It's early June, which means it's time for a ton of video game events! Rising from the ashes of E3, Geoff Keighley's Summer Game Fest is now the premium gaming event of the year, just inching ahead of… Geoff Keighley's Game Awards in December. Unlike the show it replaced, Summer Game Fest is an egalitarian affair, spotlighting games from AAA developers and small indies across a diverse set of livestreams. SGF 2025 includes 15 individual events running from June 3-9 — you can find the full Summer Game Fest 2025 schedule here — and we're smack dab in the middle of that programming right now.

We're covering SGF 2025 with a small team on the ground in LA and a far larger group of writers tuning in remotely to the various livestreams. Expect game previews, interviews and reactions to arrive over the coming days (the show's in-person component runs from Saturday-Monday), and a boatload of new trailers and release date announcements in between.

Through it all, we're collating the biggest announcements right here, with links out to more in-depth coverage where we have it, in chronological order.

Tuesday, June 3

State of Unreal: The Witcher IV and Fortnite AI

Epic hitched its wagon to SGF this year, aligning its annual developer Unreal Fest conference, which last took place in the fall of 2024, with the consumer event. The conference was held in Orlando, Florida, from June 2-5, with well over a hundred developer sessions focused on Unreal Engine. The highlight was State of Unreal, which was the first event on the official Summer Game Fest schedule. Amid a bunch of very cool tech demos and announcements, we got some meaningful updates on Epic's own Fortnite and CD PROJEKT RED's upcoming The Witcher IV.

The Witcher IV was first unveiled at The Game Awards last year, and we've heard very little about it since. At State of Unreal, we got a tech demo for Unreal Engine 5.6, played in real time on a base PS5. The roughly 10-minute slot featured a mix of gameplay and cinematics, and showed off a detailed, bustling world. Perhaps the technical highlight was Nanite Foliage, an extension of UE5's Nanite system for geometry that renders foliage without the level of detail pop-in that is perhaps the most widespread graphical aberration still plaguing games today. On the game side, we saw a town filled with hundreds of NPCs going about their business. The town itself wasn't quite on the scale of The Witcher III's Novigrad City, but nonetheless felt alive in a way beyond anything the last game achieved.

It's fair to say that Fortnite's moment in the spotlight was… less impressive. Hot on the heels of smooshing a profane Darth Vader AI into the game, Epic announced that creators will be able to roll their own AI NPCs into the game later this year.

Wednesday, June 4

PlayStation State of Play: Marvel Tōkon, Silent Hill f and the return of Lumines

Another company getting a headstart on proceedings was Sony, who threw its third State of Play of the year onto the Summer Game Fest schedule a couple days ahead of the opening night event. It was a packed stream by Sony's standards, with over 20 games and even a surprise hardware announcement.

The most time was given to Marvel Tōkon: Fighting Souls, a new PlayStation Studios tag fighter that fuses Marvel Superheroes with anime visuals. It's also 4 versus 4, which is wild. It's being developed by Arc System Works, the team perhaps best known for the Guilty Gear series. It's coming to PS5 and PC in 2026. Not-so-coincidentally, Sony also announced Project Defiant, a wireless fight stick that'll support PS5 and PC and arrive in… 2026.

Elsewhere, we got a parade of release dates, with concrete dates for Sword of the Sea (August 19) Baby Steps (September 8) and Silent Hill f (September 25). We also got confirmation of that Final Fantasy Tactics remaster (coming September 30), an an all-new... let's call it aspirational "2026" date for Pragmata, which, if you're keeping score, was advertised alongside the launch of the PS5. Great going, Capcom!

Rounding out the show was a bunch of smaller announcements. We heard about a new Nioh game, Nioh 3, coming in 2026; Suda51's new weirdness Romeo is a Dead Man; and Lumines Arise, a long-awaited return to the Lumines series from the developer behind Tetris Effect.

Thursday, June 5

Diddly squat

There were absolutely no Summer Game Fest events scheduled on Thursday. We assume that's out of respect for antipodean trees, as June 5 was Arbor Day in New Zealand. (It's probably because everyone was playing Nintendo Switch 2.)

Friday, June 6

Summer Game Fest Live: Resident Evil Requiem, Stranger Than Heaven and sequels abound

It's fair to say that previous Summer Game Fest opening night streams have been… whelming at best. This year's showing was certainly an improvement, not least because there were exponentially fewer mobile game and MMO ads littering the presentation. Yes, folks tracking Gabe Newell's yacht were disappointed that Half-Life 3 didn't show up, and the Silksong crowd remains sad, alone and unloved, but there were nonetheless some huge announcements.

Perhaps the biggest of all was the "ninth" (Zero and Code Veronica erasure is real) Resident Evil game. Resident Evil Requiem is said to be a tonal shift compared to the last game, Resident Evil Village. Here's hoping it reinvigorates the series in the same way Resident Evil VII did following the disappointing 6.

We also heard more from Sega studio Ryu Ga Gotoku about Project Century, which seems to be a 1943 take on the Yakuza series. It's now called Stranger Than Heaven, and there's a (literally) jazzy new trailer for your consideration.

Outside of those big swings, there were sequels to a bunch of mid-sized games, like Atomic Heart, Code Vein and Mortal Shell, and a spiritual sequel of sorts: Scott Pilgrim EX, a beat-em-up that takes the baton from the 2010 Ubisoft brawler Scott Pilgrim vs. the World: The Game.

There were countless other announcements at the show, including:

• Troy Baker is the big cheese in Mouse: P.I. for Hire

• Here's a silly puppet boxing game you never knew you needed

• Killer Inn turns Werewolf into a multiplayer action game

• Out of Words is a cozy stop-motion co-op adventure from Epic Games

• Lego Voyagers is a co-op puzzle game from the studio behind Builder's Journey

• Mina the Hollower, from the makers of Shovel Knight, arrives on Halloween

• Wu-Tang Clan's new game blends anime with Afro-surrealism

Day of the Devs: Snap & Grab, Blighted and Escape Academy II

As always, the kickoff show was followed by a Day of the Devs stream, which focused on smaller projects and indie games. You can watch the full stream here.

Escape Academy has been firmly on our best couch co-op games list for some time, and now it's got a sequel on the way. Escape Academy 2: Back 2 School takes the same basic co-op escape room fun and expands on it, moving away from a level-select map screen and towards a fully 3D school campus for players to explore. So long as the puzzles themselves are as fun as the original, it seems like a winner. 

Semblance studio Nyamakop is back with new jam called Relooted, a heist game with a unique twist. As in the real world, museums in the West are full of items plundered from African nations under colonialism. Unlike the real world, in Relooted the colonial powers have signed a treaty to return these items to their places of origin, but things aren't going to plan, as many artifacts are finding their way into private collections. It's your job to steal them back. The British Museum is quaking in its boots.

Here are some of the other games that caught our eye:

• Snap & Grab is No Goblin's campy, photography-based heist game

• Please, Watch the Artwork is a puzzle game with eerie paintings and a sad clown

• Bask in the grotesque pixel-art beauty of Neverway

• Pocket Boss turns corporate data manipulation into a puzzle game

• Tire Boy is a wacky open-world adventure game you can tread all over

The rest: Ball x Pit, Hitman and 007 First Light

After Day of the Devs came Devolver. Its Summer Game Fest show was a little more muted than usual, focusing on a single game: Ball x Pit. It's the next game from Kenny Sun, an indie developer who previously made the sleeper hit Mr. Sun's Hatbox. Ball x Pit is being made by a team of more than half a dozen devs, in contrast to Sun's mostly solo prior works. It looks like an interesting mashup of Breakout and base-building mechanics, and there's a demo on Steam available right now.

Then came IOI, the makers of Hitman, who put together a classic E3-style cringefest, full of awkward pauses, ill-paced demos and repetitive trailers. Honestly, as someone who's been watching game company presentations for two decades or so, it was a nice moment of nostalgia. 

Away from the marvel of a presenter trying to cope with everything going wrong, the show did have some actual content, with an extended demo of the new James Bond-themed Hitman mission, an announcement that Hitman is coming to iOS and table tops, and a presentation on MindsEye, a game from former GTA producer Leslie Benzies that IOI is publishing. 

Saturday, June 7

Monument Valley 3, eggs, Camper Van: Make it Home and niche streams

The Wholesome Direct arrived on Saturday, just in time to soothe that weird hangover we all got after the IOI showcase. The Wholesome Direct is a celebration of all things adorable, quaint, peaceful and sweet, and this year included mainstream news about Monument Valley 3 coming to consoles and PC, following a stint as a Netflix exclusive. There was also a release date announcement for the cozy but twisted shop-management sim Discounty, which is about as spooky as the Wholesome Direct ever gets. There’s something sinister about the small town in Discounty, and while we’re still not sure if it’s demons or just the looming specter of capitalism, we know for sure the game is coming to PC, Switch, PS4, PS5 and Xbox Series X/S on August 21.

Meanwhile, Omelet You Cook hit Steam during the showcase as a nice little surprise. It’s a game about making eggs for picky students in a cafeteria, and of course pleasing Principal Clucker (who is a chicken, yes). Simply put, it looks delicious. The final game we want to shout out from this year’s Wholesome Direct is Camper Van: Make it Home, a perfect little crossover of interior design mechanics and slightly miniaturized objects, which makes for a super cute experience. It came out during the showcase, and it’s live now on Steam.

There were dozens of other announcements during the 2025 Wholesome Direct stream, and the entire thing is worth a watch. You can do so at your leisure, ideally cuddled up with a blanket and a nice drink, right here.

Saturday was also the time for all of the hyper-specific game streams to shine. We saw the Women-led Games show, Latin American Games Showcase, Southeast Asian Games Showcase, Green Games Showcase and Frosty Games Fest. Party!

Sunday, June 8

A new Xbox handheld, Outer Worlds 2 and Black Ops 7

The last big event of the weekend was Xbox, which had its usual breathless showcase. The major news, especially for a publication like Engadget, was the ROG Xbox Ally and ROG Xbox Ally X, two new Xbox-focused PC handhelds. Internally, they're a lot like ASUS' ROG Ally handhelds, but the grips have been smoothed out to feel more like an Xbox controller in your hands.

The software experience is also different. The Xbox Ally handhelds run Windows 11, but in Microsoft's version of Steam Big Picture mode there'll be fewer background processes and… just a generally lower overhead compared to regular Windows handhelds. Thankfully, Microsoft isn't locking things down, as it'll be able to access other "popular storefronts," which we're taking to mean Steam and Epic. The Xbox Ally will be available closer to the holidays, but price is a huge question mark: The ROG Ally costs significantly more than the Steam Deck and Switch 2. Is Microsoft going to subsidize these things, or are they going to cost $600-$800 like ASUS' own-brand versions?

Side note: A quick screw you to Microsoft for using Hollow Knight: Silksong to show off the new handheld. We're all starving out here, and this was not helpful. I guess the news that it'll be playable on day one on the handheld at least narrows down the release date to "between now and whenever this thing comes out."

Less of a surprise was Outer Worlds 2, which Microsoft said would be at the show well ahead of time. We got a release date — October 29 — and a deep dive into the game's new systems. It looks like an expanded title compared to the original, with an improved combat system and a more fleshed out set of companions. We hope to have more on what's new real soon.

The One More Thing of the show was a new Call of Duty game, Black Ops 7. Truly, when a game comes out every year is it really worth blowing your one more thing on? If only Microsoft had an Xbox-branded handheld to show off, that would've been a really cool note to end the show!

Here are the other bits and pieces worth reading about from the Xbox show:

• ​​Persona 4 Revival is real and coming to PS5, PC and Xbox

• At Fate’s End already looks like the must-play indie game of 2026

• The new trailer for Clockwork Revolution is a wild, extremely steampunk ride

• Psychonauts developer’s trippy island adventure Keeper comes out on October 17

• Beast of Reincarnation is a 'one-person, one-dog' RPG launching in 2026

• Final Fantasy 16 suddenly arrives on Xbox Series X/S

• Asobo Studio's next Plague Tale game is a prequel arriving in 2026

The rest: Paralives and Blippo+

Paralives has been in the works for what feels like forever, but you'll be able to play it this year: It enters early access on December 8. The indie take on The Sims looks charming as all hell in its latest trailer, and I can't wait.

Blippo+ has been a great distraction since it launched with Playdate season 2, and we found out Sunday that it'll be coming to more platforms soon — in full color, no less! It'll arrive on PC and Nintendo Switch in fall 2025.

Monday, June 9

Now you're all caught up. There's just one event on Monday, and it's the Black Voices in Gaming showcase. It starts at noon ET, and we've embedded the steam below for your viewing pleasure.

This article originally appeared on Engadget at https://www.engadget.com/gaming/everything-new-at-summer-game-fest-2025-xbox-handheld-resident-evil-requiem-and-more-185425578.html?src=rss

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© Engadget

Sword of the Sea is a game about letting go. Its main mechanic involves surfing across vast desert dunes on a thin blade, slicing through glittering sands and scaling ancient towers on a quest to unearth the secrets of civilizations past. It plays best when you forget about the controls entirely, and just surrender to the slick physics and let your little character flow. With enough exploration, you’ll naturally discover glowing orbs and shining gold gems, and the sands will transform into deep, crystal clear seas with fish swimming through the air, carving wet paths through the dirt. Your character, dressed in flowing robes and a gold mask, rides the orange hills and the blue waves with the same easy athleticism, reacting instantly to every input on the controller.

Charge up a jump and then complete sick tricks with a few quick inputs, or unleash a bubble of sonic energy to smash nearby vases, uncovering bits of currency in the shattered pieces. The protagonist moves in whatever direction you push, stopping immediately when you let go of the analog stick. There are giant chains to grind, a hover ability in some areas, and half pipes generously positioned around the environments. Control prompts pop up when you’re first introduced to an ability, but the text fades quickly and you’re left alone in the desert. There are no waypoints in Sword of the Sea, but the environment tells a clear story, inviting you to solve puzzles in the mysterious temples dotting the landscape. Find glowing orbs on the rooftops and hidden down secret passageways to unlock the buildings’ secrets, opening up new areas.

I played about 20 minutes of Sword of the Sea at Summer Game Fest, but I wanted to surf its dunes for a lot longer. It’s the kind of game that makes the real world fade away, no matter how chaotic or intrusive your immediate surroundings are. It’s built on rhythm and vibes, and it encourages a meditative flow state from its first frames. Learn the controls and then forget them; play with pure intuition and it’ll most likely be the right move.

“The game is about surfing, and it's really about the process of learning to surf and getting comfortable with surfing, and then trying things that are a little bit beyond your abilities, failing, and then figuring it out and actually accomplishing them,” Sword of the Sea creator Matt Nava told Engadget on the SGF show floor. “And in the process, you kind of realize that surfing is all about harnessing the power of something greater than yourself. You’re not paddling — the waves carry you. The zoomed out camera, the little character; in a lot of games, they're right on the character, because the character is the focus. But in this game, it's about how the character is a part of the environment, that is the focus. And I think that's a constant in a lot of the games that we've made.”

Nava is the creative director and co-founder of Giant Squid, the studio behind Abzû and The Pathless. Even with these two successful games under his belt, Nava is still best known as the art director of Journey, thatgamecompany’s pivotal multiplayer experience that hit PlayStation 3 in 2012. Nava has spent the past decade attempting to build explicitly non-Journey-like games with Giant Squid, and while Abzû and The Pathless both have his distinctive visual stamp, they’re the opposite of Journey in many ways. Where Journey was set in a dry, desert landscape, Nava’s follow-up, Abzû, took place in an underwater world. After that, The Pathless was mostly green, rather than dusty orange.

Giant Squid

With Sword of the Sea, Nava let go. He dropped all preconceptions of what he should be making and mentally said fuck it. He finally allowed himself to manifest the game that came naturally to him.

“In this game, it's very much taking on, accepting and proclaiming that this is me,” Nava said. “I did Journey. I'm doing orange again. And I'm going back to the desert because I have way more ideas that we couldn't do in that game … It’s like I’ve been living in my own shadow for a long time in a weird way. It's like, why am I doing that? I should just be who I am and continue to explore the art that is my art.”

Sword of the Sea is a specific and special game, and even though it’s set in an orange desert, it doesn't feel like Journey. The game also includes music by Austin Wintory, the Grammy-nominated composer behind Journey, Abzû and The Pathless. Together, Nava and Wintory form a formidable foundation.

“A lot of video game scores, they just make a music track for the area,” Nava said. “If you're in the town, you hear town music, and then it just repeats. But that's not how it works here. The music advances as your story advances, it reflects where you are on your surfing adventure, what you're learning how, how far your character has gone on this character arc. And so that's where the music of a video game like ours should be.”

As Nava and I chatted, someone sat down to play Sword of the Sea on a nearby screen, and when I glanced up, I saw that they were gliding through an area I didn't find in my runthrough. A giant animal skeleton was half-buried in the sand, bright white vertebrae dotted with gold gems for the player to collect. There are a lot of secrets in Sword of the Sea, Nava assured me. The best way to find them is to just let go and play.

Sword of the Sea is due to hit PlayStation 5, Steam and the Epic Games Store on August 19.

This article originally appeared on Engadget at https://www.engadget.com/gaming/sword-of-the-sea-is-what-happens-when-matt-nava-strides-back-into-journeys-shadow-233148894.html?src=rss

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© Giant Squid

Camper Van: Make it Home has everything you'd want out of a home-decorating simulator, but it's all on wheels and slightly miniaturized, and something about that combination is extra peaceful. The game is available on Steam right now, following a surprise drop during the Wholesome Games Showcase, which is part of Summer Game Fest 2025.

In Camper Van: Make it Home, players solve organization puzzles and use their interior design skills to craft the mobile homes of their dreams. There's even space to decorate outside of the vehicle, and the accessories change along with the environments and seasons. Camper Van: Make it Home is just a perfect encapsulation of pastel dreaminess and cozy creativity.

Camper Van: Make it Home is developed by Spanish indie team Malapata Studio, with financial support from Wings. The game has been on a little journey from Kickstarter, where it garnered more than 2,000 backers in 2023, to today's full release on Steam.

This article originally appeared on Engadget at https://www.engadget.com/gaming/pc/camper-van-make-it-home-takes-interior-design-on-the-road-170043811.html?src=rss

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© Malapata Studio

Relooted is a heist game about reclaiming African artifacts from the Western countries that stole them, developed by independent South African studio Nyamakop. Relooted is set in a future timeline where Western nations have signed a treaty to return plundered items to their African regions of origin, but things aren't going to plan. Western leaders are instead hiding the artifacts away in private collections, so it's up to a ragtag crew based in Johannesburg, South Africa, to strategize and steal them back.

Relooted is broken into missions, and each one includes a briefing about the artifact, an infiltration planning stage, and the heist. Gameplay is a mix of puzzle and action as you case each building, set up your run, and then execute the plan. Once you grab your target artifact, the security alarms go off and you have a limited amount of time to escape, so thorough preparation is key.

In the Day of the Devs reveal video for Relooted, producer Sithe Ncube cites a wild statistic from a pivotal 2018 report on African cultural heritage, saying, "90 percent of sub-Saharan African culture heritage is in the possession of Western collections. That is millions upon millions of deeply important cultural, spiritual and personal artifacts, including human remains, that aren't in their rightful place."

The locations in Relooted are fictional, but the 70 artifacts you have to steal back are real, and they're all currently in Western and private collections, far from their original homes and owners.

Nyamakop is one of the largest independent games studios in sub-Saharan Africa, with about 30 developers working on Relooted right now. Its previous game, the globular platformer Semblance, was the first African-developed IP to ever come to a Nintendo console, hitting the Switch in 2018. In order to get Semblance on the Switch, Nyamakop co-founder Ben Myres had to bootstrap his way around the world, buying one-way tickets and finding new partners on the fly in a daisy chain of game festival appearances. Here's how Myres explained it to Engadget at E3 2018:

"The entry curve into being an indie game developer in South Africa is like a cliff face. Because you don't have the contacts, the platform holders like Xbox, Sony. You don't have reps that live in your country. The press that matter are all here. There isn't a big enough market locally to sell to, so you have to make works to sell to the West, which means you have to go to Western shows and you have to meet Western press. So basically, if you're not traveling a ton, you're not going to be able to make it."

Nyamakop has grown significantly since 2018, and Relooted is an unabashedly African game built by a majority-POC team, Myres and Ncube said in 2024.

"There is the thing about making games for Africans — we say that a lot," Ncube told GamesIndustry.biz. "We say that should be a thing, we should make games for Africans because we're playing games that were made in the West. But will people even play those games, if you make them? And then if you make games targeting people ... even if you were to make one that's really good, there's no guarantee that you'll have a lot of people playing it. So I think there's some level of confusion, I can say, in terms of unexplored aspects of the African games market."

Relooted is in development for Steam, the Epic Games Store and Xbox Series X/S, and while it doesn't yet have a firm release date, it's available to wishlist.

This article originally appeared on Engadget at https://www.engadget.com/gaming/rescue-african-artifacts-from-colonizers-museums-in-the-heist-game-relooted-000035161.html?src=rss

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© Nyamakop

Neverway already looks, sounds and feels like it's going to be something special — in a grim, grotesque and hellishly depressed kind of way. (Side note: That could be a nice tagline, no? It's grim! It's grotesque! It's hellishly depressed! It's... Neverway! OK, I'll stop.)

Neverway is a life-sim RPG starring Fiona, a young woman who quits her dead-end job to live on a remote island farm for a while, where she ends up becoming the immortal herald of a dead god. Fiona has to fight through nightmare realms and battle repulsive horrors, while also tending her land and maintaining relationships with townsfolk. She's able to meet and date more than 10 distinct characters, and forming friendship bonds unlocks combat abilities. The game features farming and fishing mechanics, and there's also a crafting system for secondary tools like the hookshot, which supplements Fiona's primary weapon, a sword.

Neverway comes from Coldblood Inc., an independent Vancouver studio founded by Brazilian-Canadian developers Pedro Medeiros and Isadora Sophia. Medeiros is the pixel artist behind Towerfall and Celeste, two stunning indie games, and Sophia is an ex-senior software engineer at Microsoft and the creator of the open-source Murder Engine, which powers Neverway. The game also features music by Disasterpiece, the composer behind Fez and the top-tier horror film It Follows, with sound design by Martin Kvale of NokNok Audio. OuterSloth, the indie game fund established by Among Us creators InnerSloth, is providing financial backing for Neverway, and Coldblood Inc. is self-publishing it.

Though Neverway was officially announced one month ago during the Triple-i Initiative showcase, it still made a splash as part of the Day of the Devs event tied to Summer Game Fest 2025 this week. Neverway is heading to PC at an undetermined future time, and it's available to wishlist on Steam now.

This article originally appeared on Engadget at https://www.engadget.com/gaming/pc/bask-in-the-grotesque-pixel-art-beauty-of-neverway-000046814.html?src=rss

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© Coldblood Inc.

If you've ever dreamed of being a student at a school built entirely out of escape rooms and silly puns, Coin Crew has the game just for you. Escape Academy 2: Back 2 School is heading to PC in 2026, and it's available now to wishlist on Steam. It's the sequel to Escape Academy, which is one of our absolute favorite puzzle games in recent years, particularly when played as a couch co-op experience.

Escape Academy 2 expands the campus into an open world, allowing players to explore and uncover secrets between classes, ramping up the student role-playing vibe. Coin Crew also drew inspiration from games like Animal Well and The Legend of Zelda series, which incorporate riddles and mysteries into the standard exploration gameplay loop, creating a free-roaming puzzle flow.

The original Escape Academy attracted more than 4 million players, and the sequel appears to be even bigger and radder. There's no release date for now, but Coin Crew is looking for playtesters through its Discord channel. The Escape Academy series is published by iam8bit, and the sequel was revealed during the Day of the Devs showcase tied to Summer Game Fest 2025.

This article originally appeared on Engadget at https://www.engadget.com/gaming/pc/escape-academy-2-back-2-school-is-an-open-world-puzzle-game-spanning-the-whole-campus-000055295.html?src=rss

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© iam8bit

Killer Inn is a little bit murder mystery and a little bit third-person action game, and combined, it looks like a lot of fun. Square Enix and developer Tactic Studios revealed Killer Inn during today's Summer Game Fest kickoff stream. A beta for the game is coming to Steam soon and it's available to wishlist now.

Killer Inn is a lot like the movie Clue, or the TV show The Traitors, or the social improv game Werewolf, or the video game Spy Party — it's all about uncovering players' true intentions and concealing your own, with a murderous twist. Each round includes 24 players, some of whom are wolves, while the rest are lambs. As a lamb, the players' goal is sniff out the wolves and survive their attacks, and the wolves are out to blend in with the herd, stealthily killing when they can. Each kill leaves behind a clue for other players to find. The game ends when one team has eliminated all members of the opposing group.

It isn't pure social strategy — there are various weapons, traps, poisons, bits of armor and masks to use, and a range of characters to choose from. Killer Inn is playable solo or with up to four players.

This article originally appeared on Engadget at https://www.engadget.com/gaming/pc/killer-inn-turns-werewolf-into-a-multiplayer-action-game-220859571.html?src=rss

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© Square Enix

Nioh 3 is heading to PlayStation 5 and PC in 2026 and you can get a taste of its Sengoku setting and dark samurai action on Sony's console right now. A demo for the game is live today on PS5 and it'll be available through June 18, courtesy of developer Team Ninja and publisher Koei Tecmo.

The game reveal was a nice surprise during Sony's State of Play event today, and it came with a trailer showcasing big, demonic creatures and frantic action scenes. Much like its predecessors, Nioh 3 is a dark fantasy action RPG set in 15-century Japan. The original Nioh came out in 2017 and its sequel landed in 2020, with a handful of Dead or Alive installments released in between.

Nioh 3 introduces a new combat system to the series that lets players swap between two distinct fighting styles, Samurai and Ninja. Samurai is similar to previous Nioh titles with a focus on close-range martial arts, while Ninja enables quick reactions like dodging and aerial moves. Players will be able to change combat styles on the fly. Nioh 3 features an open world — Team Ninja calls it an "open field," actually — to explore, as well.

"Aside from the new battle styles, Nioh 3 also enables players to enjoy an open field that offers a new freedom of exploration to the unique tension and confrontations that have become a defining characteristic of the Nioh series," Team Ninja head Fumihiko Yasuda said on the PlayStation Blog. "Experience unexpected encounters with formidable yokai, explore suspicious villages riddled in violent secrets, and take on the daunting challenges of The Crucible."

This article originally appeared on Engadget at https://www.engadget.com/gaming/playstation/nioh-3-is-heading-to-ps5-and-pc-in-2026-complete-with-two-distinct-combat-styles-222458806.html?src=rss

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© Koei Tecmo

Grasshopper Manufacture founder Suda51 made an appearance at Sony's State of Play showcase to reveal Romeo is a Dead Man — a game that has no relation to the 2000 action masterpiece Romeo Must Die, as far as we can tell. Romeo is a Dead Man stars Romeo Stargazer, a dude who was pulled back from the brink of death, gained time-shattering powers, and became a universe-hopping special agent for the FBI. Using a sword and guns, Romeo battles various sci-fi robots and beasts across multiple universes, featuring hyper-bloody gameplay.

By the time I finished watching the debut trailer for Romeo is a Dead Man, I'd completely forgotten that it started out with a hand-drawn cartoon family enjoying a nice curry dinner. It quickly devolves into a black-, white- and red-splattered fever dream of exploding heads and doorway demons, providing the first hint that this is definitely a Suda51 project. Grasshopper Manufacture's previous games include Killer7, No More Heroes, Lollipop Chainsaw and Killer is Dead, and its latest release seems to fit right in with these titles.

Romeo is a Dead Man is a third-person action game, and it's due to hit PlayStation 5 in 2026.

This article originally appeared on Engadget at https://www.engadget.com/gaming/playstation/suda51-returns-with-a-sword-swinging-gun-slinging-sci-fi-action-game-214628508.html?src=rss

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© Grasshopper Manufacture

Welcome to Video Games Weekly on Engadget. Expect a new story every Monday, broken into two parts. The first is a space for short essays and ramblings about video game trends and related topics from me, a reporter who's covered the industry for more than 13 years. The second contains the video game stories from the past week that you need to know about, including some headlines from outside of Engadget.

Please enjoy — and I'll see you next week.

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It’s the week of Summer Game Fest, so I’m mentally wrapped up in a complex web of embargoes, meetings, schedules and cryptic invites, and I can already smell the plasticky, sanitized air that accompanies video game conventions of all sizes. Mmm, smells like pixels.

This will be my third SGF and I’m looking forward to it, as usual. I appreciate the event’s focus on independent projects, diverse creators and smaller-scale publishers, particularly with shows like Day of the Devs, Wholesome Direct, Women-Led Games, and the Latin American and Southeast Asian games showcases. I deeply believe that innovation in the industry stems from these untethered, experimental spaces, and SGF has consistently provided room for these types of experiences to shine.

I appreciate SGF even more after spending seven years wandering the cavernous halls of the Los Angeles Convention Center, covering the Electronic Entertainment Expo. E3 was exciting in its own right and I feel privileged to have attended it so many times, but it was also a soulless kind of show. E3 was unwelcoming to independent creators and packed with corporate swag, and by the time Sony decided to stop attending in 2019, it felt like an expensive, out-of-touch misrepresentation of the video game industry as a whole. The best parts of E3 in its final years were the unaffiliated events hosted by Devolver Digital, which took place in a nearby parking lot packed with Airstream trailers, food trucks and fabulous, up-and-coming indie games. It felt a lot like SGF, in fact.

I wrote about this phenomenon in 2018, in a story that questioned whether the video game industry needed E3 at all. Perhaps because I’m a witch but mostly due to the pandemic, E3 shut down in 2020 and it never re-emerged as an in-person show. The Entertainment Software Association hosted one virtual session in 2021, but nothing afterward, and E3 was officially declared dead in December 2023. Meanwhile, the video game market has continued to grow, driven by a maturing indie segment, mobile play and harsh crunch-layoff cycles at the AAA level.

Now, the ESA is back with a new video game showcase called iicon, the Interactive Innovation Conference, heading to Las Vegas in April 2026. The industry’s biggest names are involved, including Microsoft, Sony, Nintendo, Epic Games, Electronic Arts, Disney, Amazon and Take-Two Interactive, and the show is poised to be “a space for visionaries across industries to come together,” according to ESA president Stanley Pierre-Louis. E3 2.0 has arrived, and it seems to be as AAA-focused as ever. For what it’s worth, Summer Game Fest has its own version of a AAA thought-leader summit this year with The Game Business Live.

Meanwhile, the ESA has remained silent — even when directly asked — as some of the industry’s most influential companies roll back their diversity, equity and inclusion initiatives, at a time when women, POC and LGBT+ employees are enduring active existential threats. And during Pride Month, no less.

All of this is to say, I’m stoked for Summer Game Fest this year. It all kicks off with a live show on Friday, June 6, and we have a rundown of the full schedule right here. We’ll be publishing hands-on previews, developer interviews and news directly from SGF over the weekend and beyond, so stay tuned to Engadget’s Gaming hub.

The news

Playtonic layoffs

Playtonic, the studio behind Yooka-Laylee, has laid off an undisclosed number of employees across multiple departments, including production, art, game design, narrative design and UI/UX. In a message shared on X, the studio’s leaders said, “This isn’t simply a difficult moment, it’s a period of profound change in how games are created and financed. The landscape is shifting, and with it, so must we.” Playtonic’s latest game, Yooka-Replaylee, is due to come out this year. Though Playtonic is a small, privately owned company (with a minority investment from Tencent), the timing of the layoffs fits the established playbook of many AAA studios, which operate with periods of crunch and bulk layoffs baked into their business plans.

EA cans Black Panther

Electronic Arts revealed its plans to make a single-player, third-person Black Panther game back in 2023 as part of a broader Marvel push at the studio, but apparently, things have changed. EA canceled its Black Panther project and closed the studio that was building it, Cliffhanger Games. EA Motive, the team behind the stellar Dead Space remake, is still working on an Iron Man game, as far as we know.

Roll7 returns to Steam

Any time I can gas up Rollerdrome or OlliOlli World, I’m going to do it. After being delisted from Steam more than a year ago, Rollerdrome and OlliOlli World have returned to the storefront to fulfill all of your flow-state needs. Both games come from Roll7, a London-based studio that Take-Two purchased in November 2021 and shut down in May 2024, removing Rollerdrome and Olli Olli World from Steam in the process.

Playdate Season 2 is live and it’s good

Have we convinced you to get a Playdate yet? Whatever your answer, Playdate Season 2 is live right now, adding two new games to the crank-powered system each week until July 3. Engadget’s resident Playdate expert Cheyenne Macdonald has a review of the initial batch, which includes Fulcrum Defender from Subset Games, Dig! Dig! Dino! from Dom2D and Fáyer, and Blippo+, a fever dream masquerading as a video game. And while you’re in this headspace, check out Igor Bonifacic’s enlightening interview with Subset Games co-founder Jay Ma.

Ex-Ubisoft bosses face sexual harassment trial in France

Three former Ubisoft executives appeared in French court on June 2, accused by multiple employees at the studio of sexual harassment, bullying and, in one defendant’s case, attempted sexual assault. The lawsuit alleges Serge Hascoët, Tommy François and Guillaume Patrux regularly engaged in misconduct and fostered a toxic culture at Ubisoft, and it follows a public reckoning at the studio in 2020, plus arrests in 2023.

The Switch 2 is coming

Nintendo’s Switch 2 officially comes out this week, on June 5. We'll have a review of the new console as soon as we can, but in the meantime you can find all of the information you need regarding pre-orders in our handy guide.

This article originally appeared on Engadget at https://www.engadget.com/gaming/video-games-weekly-i-still-dont-miss-e3-214108810.html?src=rss

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© Summer Game Fest

Welcome to the initial installment of Video Games Weekly on Engadget. Expect a new story every Monday (yes, we realize today is Tuesday), broken into two parts. The first is a space for short essays, observations and ramblings about video game trends and related topics from me, a reporter who's covered the industry for more than 13 years. The second contains the video game stories from the past week that you need to know about, including some headlines from outside of Engadget.

Please enjoy — and I'll see you next week.

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I’ve noticed a growing sentiment in some of my favorite queer gaming forums regarding Grand Theft Auto VI, and it’s both making me laugh and causing me deep anxiety about the malleable nature of our shared reality. When the second trailer for GTA VI dropped on May 6, one of its protagonists, Jason, became an instant sex symbol among the gays, and the thirsty memes started rolling in. This was light-hearted and fun, but at the same time, the alt-right gaming crowd was freaking out about Jason being too gay — even though, canonically, he’s clearly a straight dude. Queer players accused the neo-Nazis of projection, and the memes exalting Jason as a gay icon ramped up, until, somewhere along the way, it stopped being a joke. I started to see earnest comments suggesting the GTA franchise was a bastion of inclusion and an outspoken friend to the LGBT+ community. I saw queer players talk about GTA VI as if it were going to be a warm and welcoming space, something made for us.

And I oop — that is some serious grand theft gaslighting, friends.

I’m not here to burst any bubbles, and I sincerely hope that GTA VI presents well-rounded, diverse characters with thoughtful storylines. However, when it comes to queer issues, that’s just not what the series does. GTA has a history of perpetuating harmful stereotypes about transgender people in particular, and GTA V specifically provided a platform for players to enact violence against trans characters.

I covered this topic in-depth in 2020, and at the time I spoke with Dr. Ben Colliver, a lecturer in criminology at Birmingham City University and the author of “Representation of LGBTQ Communities in the Grand Theft Auto Series.” Violence against trans people in the United States has long been recognized as an epidemic, and in 2025, the situation is worse than ever — lawmakers are legalizing transphobia and shutting down access to gender-affirming care, using trans lives as a political football. It’s a bad time for the LGBT+ community to have false friends, which is one reason I cringe when I see people rewriting the history of GTA.

Ugly stereotypes and targeted violence are part of GTA’s DNA, so the common argument here is that, actually, the series punches in all directions and that means it isn’t discriminatory. But, this take doesn’t hold up to scrutiny. Dr. Colliver’s analysis found that straight, cis men in GTA games remain largely unscathed, and characters who represent oppressed groups are often the ones used as punchlines.

“Largely it is LGBT people, sex workers and women who are portrayed in a bad way,” Dr. Colliver said in 2020. “Typically, men in the game conform to almost these traditional masculine stereotypes that we expect of men around violence and aggression.”

The only subject that GTA really takes seriously is masculinity, and even then it approaches the topic from a basic lens. GTA presents mainstream straight-male power fantasies with a Michael Bay flair and a teenage sense of edginess, and GTA VI looks to be more of the same. That’s even with the inclusion of a female protagonist — Lucia, who is very much involved with Jason, who is actually straight-coded despite appealing massively to gay men, which I believe was a total accident on Rockstar’s part.

(And because I can hear your screams from here: Yes, The Ballad of Gay Tony exists and it’s a fine piece of DLC for GTA IV focused on a queer character. The thing is, it came out 16 years ago — before Rockstar built trans violence into GTA V — and even though it was incredibly well-received, the studio has yet to return to its blueprint. I find that fact more telling than anything else.)

GTA is a non-subversive franchise built for basic bros, and this fact is only reinforced by the homogeneity of Rockstar Games and the complacency of its parent company, Take-Two Interactive. We don’t have data about queer representation at Rockstar, but at Rockstar North in 2024, women composed less than 12 percent of employees in the highest-paid roles. Across the studio, women’s average hourly pay was 43 percent lower than men’s. In its annual investor report filed this month, Take-Two removed all references to diversity and inclusion, and deleted any mention of awards the company has received for supporting LGBT+ employees. These moves are intended to appease President Donald Trump, and it’s the exact type of spineless, bootlicking behavior that the GTA series is supposed to mock.

Personally I love doing crimes and messing with cops, and as it turns out, so do most other video game fans. This mass-appeal ethos has helped make GTA one of the industry’s most enduring franchises. Please, just don’t bank on GTA VI being progressive or actively inclusive from a queer standpoint. We don’t need another reason to be disappointed nowadays.

More than that, we can’t let the alt-right reality consume our own. The people complaining about Jason being too gay are the same ones claiming that Widow’s ass isn’t visible enough in her Overwatch 2 Cammy skin — they are unserious people making bad-faith arguments about games as an art form. Do not absorb their messaging and do not engage with their lies. Think critically about their angles of attack and, meanwhile, play all the queer games you want to. One of my personal recent favorites is Sorry We’re Closed, if you’re looking for a sexy, campy place to start.

The news

Night School nabs Obsidian veteran Carrie Patel

Avowed director and longtime Obsidian narrative lead Carrie Patel has joined Night School, the studio behind the Oxenfree series, as a game director. This is a big get for Night School and a sign that the team has some stability in its future. Netflix acquired Night School in 2021, before the launch of Oxenfree 2 and as part of the streaming company’s big push into video game development and publishing. Netflix has since closed one internal AAA studio and reduced its third-party output, but it seems Night School is secure and working on something story-heavy, if Patel’s involvement tells us anything.

The first video game included in Cannes

Lili made history in May as the first video game to be included in a Cannes Festival competition, and it looks super rad. Lili is a contemporary, neo-noir interpretation of Macbeth, presented in full-motion video and set on the streets of Iran, featuring webs of government corruption and witches who work as hackers. It’s a collaboration between the Royal Shakespeare Company and iNK Stories, the studio behind the award-winning game 1979 Revolution: Black Friday. Lili is already on the festival circuit but it’s still in development, and it’s due to be publicly available in or just after late 2025.

Troubles are bubbling at Bungie around Marathon

Bungie only revealed Marathon in April, but the game is already enduring a rocky pre-launch period. First, the studio had to publicly apologize and review all of its Marathon assets after it was confirmed that the game’s alpha included stolen artwork. Then, Forbes dropped a report documenting the current tensions at Bungie, saying morale at the studio was in “free fall” across every department. The most recent rumblings around Marathon, which is due to land in September, are that its marketing plans have been scuttled completely.

GeoGuessr ditches the EWC after a brief protest

GeoGuessr will no longer be included in the Esports World Cup after a quick — and clearly effective — community blackout. The most prolific GeoGuessr map creators pulled their contributions from the game to protest its participation in the EWC, calling the tournament “a sportswashing tool used by the government of Saudi Arabia to distract from and conceal its horrific human rights record.” Less than a day after the blackout began, GeoGuessr AB responded by abandoning the event, writing, “You — our community — have made it clear that this decision does not align with what GeoGuessr stands for. So, when you tell us we’ve got it wrong we take it seriously.”

FTC admits defeat against Microsoft

The FTC was the last remaining voice rallying against Microsoft’s acquisition of Activision Blizzard, and it’s now been silenced for good. The FTC officially dismissed its case against Microsoft after losing its latest appeal earlier this month.

A reminder that Clair Obscur: Expedition 33 is a very good game

In a cute moment of serendipity, Clair Obscur: Expedition 33 has sold 3.3 million copies in its first 33 days on the market. If you were waiting for a sign to start playing, this might be it.

This article originally appeared on Engadget at https://www.engadget.com/gaming/video-games-weekly-grand-theft-auto-is-no-friend-to-the-queer-community-193059427.html?src=rss

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© Rockstar Games

Update: GeoGuessr will no longer participate in the EWC, GeoGuessr AB said in a statement. Our original story follows:

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A group of GeoGuessr map creators have pulled their contributions from the game to protest its participation in the Esports World Cup 2025, calling the tournament "a sportswashing tool used by the government of Saudi Arabia to distract from and conceal its horrific human rights record." The protestors say the blackout will hold until the game's publisher, GeoGuessr AB, cancels its planned Last Chance Wildcard tournament at the EWC in Riyadh, Saudi Arabia, from July 21 to 27.

GeoGuessr is a browser game where players try to pinpoint locations using only Google Street View images, and it relies on community mapmakers to stay relevant. The blackout, which began on May 21, includes "dozens of creators and their maps, including a supermajority of the most popular competitively relevant world maps," according to a statement the group shared on Reddit. The removed maps have been played tens of millions of times.

One of the largest GeoGuessr communities, Plonk It, has also removed its Map Directory and shared the mapping community's open letter. That statement reads in full as follows:

We've hit up GeoGuessr AB for a comment on the blackout and will update this story as we hear back.

The EWC is a huge, multi-game event owned and operated by the Saudi government and held in the country's capital city. It's an evolution of the Gamers8 tournament and this year marks the second EWC-branded competition; it's due to take place in July and August with a total prize pool of $38 million, split among 24 games. Franchises participating in the 2025 event include Rocket League, Apex Legends, Call of Duty, League of Legends, Counter-Strike, Overwatch, Dota 2, Valorant, Street Fighter 6, EA Sports FC and PUBG.

It's difficult to compete in esports without running into Savvy Games Group, the video game arm of Saudi Arabia's Public Investment Fund. Alongside hosting the EWC, Savvy has financial stakes in Nexon (10.2 percent ownership), Electronic Arts (9 percent), Embracer Group (8.3 percent), Nintendo (7.5 percent), Capcom (5 percent) and Take-Two Interactive (6.8 percent as of 2023). Savvy also runs ESL FACEIT Group, which contains the Electronic Sports League, a longstanding and significant esports event company. The New York Times reported last year that the Saudi government plans to invest $38 billion in the video game industry by 2030.

Human rights groups including Amnesty International and Human Rights Watch have long documented the abuses of the Saudi government. HRW describes Saudi Arabia's human rights record as "abysmal," and specifically calls out the PIF as a reputational whitewashing tool. Saudi authorities have been accused of sportswashing in traditional sports as well, specifically through the country's ownership of LIV Golf and Newcastle United FC.

In February, Riot Games — the operator of League of Legends, Valorant and Teamfight Tactics, and arguably the largest name in esports — signed a three-year deal with the Esports World Cup Foundation for an undisclosed sum. Riot defended the partnership, arguing that the resulting financial boon for players and the esports industry outweighed other concerns.

"We know some of you may not feel great about our decision to partner with the EWC in this way, and we respect that," Riot's statement read.

Though corporate support for the EWC remains strong, the GeoGuessr mapping community isn't alone in rejecting this year's tournament. Street Fighter 6 player Christopher Hancock, who plays as ChrisCCH for FlyQuest, recently declined his spot at EWC 2025. In a social media statement, Hancock said, "I gave this decision a lot of thought and ultimately decided that, due to the nature in which the event is funded and managed, I do not feel comfortable participating in it." He added that the partnership between the Capcom Pro Tour and the EWC effectively forced him to work with the Saudi-backed group.

"Choosing to not participate in any EWC qualifiers would effectively mean retirement from competing," Hancock said. "I find it regrettable that this event has become so deeply embedded in the [fighting game community], but I have not yet made a decision on whether I will stop competing in events associated to it altogether."

Alongside the GeoGuessr map blackout, the community protest added one new, short challenge to the game called How to Run A Dictatorship. It takes players through five locations around Riyadh, documenting the alleged government-sanctioned torture, kidnapping, imprisonment and oppression of women, LGBTQ people, religious minorities and political dissenters occurring in these places. The challenge takes just a few minutes, so feel free to experience it yourself.

Update, May 22, 11:14AM ET: Added a note about GeoGuessr's withdrawal from the EWC with a link to our latest story.

This article originally appeared on Engadget at https://www.engadget.com/gaming/geoguessr-community-maps-go-dark-in-protest-of-ewc-ties-to-human-rights-abuses-221037118.html?src=rss

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© GeoGuessr AB

A successful co-op shooter feels like a bottomless tub of popcorn, hot and smothered in golden butter, built for bite-sized consumption and impossible to resist. Smooth mechanics and a satisfying, repeatable loop should draw you in for one more bite, one more round, over and over again. FBC: Firebreak, Remedy Entertainment’s co-op shooter set in the universe of Control, almost hits these marks. It just needs a little more salt.

Remedy is a AA studio best known for crafting single-player games like Alan Wake and Control, which feature Lynchian mysteries and hellish twists, and Firebreak is the studio’s first attempt at crafting an online, cooperative, first-person shooter. Firebreak supports up to three players at a time, and it pits your team against hordes of otherworldly Hiss monsters in the bowels of The Oldest House, the headquarters of the Federal Bureau of Control. The building was locked up with a bunch of Hiss inside at the end of Control, and Firebreak takes place six years later. You’re a government employee who’s volunteered to eradicate the Hiss in The Oldest House — or try to, at least — and you’re sent inside with some improvised weapons, no extra training and a hearty pat on the back.

Remedy Entertainment

We broke down the specifics of Firebreak’s gameplay loop and upgrade cycles after the developer walkthrough in March, but here are the basics:

Before the match begins, each player gets to select one of three Crisis Kits, loadouts designed with specific playstyles in mind. Crisis Kits come with a tool and an item each. The Jump Kit is based around electricity and it has the Electro-Kinectic Charge Impactor, a portable jackhammer kind of device with a conductive metal plate on the end, capable of slamming into enemies or propelling yourself into the air. It also has the BOOMbox, which plays music to attract enemies before exploding. The Fix Kit gives you a big wrench that’s able to repair machinery and stagger Hiss, and it also includes a turret that you have to smack with the wrench to assemble. The Splash Kit is for all the water signs out there — it features the Crank-Operated Fluidic Injector, an industrial water cannon that can extinguish fires and soak enemies so they’re primed for extra damage, plus a Humidifier, which sprays healing water in a wide area.

The game is broken down by Jobs, which are essentially custom-built missions in specific regions of The Oldest House. All Jobs have three zones, but otherwise each one has a unique objective, crisis, and environment. After selecting a Job, you get to customize your run by setting the Threat Level and Clearance Level — Threat Level determines combat difficulty and the number of rewards up for grabs, while Clearance Level sets the number of zones you have to clear and the type of rewards.

I spent roughly two and a half hours playing Firebreak with two strangers who quickly became the best Hiss-fighting friends I’ve ever had, and we messed around with three different Jobs, and various combinations of Threat and Clearance levels. I stuck with one loadout, the Fix Kit with the big wrench, and was able to purchase upgrades to add the turret, grenades, upgraded guns and an exploding piggy bank accessory to my loadout. The piggy bank slots into the wrench and creates a thunderous AOE tornado when you hit Hiss with it. While I don’t fully understand the science at play with the pig, I immensely enjoy slamming it into monsters.

We ran through three Jobs — Hot Fix, Ground Control and Paper Chase. Hot fix is an industrial level where you have to repair giant fans and eventually fill up barrels with fuel before sending them down a zipline. In Ground Control, you shoot these nasty, wriggling pustules that look like giant botfly larvae to retrieve radioactive leech pearls and throw them in a mining cart. Paper Chase features an office filled with sentient sticky notes, and you have to shoot them off the walls and floors before they consume you or turn into big yellow monsters. Throughout all of these tasks, waves of Hiss appear, demanding your attention and gunfire. There are ammo refill stations and healing showers positioned around the maps, though their positions change with each tweak to the Threat and Clearance levels. You’ll also have to repair some of the environmental features in order to fully take advantage of them — for instance, the shower initially spews out cold water, which can freeze players while they’re trying to heal, but you can send in someone with the Fix Kit (me!) to quickly mend the hot water. This, and fixing the ammo station, were generally the first two things my teammates and I did in each run.

And then, chaos. While each Job has its own goal, there’s a shared cadence to the missions, with moments of calm preparation and exploration violently interrupted by hordes of Hiss. Out of the pistol, shotgun and submachine gun, the SMG was my weapon of choice, and it tore through groups of enemies, spurred along by my teammates’ fire and, every now and then, a grenade. Ammo and health were constant considerations, but it was easy enough to note the locations of refill stations and showers, and or to ask my Splash Kit teammate to throw some healing water my way.

Firebreak does a great job of rewarding teams that stick together — you get an extra shield when you’re near your friends, and a bright visual cue accompanies this bonus, consistently reminding you to stay as a group. Of course, friendly fire is also a thing in this game, and errant explosions and bullets brought down everyone on my team a few times. We laughed and revived our way through it, but this highlighted my main issue with the game: It’s often difficult to discern where any attack is coming from, making it tricky to reposition or avoid damage.

Remedy Entertainment

Overall, I craved a bit more feedback. Firing the SMG was effective, but it also felt imprecise, and this vibe extended to the rest of the gameplay. Gathering ammo, collecting currency, healing, repairing things, using special abilities, taking damage and identifying objectives — all of these actions could be clarified and made more tactile. Remedy isn't exactly known for its gunplay, but some small tweaks could make the core experience in Firebreak far more coherent.

While we played the most rounds of Paper Chase, Ground Control was my favorite level, featuring wide-open spaces for fighting Hiss and a clear objective in shooting all those gross pustules. The clarity in Ground Control was refreshing, especially when compared with the slight but constant confusion hovering over the rest of the experience.

Once we all unlocked our special abilities, Firebreak really started to flow. Even when we weren’t exactly sure where to go or what to do, my teammates and I grouped up and stood against the Hiss, healing each other, laying down crowd control and, in my case, smashing piggy banks in enemies’ faces. We laughed, we strategized, we accidentally shot each other and we screamed, “Where the hell is the safe room?” into our headsets. We had a fabulous time.

Remedy Entertainment

And this is the highest praise I can lay at Firebreak’s feet: I spent nearly three hours playing Firebreak with two strangers and it felt like the most natural thing in the world. When our session ended, I wanted to keep playing. Though there’s room to clarify some mechanics and add feedback to some functions, Firebreak lays a solid foundation for the modern Left 4 Dead of our collective dreams. I know that’s an outdated reference, but I’m also confident I’m not the only one who’s still chasing the high of the Left 4 Dead series — it was a running point of comparison among my Firebreak crew.

All of the issues I have with Firebreak can be fine-tuned before the game launches this summer, and I have faith in Remedy to do so. Firebreak is poised to be a thoughtful and focused entry in the co-op shooter genre, and it’s already an inviting extension of Remedy’s darkest and silliest sensibilities.

FBC: Firebreak is due to hit the Epic Games Store, Steam, PlayStation 5 and Xbox Series X/S on June 17 for $50. It’s coming to the PlayStation Plus Game Catalog and Xbox Game Pass day-one.

This article originally appeared on Engadget at https://www.engadget.com/gaming/fbc-firebreak-preview-controlled-chaos-183106500.html?src=rss

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© Remedy Entertainment

The extraction-shooter genre is getting a little more crowded and a lot more stylish with the announcement of Mycopunk, a four-player, first-person romp from indie studio Pigeons at Play and publisher Devolver Digital. Mycopunk is coming to Steam in early access this year.

Mycopunk stars four eccentric robots who’ve been hired by an intergalactic megacorporation to exterminate an invasive, violent fungus that’s taken root on a valuable planet. Each robot has a specific class and moveset, but players can use any weapon or loadout with any character — and that’s a huge benefit, because there are a ton of wacky guns, upgrades and ammo options in this game. For example, there are bouncing shotgun pellets, bullets that hover in place and then dive down when you press the trigger again, and a rocket launcher move that also makes you fly. Customization is a big part of the Mycopunk experience, and there are about 40 upgrades for every weapon, plus unique skill enhancements for each robot. A spatial upgrade system lets you activate abilities by placing their molecular strands on a honeycomb grid, combining effects in powerful and silly ways.

The main loop in Mycopunk involves gathering your team, setting mission modifiers, and then dropping onto a planet to kill hordes of massive, tentacled fungus monsters. With each run, you have to accomplish your corporate-directed goal, collect resources for future upgrades and generally survive the onslaught. Missions are fast-paced and the action shifts throughout, dropping new enemies, minibosses and environmental dangers until your final escape.

The hub world, where you hang out between missions, is surprisingly vast and packed with surreal touches, like a giant TV screen that only shows a sitcom about roaches. All abilities are unlocked in the hub so you can freely test out your character, plus there are vehicles to drive around, a sparring area, a recreation sphere, snack machines, and secret passageways to explore. It also has Roachard, your mission control contact who happens to be a big roach.

Devolver Digital

Visually, Pigeons at Play took inspiration from your coolest friend’s favorite comic book artist, Moebius, which lends the game a gritty, hand-drawn vibe. Mycopunk looks like a living graphic novel, blending retrofuturism with slick mechanics to create a rich, tactile experience. It specifically reminds me of Rollerdrome, a gorgeous game that I will never stop talking about.

Mycopunk started out as a senior thesis project for the Pigeons at Play crew, but it’s transformed into something much larger (kind of like a well-fed fungus). Mycopunk is charming and surprisingly deep, with dozens of cute touches that come straight from the developers’ history of playing co-op shooters together. For instance, to revive a teammate you have to literally find and reconnect two halves of their broken robot body, instead of just pressing X over their corpse in the middle of a hectic battlefield. Each character also has their own dance moves, and one of the available upgrades lets you move a swarm of bullets through the air like a murderous orchestra conductor.

A demo for Mycopunk went live on Steam today and the game is set to enter early access later in 2025.

This article originally appeared on Engadget at https://www.engadget.com/gaming/pc/mycopunk-is-an-upbeat-love-letter-to-extraction-shooters-192337609.html?src=rss

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© Devolver Digital

It's almost time to pre-order the Nintendo Switch 2, now that we finally know how much it'll cost, when it comes out, some of the games it's getting, and the fact that you can use the new Joy-Con as a mouse, even on top of your pants. The Nintendo Switch 2 costs $450, it comes out on June 5, and pre-orders are set to go live on Wednesday, April 9. If you're pre-ordering from a third-party retailer, your best bet is to make an extra cup of coffee that morning and get your clicking fingers ready — an exact time for pre-orders to activate hasn't been announced yet, but it'll likely be around 9AM ET, as these things often are.

If you're ordering directly from Nintendo, things will work a little differently.

Nintendo's US and Canada purchasing site asks interested customers to register to receive an emailed invitation to order the Switch 2. These invites will start going out on May 8, giving each recipient 72 hours to complete their purchase. The fine print clarifies that invites will be sent first to people who meet the following criteria as of April 2, 2025:

• They've purchased any Nintendo Switch Online membership

• They've had any paid NSO membership for a minimum of 12 months

• They've opted in to share gameplay data and have logged at least 50 hours of total play time

Registrants who fit these criteria will be included in the priority group and receive email invites in the initial batches. All other hopeful customers will get in line on a first-come, first-served basis behind them. The UK pre-order guidelines are similar. 

On the negative side, this means folks who have opted out of Nintendo's data-sharing program or never used NSO will be lumped in with the non-priority group, even if they've played their Switch every day for the past eight years. This also makes it harder for non-playing people to pre-order a Switch 2 from Nintendo as a surprise for a friend or family member. That's a bummer.

On the positive side, this seems to be Nintendo's attempt to thwart scalpers, and it should be an effective roadblock. It'll simply be harder for profit hunters to receive the initial batch of Switch 2 consoles directly from Nintendo, which should curtail the influx of price-jacked resales — at least a little bit, and at least for a little while. 

On the most positive side, this is a nice, unexpected benefit for people with a track record of actually playing the Switch. Sure, the benefit is simply enabling them to more easily spend their money on Nintendo products, but as far as capitalistic ploys go, this one's pretty kind.

That said, retailers including Gamestop, Walmart and Best Buy won't have these restrictions on pre-orders, so things should operate as usual there. This means you won't have to prove you're a Real Gamer in order to pre-order a Switch 2 from a third-party store, but neither will the scalpers.

This article originally appeared on Engadget at https://www.engadget.com/gaming/nintendo/nintendo-is-prioritizing-switch-online-subscribers-in-its-switch-2-pre-orders-171645498.html?src=rss

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