For as long as I can remember, Nintendo's gamepads have been a core part of my life. The NES's original rectangular controller was awfully unergonomic, but I still loved it, and it set me down the path of being a lifelong gaming and gadget geek. The SNES's rounded gamepad practically defined my childhood. It's so iconic, you can still see echoes of its layout in most controllers today. I didn't have much love for the Nintendo 64's triple-armed monstrosity (or that system in general), but the Gamecube's cartoonishly quirky controller was fantastic, especially when Nintendo's WaveBird finally made wireless gaming a reality. And while I didn’t like the Wiimote or Wii U tablet much either, I can respect the swings Nintendo took with both of them.

So, believe me when I say this: The Switch 2 Pro Controller is the best gamepad Nintendo has ever made. It feels wonderfully ergonomic and luxurious in your hands, its joysticks are buttery smooth and all of its buttons deliver excellent feedback. It's a huge step up from the original Switch's Pro controller, which felt weirdly cheap and plasticky, especially when rotating its analog sticks. And, as an added bonus, the Switch 2 Pro controller is also customizable, thanks to two rear buttons that can be quickly programmed in any game. There's even a 3.5mm jack to plug in wired headphones, something I've never seen on a Nintendo controller before (but which has been standard on Xbox and PlayStation systems for decades).

The Switch 2 Pro Controller isn't perfect, though. For one, it costs $85 (up from its originally announced $80 price, thanks to the Trump administration's tariffs). I suppose that's not as bad as buying a whole new pair of Joy-Con 2s for $95, and it's not too far off from the PlayStation 5's $75 Dual Sense 2, but it still stings. It's even more painful when you consider that 8Bitdo's excellent Ultimate wireless controller currently costs $50 (down from a $70 launch price), it works with the Switch 2, has rear buttons and it features Hall effect joysticks. That means they're impervious to the drifting problem that plagued the Switch 1's controllers.

While gamers have been begging Nintendo to implement Hall effect sticks for years, the company still hasn't listened. Both the Joy-Con 2 and Switch 2 Pro Controller appear to use the same mechanism as the Switch 1's accessories. In an interview, Nintendo producer Kouichi Kawamoto said the company "redesigned everything from scratch," for the Joy-Con 2, and from my time with the Pro 2 Controller it also feels significantly different than before. But really, all I can do is hope and pray it doesn't start drifting. One Reddit user claimed that their Switch 2 Joy-Cons were drifting right out of the box, but that doesn't appear to be a widespread issue.

Devindra Hardawar for Engadget

Beyond the pricing and technical disappointments, though, the Switch 2 Pro Controller is a dream to play with. It seriously leveled-up my Mario Kart World performance, since it was easier to drift around corners and hop up to rails without cramping my hands, something that's unavoidable with the Joy-Con 2. I was able to play for several hours with the new Pro controller and I didn't notice any pain, and I could also still hold it easily as my palms got sweaty.

As someone who was raised on every version of Street Fighter 2 on the SNES, I also had to put the Switch 2 Pro Controller through its paces for fighting games. And let me tell you, the hadoukens came easily. The controller's D-pad sits under my left thumb comfortably, and it’s a cinch to click and rotate to perform Street Fighter 2 moves. While playing Soulcalibur 2 (now available as part of the Gamecube Classics for Nintendo Online subscribers), the Switch 2 Pro controller was also comfortable while holding my right fingers above the face buttons, similar to an arcade stick. (That's a Soulcalibur technique I learned on the Dreamcast and never let go.)

Devindra Hardawar for Engadget

Despite being fine-tuned for Mario Kart, the Switch 2 Pro Controller isn't ideal for more realistic racing games since it doesn't have analog triggers like its predecessor. Nintendo engineers have said in interviews that the company opted for digital triggers since they're quicker to respond. Premium gamepads like the Xbox Elite have switches that let you choose between quick trigger modes and long analog presses, so there's clearly a cure for Nintendo's analog aversion. But implementing that sort of customization also makes gamepads far more complex and expensive.

At least Nintendo gave us a modicum of customization with the Switch 2 Pro controller’s rear GL and GR buttons, which sit right above the handle grips. You can instantly remap their functionality in any game from the Switch 2’s quick settings menu, making it easier to do things like switch weapons or jump without moving your thumbs away from the joysticks. I ended up remapping the drift and action buttons in Mario Kart World to GL and GR, which helped me avoid reaching up to hit the top trigger buttons. You can also remap all of the Switch 2 Pro Controller’s buttons from the Switch 2’s accessibility menu, where you can create presets for different titles too.

Devindra Hardawar for Engadget

After around 10 hours of playing a variety of games, the Switch 2 Pro Controller’s battery fell to 82 percent. Nintendo claims it can last up to 40 hours, but unfortunately I haven’t been able to play that much during this review. Based on what I’m seeing, though, the gamepad should reach 40 hours easily.

As much as I like the Switch 2 Pro Controller, it’s undoubtedly an extravagance at $85 when 8Bitdo’s Ultimate gamepad offers even more features for $50. But if you’re a dedicated Nintendo fan, or you just can’t accept third-party controllers, it’s also one of the best gamepads you can buy today.

It's been a busy week! In this episode, Devindra and Senior Editor Jessica Conditt dive into their final thoughts on the Switch 2, as well as Jess's time covering Summer Game Fest. We also put a bow on WWDC 2025 and explore what works and doesn't with Apple's Liquid Glass redesign.

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Topics

• Summer Games Fest 2025: Sword of the Sea, Mouse: PI for Hire, Big Walk and a ton more indies – 1:17

• Nintendo Switch 2 review: more polish on the Switch form factor with scant new releases – 22:09

• WWDC 2025 wrap up: what will users think of liquid glass? – 38:11

• Air Traffic Control audio reveals Predator drones flew over LA protests – 53:31

• Meta announces large investment in Scale AI and a new AI Superintelligence initiative – 54:24

• Warner Bros. Discovery to split into two devisions along old company lines – 59:12

• Pop culture picks – 1:00:34

Credits 

Host: Devindra Hardawar
Guests: Jessica Conditt
Producer: Ben Ellman
Music: Dale North and Terrence O'Brien

Here's an AI-government collaboration of a less… unsettling variety than some. Google DeepMind is teaming up with the National Hurricane Center (NHC) for tropical cyclone season. The AI research lab claims it can predict hurricane paths and intensities with at least the same accuracy as traditional methods.

NHC forecasters have already begun using DeepMind's AI model. Google says they're designed to support, not replace, human NHC forecasters. (Although President Trump's National Weather Service cuts have already reduced its headcount.) The company is also careful to repeatedly describe its models as "experimental."

Google claims that its models offer fewer trade-offs than physics-based predictions. The more accurate those methods are at forecasting a hurricane's path, the worse they are at predicting its intensity. (And vice versa.) The company says its experimental system offers "state-of-the-art" accuracy for both.

DeepMind backs that up with data from real-life storms over the last two years. On average, its five-day hurricane track prediction gets 87 miles closer to the storm's actual path than ENS, a widely used traditional model. Google's was comparable to a 3.5-day prediction model. In other words, it's like gaining an extra 1.5 days of warning with the same level of confidence. The company says such an improvement typically takes over a decade to achieve.

Google

Alongside the NHC collab, Google is launching a new website that you can try. Now in a public preview, Weather Lab lets you see the AI storm predictions. It lets you view both live and historical predictions. You can even compare them to physics-based models to see how the AI version measures up.

It's important not to treat Weather Lab's experimental forecasts as official. But the website could come in handy if you live in Hurricane Alley. You can check it out now.

Israel launched 200 warplanes on some of Iran's core nuclear and missile programs in what's been dubbed the "Rising Lion" operation. Iran quickly retaliated by sending 100 drones into Israel, which the Israel Defense Forces said were mostly intercepted.

• When my mom suggested sending me to overnight camp, I was hesitant, as I had never been away from my parents.
• I was hesitant about going, but once there, I loved every minute.
• Now I'm a mom of four and feel guilty I can't give my kids the same experience.

I spent several summers lazing at home, watching movies with my family, and swinging with abandon at the playground with my friends.

Eventually, my mother suggested sending me to an overnight camp. I had never been away from my parents for more than a night, and the camp, about a four-hour ride from home, seemed impossibly far away. Even going for just one session meant a very long month away from home, which seemed like an eternity to me at age 11.

Yet, I was flattered that my parents considered me old enough and mature enough to have lived away from them for so long. If they thought I was up for the challenge, I was determined to prove them right.

Now I'm a mom of four, and my kids don't have the same experience, even though I loved it.

I was hesitant about going to sleepaway camp

As I counted the days until my departure, I started to worry. I am shy by nature and worried about making friends. I worried about how I would sleep in a room full of girls and whether I would like the food.

I thought a bad counselor could ruin my summer and hoped for someone more like a cool older sister to hang out with rather than a teacher hell-bent on keeping campers in line. Desperate to fit in, I hoped I had packed the right kinds of clothes and a swimsuit. Although I wouldn't have admitted it then, I was worried about missing my family and being homesick.

I loved every minute

After an uncertain first few days, I settled into overnight camp. I swam with friends, played volleyball with my counselor, and got a lead role in the end-of-camp show. We ran feral through the mountains and woods, playing capture the flag and enjoying being surrounded by the majesty of tall trees and chirping birds - a far cry from the endless concrete and loud sounds of the city where most of us lived.

Nights were magical. After the sun went down, we huddled around a campfire, singing camp songs and telling ghost stories that got progressively scarier until one of the girls asked us to stop. We made s'mores and roasted hot dogs under the stars, whose sparkle was overpowered by streetlamps at home. These nights sparked a fascination with the sky and space that lingers today. After we returned to our beds, my bunkmates and I stayed up talking and laughing. Our counselor shushed us, who told us she needed her beauty sleep.

After my first year of camp, I wanted to return for the full eight weeks camp was open. The school year became a countdown to the day I returned to the mountains and saw my camp family again. For the next few years, until I aged out, I went to an overnight camp for the entire summer and loved it.

I learned lifelong skills

At camp, I learned skills I've carried throughout my life. Living with a dozen girls in a cramped bunk was great preparation for living in a dorm at college. Camp was the first place I was responsible for keeping my clothes folded and organized. I had to learn how to get along with all kinds of personalities, and there was no escape. I learned the value of unstructured time and how much I enjoyed being in nature.

These experiences helped me immensely as I transitioned to adulthood.

Sometimes I feel guilty that my kids aren't getting the same experience

As much as I loved spending the entire summer at overnight camp, with one exception during the pandemic, my kids don't go to traditional camps.

Sometimes, I feel selfish making this decision, but I love the unscheduled, unhurried summer days. Plus, I prefer to spend our summer budget on travel, which I enjoy too.

My kids' summers are action-packed and fun. They get experiences I couldn't have dreamed of as a child, like zipping around Rome on a Vespa and traveling to Warsaw to see Taylor Swift's Eras tour. Still, I sometimes wonder if I am doing the right thing.

It didn't occur to me that my parents wanted a break

It wasn't until I became a parent myself that I realized my parents may have sent me to overnight camp to get a break.

With a deep understanding that can only come from experience, I understood that the motivation to send me to camp all summer may have been because of the exhaustion many parents feel trying to parent, work, and run a home, often without a meaningful break.

At first, I was mildly hurt by this realization. But then I smiled and silently congratulated my parents for coming up with a solution that gave all of us summers we loved.

• Alfredo Linares moved to Mexico with his wife Raegan Klein due to deportation fears in the U.S.
• The couple left Los Angeles with $20,000 in debt after closing their Japanese barbecue pop-up restaurant.
• After several months of instability, the two are finally finding some footing in Puerto Vallarta, Jalisco.

When Raegan Klein and Alfredo Linares married last summer, their dream felt straightforward and simple: start a Japanese barbecue pop-up restaurant in Los Angeles and live happily ever after.

But all of that changed in the fall when President Donald Trump, who had promised mass deportations on the campaign trail, won reelection.

Linares, who had worked his way up in fine dining to become a cook in a Michelin Star restaurant, arrived in the US as a teenager at 19 with his family and has lived here illegally ever since. Klein, a US citizen, was stricken with worry that at any moment, her husband could be arrested and deported.

"I really didn't feel safe," Klein said. "Every morning I would wake up saying, 'If we don't go and something happens to him, I'll never be able to forgive myself.' "

In March, the couple moved from Culver City to Linare's birth country of Mexico in hopes of improving their chances of building a future together.

"I lived in the shadows for 20 years," Linares said. "I'm 38 years old, so I don't think I have 10 more years of living in the shadows when I'm trying to build a business and grow as a family, as an entrepreneur."

Going into debt to move to Mexico

The couple received around $10,000 in cash from their parents as a wedding gift. They had originally hoped to use the money to hire a lawyer to help Linares gain citizenship, but they wrestled with the best way to use the money to secure a future together.

"Do we really go ahead and gamble and trust this administration with this $10,000 that our parents gave us for our wedding gifts, or do we use that $10,000 to move to Mexico?" Klein said of their dilemma.

But even the wedding gift wasn't enough to help them break even and start fresh in Mexico. The pair took on debt to start their Japanese barbecue business last spring. While they tried to get it off the ground, their bills ballooned to over $20,000. They raised over $4,000 online through GoFundMe to help them with their relocation.

Since the move, they've attempted to find jobs in hospitality, but because Linares doesn't have an identification card and Klein doesn't have work authorization as a temporary resident, it's been difficult to pay the bills.

"We're not earning an income," Klein said. "We have all of that stress and try to keep our credit card in a reasonable place and keep ourselves on a budget."

Adjusting to life in a new country

The biggest hurdle for them has been navigating the deluge of paperwork and bureaucracy in a new country.

"I'm very Americanized," Linares said. "Yes, I'm Mexican, but I haven't been here for 20 years. It's totally different from the Mexico I left."

From needing a physical copy of a birth certificate to struggling to establish Linares' permanent residence, it's been hard for him to get an ID card when they were first living in Airbnbs in Mexico City.

"I need my ID, but I cannot have an ID because I don't have a home address. And I can't get a home address because I don't have a job, because I don't have an ID," Linares said of the frustrating situation.

Now they are renting an apartment in Puerto Vallarta in the state of Jalisco, where they've been finally settling in over the past three weeks.

"I feel like myself a little bit more," Klein said of the stability. "I'm realizing that this is where we live, this is our home. We're not on vacation."

Klein is now able to see past the trials of the past few months and look toward the future with more hope. They've since brought down their rescue dog Dolly Love from Los Angeles to live with them in Mexico.

"I do believe we made the right choice," Klein said. "I do believe that there's opportunity here. I do believe in my husband and his talents and his skills."

The move to Mexico has tested their relationship and challenged them in many different ways, but Linares said the core of their bond hasn't been shaken.

They keep a routine of checking in with each other over coffee every morning. "She makes things easier, and it's because of the communication that we have," Linares said of his wife.

For more than two decades, Danny Boyle has been plagued by one question: What would happen after a zombie apocalypse?

The famed director's 2002 movie "28 Days Later" broke conventions of the zombie genre and helped launch a digital video moviemaking revolution in the early 2000s. But as years and then decades passed — and Boyle went on to earn a best director Oscar for "Slumdog Millionaire," do a Steve Jobs movie, and make a "Trainspotting" sequel — he could never crack a continuation of his original "28 Days."

Boyle and screenwriter Alex Garland missed out on the sequel, 2007's "28 Weeks Later," because they had already committed to making the sci-fi thriller "Sunshine." And pitching their own continuation around Hollywood never got any traction. Maybe it would be one of those things that would never come to fruition.

It wasn't until the British Film Institute invited him to do a Q&A at a "28 Days Later" 20th anniversary screening in 2022 that Boyle realized just how much audiences appreciated the film.

"I showed up and it was a packed theater," Boyle told Business Insider during a recent trip to New York City. "I was shocked. You could feel the audience's energy watching it. I texted Alex after, and I told him there's still an appetite for this. So he then came up with an idea."

Garland's idea would become "28 Years Later," which opens in theaters June 20. The film focuses in on a small island community in England that's learned to survive in relative isolation 28 years after the country was ravaged by the Rage Virus. But when Jamie (Aaron Taylor-Johnson) and his 12-year-old son Spike (Alfie Williams) venture to the mainland, they discover new mutations of the virus and survivors with their own fearsome methods for staying alive.

Though the "28 Years Later" cast is entirely new — and there are no glimpses of original "28 Days" star Cillian Murphy, despite the rumors — Boyle is just getting started. He's also a producer on a sequel set for release in January, "28 Years Later: The Bone Temple," which was shot by director Nia DaCosta ("Candyman") right after "28 Years" wrapped. And Boyle will return to direct a third movie, which will indeed star "28 Days Later" star Cillian Murphy. That is, if Sony will greenlight it.

So how did Boyle crack the code to continuing his zombie franchise? His trick is to think limited, not expansive. Though he has big aspirations for a trilogy, it all came about by keeping "28 Years Later" as grounded as possible.

"I love limitations, because I can bash against it and that gives energy and inventiveness," Boyle said with a wide smile. "So the third movie is in many ways an original film."

For the latest edition of Business Insider's Director's Chair series, Boyle discusses returning to the zombie genre, how he used Cillian Murphy as leverage to pursue his other creative ideas, and if he'd ever take on another James Bond movie.

Business Insider: Take me back to that "28 Days Later" 20th anniversary BFI screening. Where was your head at then about doing a third movie?

Danny Boyle: By that point, Alex had developed one script, which we decided not to do: weaponizing the virus, a traditional type of sequel. It was a good script, but we just didn't get any traction. After the BFI screening, he came up with the idea of confining the story to an island, and that was a really good decision.

How much of the COVID pandemic influenced how you wanted the characters to navigate the Rage Virus 28 years later?

It would be that people would become accustomed. You can take risks and know when the back off them. There's a kid in this movie who has no knowledge of the virus — it has been passed on to him; he's never seen any of it. This is his first trip to the mainland. He's heard stories.

You can see that the kids draw pictures of the stories they've been told. They have mythologized the virus. So we talked about all that. And then we delve into the culture before the apocalypse, and it's distorted. How reliable is it? We don't know. But that's an element that goes into the second film, "The Bone Temple."

The visuals have always been a hallmark of your filmography, but especially this franchise. "28 Days Later" ushered digital cameras into the mainstream. Now with this movie, you're shooting with iPhones. It's been done a lot on the indie side with filmmakers like Sean Baker and Steven Soderbergh, but I believe this is the first time camera phones have been used at the studio level. Why did you want to do that?

I felt an obligation to take the spirit of the first movie, but be aware that the technology has moved on so much. Phones now shoot at 4K, which is what a lot of cameras shoot at anyway. And the advantage of using the phones is we were able to be very lightweight.

Also, some of the locations we were shooting hadn't been disturbed for many years. It's an area of England called Northumberland, its sister county is Yorkshire, which is agriculture and manicured. In order to go there with a crew, you have to be light, so having iPhone cameras was good for that. We used a lot of drones, which had different camera lenses; we used a specific Panasonic camera for the night vision footage.

But the iPhone gave us a light touch and allowed us to use these rigs, which I'd been trying to use for a while. It's a poor man's bullet time. But you don't have to go to it, you can carry it. 

So now, instead of laying down dolly track and having all this gear in these very preserved locations, all you need to retrace are footsteps. 

That's right. 

How did you sell Sony on all of this?

[Laughs.] Um. I can't remember. 

Come on.

I will do and say anything to get the film made. There is a terrible side to directors where you will promise [studios] stuff and you don't mean it. They are nervous. They're a corporation. And you have to massage the vision. 

So what was the promise you gave that you weren't going to fulfill?

Cillian Murphy. 

What better promise could you make? That's quite a deflection of any technical concerns; they soon forget. Yeah, we nakedly used that to get our own way. But Sony knew what they were inheriting.

Did Nia DaCosta shoot "The Bone Temple" right after you wrapped on "28 Years"?

Pretty much. She visited the "28 Years" set a couple of times, but yeah, she was prepping her own film, she had her own cinematographer, and though she inherited the sets and some of the characters, she also had her own cast for a substantial part of it.

And she gets a bit of Cillian at the end. All I can say is you have to wait for Cillian, but hopefully he will help us get the third film financed. 

So where are things with the third movie?

We still need the money. I mean, we'll see how we do with "28 Years Later." It's so close to release that nobody wants to say anything; they just don't know what it's going to do. And I respect that. It's a lot of money, so we'll see. 

If there is a third movie, would you want to direct it?

Oh, yes. That's the idea. 

You famously walked off the last James Bond movie. Would you ever give Bond another try now that the regime has changed and Amazon is fully controlling it?

That ship has sailed. The thing I regret about that is the script was really good. John Hodge is a wonderful writer, and I don't think they appreciated how good that script was, and because they didn't, we moved on, and that's the way it should be. Whatever happens with Bond going forward now is what it will be. 

As someone who has done a Beatles movie with "Yesterday," what's your take on Sony's ambitious plan for four Beatles movies?

[Sony chairman] Tom Rothman — who I fight with a lot, and who I love very dearly — I do tip my hat to him, because that is backing a visionary filmmaker in Sam Mendes with a hard, big investment. That's a lot of vision to say, here ya go, there's four films. And they are all going to get released around the same time. 

All in one month! Just from the perspective of a director, would that scare you?

Sam clearly has an appetite to handle it all. I don't know what his vision is, but he's got terrific actors. I worked with Harris Dickinson, who is a wonderful actor, so he's got himself a very special cast. 90% of anything is casting; if you get it right, you're almost there. So I admire it. 

Now, one of the things we found, and they will have this issue, is that people don't know The Beatles' music. We just did a workshop on "Yesterday" and its long-term plans — like, should there be a stage production one day? We did a workshop with a bunch of actors, and lots of them just didn't know the songs. They are in their 20s or 30s, so why would they? They all can recite from memory something from Taylor Swift or Harry Styles, but The Beatles? So, we'll see.

This interview has been condensed and edited for length and clarity.

"28 Years Later" opens in theaters June 20.