to the more adversarial nature of Tetris Effect’s multiplayer modes. 

Additionally, Ishihara wanted to highlight that the avatars, which dance and emote in sync with your in-game actions, now feature legs. That is important, apparently. Enhance is promising more answers in due time. Lumines Arise is set to launch in fall 2025.

We've been getting a real kick out of the offbeat cable TV parody that is Blippo+, which arrived with Playdate's Season Two, and now it's looking like non-Playdate owners will be able to experience the strangeness too later this year. Panic, along with Telefantasy Studios, Noble Robot and the artists Yacht, announced at the PC Gaming Show that Blippo+ is coming to PC and Nintendo Switch in fall 2025. And unlike the 1-bit black and white programs we've been tuning into on the Playdate, it'll all be in color.

Blippo+ features a roster of live-action programs that may or may not be alien transmissions, plus a forum called Femtofax that brings you even deeper into the unusual goings-on of the Blippians. Panic revealed with the second week of Season Two games that Blippo+ wouldn't just be a one-off release, but would instead get weekly content updates every week for the next eleven weeks. When it lands on the other platforms, Blippo+ will have "a time-hopping mechanic so viewers can travel back and forth through weeks of TV programming without losing the magic of 'non-demand' linear viewing."

Panic

It's absurd, it's nostalgic — Blippo+ was made with vintage analog broadcast equipment, according to the creators — and it's totally unpredictable. You really never know what madness it's going to serve up next, and it's great. In color, things are only going to get weirder.

It’s not Psychonauts 3, but Keeper already looks to be a visually stunning and highly original gaming experience. Double Fine Productions and the company's art director Lee Petty showed off the official announcement trailer for its latest title during the Xbox Games Showcase at Summer Game Fest 2025. It's not as hype as the news of Persona 4 Revival or The Outer Worlds 2, but this quirky third-person adventure game looks like a fun departure from your typical AAA title.

As seen in the trailer, Keeper puts you in control of a magically reassembled lighthouse that's since grown legs and has a strange desire to venture towards the central mountain peak of the island. There's no dialogue for this game, but you won't be alone since an equally adventurous seabird joins you on your mysterious mission. There's little revealed about the storyline, but the trailer shows that the lighthouse's beam of light can interact with the island's wildlife, while your trusty winged companion can take care of anything out of your reach.

For diehard fans of the Psychonauts franchise, Keeper's vibrant and striking visuals might be the only thing to scratch that itch for a while. Double Fine Productions previously confirmed in June 2023 that it's not working on Psychonauts 3, following hints at a potential reveal that summer. Double Fine's Keeper will be available on Xbox Series X / S, Xbox PC, Xbox Cloud, Xbox Game Pass and Steam on October 17.

Originally announced as "Project Bloom," Game Freak's upcoming action-adventure game made a formal appearance at the Xbox Games Showcase as Beast of Reincarnation. The studio describes the game as a "one-person, one-dog" RPG and it's supposed to be coming out in 2026.

Based on the trailer, the game is set in a post-apocalyptic Japan that's returned to nature due to some kind of beast-born blight. As the main character "Emma the Sealer," you'll travel through the wilderness, engaging in "demanding, technical combat" alongside your dog Koo, all in the hopes of "saving humanity" from the sickness that's plaguing the land. 

Game Freak is best known for its work on the Pokémon games, but the developer has made an eclectic collection of other projects between mainline entries, including Pocket Card Jockey: Ride On! and more recently, Pandoland. "Project Bloom" was originally supposed to be published by Take-Two's Private Division label, but when the label was sold in 2024, Game Freak's game was taken up by a new publisher called Fictions.

Beast of Reincarnation is coming to PS5, Xbox Series X/S and PC in 2026. It'll also be available through Xbox Game Pass at launch.

Asobo Studio announced at the Xbox Games Showcase that its new entry in the Plague Tale series is a prequel set 15 years before its last game. Resonance: A Plague Tale Legacy is focused on the smuggler Sophia from A Plague Tale: Requiem, and is scheduled to be released in 2026.

Based on the brief description from the game's trailer, Resonance follows a young Sophia as she "seeks her independence as a fierce plunderer in the unforgiving world of the 14th century." The trailer shows Sophia on the run, escaping conflict, exploring mysterious ruins, and generally being pursued by danger, alongside more ominous vignettes showcasing Asobo's typically lush visuals.

If surviving a plague made the first two games seem grim, escaping a flaming ship or battling in a gladiatorial arena doesn't make Sophia's past adventures seem all that more for fun. Still, there's very little to go on, and quite a bit more to learn before Resonance: A Plague Tale Legacy comes out in 2026. 

Resonance: A Plague Tale Legacy is currently set to be released on Xbox Series X / S, PS5, PC and Xbox Cloud Streaming. It'll also be available from day one through Xbox Game Pass.

Xbox kicked off its Summer Game Fest showcase by revealing the release date to The Outer Worlds 2, the sci-fi first-person RPG from Obsidian Entertainment, via a new trailer. The sequel is coming out on October 29, 2025 and Xbox plans to follow-up its stream with an in-depth look at the game.

Like the original The Outer Worlds, the sequel continues its satire of end-times capitalism, focusing in the trailer on the player character's Earth Directorate agent working against various companies vying for destructive, dangerous technology. What that looks like in practice is freezing and exploding enemies with a variety of out-of-this-world weapons — shrink rays included. Knowing Obsidian's output, there's bound to be plenty of non-lethal ways to get what you want, too.

The Outer Worlds 2 is coming out on October 29, 2025 for Xbox Series X / S, PS5, PC and streaming through Xbox Cloud Streaming.

Ask me what I’m reading at any given moment and I’ll probably rattle off at least three titles, not to mention comics and the occasional textbook I may also be chipping away at in the background. Reading multiple books simultaneously might sound chaotic (at least, people always tell me it is), but there is a degree of organization to it all: each book in my pile of current reads is in a different format. I'll have one physical, paper book, an ebook and an audiobook in progress at a time, so I always have something on hand to read no matter where I am.

While I used to carry around a dedicated ereader, I've shifted more toward using my phone for the job these days, especially since getting a foldable. Consequently, I've tried out a bunch of different apps for reading and logging my books. These are the ones I like most.

Libro.fm

Audiobooks have really grown on me over the last few years, almost entirely replacing podcasts as the thing I'll throw on when I'm cleaning, taking a walk or going for a long drive. While I tried to make do at first by only borrowing audiobooks from the library, I quickly found that the extremely limited selection from my library system coupled with really long wait times just wouldn't cut it if I wanted to stay up on new releases. After researching all the options, I settled on Libro.fm, an audiobook platform that shares a portion of profits (about half, according to a 2022 interview) with independent bookstores. And even better, you get to pick which bookstore to support with your purchases.

I wasn't expecting to find my favorite local bookstore — a tiny shop in a small town in New York's Hudson Valley — on Libro.fm, so I was pleasantly surprised when it turned up in the search. With that, and the fact that all audiobooks from Libro.fm are Digital Rights Management (DRM) free, so you can actually download the files and do with them as you please, I was sold. You have a few options for buying audiobooks through Libro.fm: you can subscribe for $15 per month, which gives you one audiobook credit and a 30 percent discount on all purchases; you can buy credit bundles to save on purchases without a subscription; and you can purchase individual titles at their full, non-member price. There are also plenty of free books to choose from.

Bookshop.org app

The moment I found out that Bookshop.org had launched ebooks and an app to read them on, I made the site my sole destination for buying digital books and haven't looked back. Just like Libro.fm, Bookshop.org lets you choose a local bookseller to support with your purchases. It's been doing this for physical book sales for the last five years — and according to its tally has raised over $38 million for independent bookstores in that time — but until now, there hasn't been a similar option for ebooks. The new app is a no-frills ereader app where you can browse the Bookshop.org catalog to save titles to your wishlist (purchases have to be made on the site) and read all the ebooks you've bought. There are some things I'd love to see it gain in the future, like comics and the option to display pages side by side for reading book-style on a foldable, but it's a great start as it is, especially if your primary concern is supporting small businesses.

Right now Bookshop.org's ebook service doesn't sync with any of the mainstream ereader devices, so you're locked into reading on Android, iOS or a web browser, but the company said it's working on Kobo integration and we could see that happen before the end of this year.

Libby

Libby, aka the library app, is my app of choice for older, less in-demand ebooks and audiobooks, or for when I don't have anything particular in mind and just want to browse the catalog to see what jumps out at me. It lets you link multiple library cards, meaning you potentially have a huge pool to pull from, and since you're borrowing books rather than buying them, it's entirely free. Libby also connects with Kindle, and you can have your titles automatically sent to your ereader. Some Kobo devices support OverDrive (the distributor behind Libby) too.

While using an app may not be quite as satisfying as perusing the stacks IRL, I really like Libby's tag system, which lets you organize your borrowed books and To Be Read titles in whatever way works best for you. You can have a dedicated TBR tag, or create several different tags to group things by genre, mood, etc. Libby is also a great place to find magazines.

Moon+ Reader (Android only)

Moon+ Reader is the best app I've used yet for instances where I have the actual file for a book or document. It supports a ton of different file types — including ePUB, PDF, AZW3, MOBI and many more — and allows you to highlight and annotate text, in addition to offering auto scroll and text-to-speech so the text can be read aloud to you. It's really customizable, too. You can choose things like font, font color, background, margin width, line spacing and more for each document, and save the final build as a theme so you can use it again later. Designwise, the app feels almost like a relic of a bygone digital era, organizing all of your books in a skeuomorphic virtual bookshelf, and I love it. There are a few style options for the bookshelf too, or you can turn off the bookshelf and just see your books in a standard grid.

There's both a free and paid version of the Moon+ Reader, and this is a situation where getting the paid version (Moon+ Reader Pro) is actually worth it. It's a one-time purchase of $10, and going that route will get rid of ads and open up more customization options. In addition to importing your own files into the app, Moon+ Reader has Project Gutenberg integrated so you can directly access that library of over 75,000 free books.

The Storygraph

Naturally, I need a way to keep up with all the reading I'm doing, and that's where The StoryGraph comes in. The StoryGraph is a data-focused app for keeping track of everything you're currently reading, everything you've read and the ever-growing list of titles you want to read. It even allows you to mark books as "did not finish." I love that I can have five in-progress books logged at a time, and can even update each entry to note how far along I am, which is nice for those I'm dragging my feet on completing.

When you leave a review, you have the option to be really detailed about it, going beyond a star rating and a blurb. Reviewers can indicate whether the book would appeal to readers who like a particular mood, with over a dozen options. You rate the pace and answer basic questions about the plot and characters, like whether there's character development or if the characters are even likeable. There's also the option to add content warnings.

Where The StoryGraph really shines, though, is in the stats. There are tons of actual graphs built into the experience to show you a comprehensive breakdown of your reading habits, from the genres, moods and pacing you prefer, to how much fiction you've read versus nonfiction. You can set challenges for yourself, like a yearly reading goal, and you'll be shown a Reading Wrap-up at the end of the year. It'll tell you how long it takes you to finish a book on average, and compare your reading stats to previous years.

There is a mild social component to the app, but it's tucked away in its own tab and not shoved in your face, which I appreciate as someone who tends to shy away from those things. If you want, though, you can participate in or create readalongs, start buddy reads and book clubs (and even write out a code of conduct for the latter) or just see what other people with similar interests to yours are reading. The StoryGraph team also really seems to take users' feedback into consideration, and is constantly adding new things to the app and tweaking existing ones to improve the experience, which is always nice to see.