It's widely accepted conventional wisdom that when it comes to creative works—TV shows, films, music, books—consumers crave an optimal balance between novelty and familiarity. What we choose to consume and share with others, in turn, drives cultural evolution.

But what if that conventional wisdom is wrong? An analysis based on data from a massive online fan fiction (fanfic) archive contradicts this so-called "balance theory," according to a paper published in the journal Humanities and Social Sciences Communications. The fanfic community seems to overwhelmingly prefer more of the same, consistently choosing familiarity over novelty; however, they reported greater overall enjoyment when they took a chance and read something more novel. In short: "Sameness entices, but novelty enchants."

Strictly speaking, authors have always copied characters and plots from other works (cf. many of William Shakespeare's plays), although the advent of copyright law complicated matters. Modern fan fiction as we currently think of it arguably emerged with the 1967 publication of the first Star Trek fanzine (Spockanalia), which included spinoff fiction based on the series. Star Trek also spawned the subgenre of slash fiction, when writers began creating stories featuring Kirk and Spock (Kirk/Spock, or K/S) in a romantic (often sexual) relationship.

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© Aurich Lawson | Marvel

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MemOS is a breakthrough "memory operating system" for AI that delivers 159% improvement in reasoning tasks and enables persistent memory.Read More

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Clockwork Revolution got an in-depth reveal at the Xbox Showcase today that revealed the world of the 1895 Steampunk game. Clockwork Revolution is an action role-playing game played from a first-person view. It has time bending combat, role-playing and more. It’s the latest title from Brian Fargo’s InXile Entertainment, now owned by Mic…Read More

How did reptilian things that looked something like crocodiles get to the Caribbean islands from South America millions of years ago? They probably walked.

The existence of any prehistoric apex predators in the islands of the Caribbean used to be doubted. While their absence would have probably made it even more of a paradise for prey animals, fossils unearthed in Cuba, Puerto Rico, and the Dominican Republic have revealed that these islands were crawling with monster crocodyliform species called sebecids, ancient relatives of crocodiles.

While sebecids first emerged during the Cretaceous, this is the first evidence of them lurking outside South America during the Cenozoic epoch, which began 66 million years ago. An international team of researchers has found that these creatures would stalk and hunt in the Caribbean islands millions of years after similar predators went extinct on the South American mainland. Lower sea levels back then could have exposed enough land to walk across.

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© By Ghedoghedo, CC BY-SA 3.0

The white-necked jacobin (Florisuga mellivora) is a jewel-toned hummingbird found in the neotropical lowlands of South America and the Caribbean. It shimmers blue and green in the sunlight as it flits from flower to flower, a tiny spectacle of the rainforest.

Jay Falk, a National Science Foundation postdoctoral fellow at the University of Colorado, Boulder, and the Smithsonian Tropical Research Institute (STRI) in Panama, expected to find something like that when he sought this species out in Panama. What he didn’t expect was a caterpillar in the nest of one of these birds. At least it looked like a caterpillar—it was actually a hatchling with some highly unusual camouflage.

The chick was covered in long, fine feathers similar to the urticating hairs that some caterpillars are covered in. These often toxic barbed hairs deter predators, who can suffer anything from inflammation to nausea and even death if they attack. Falk realized he was witnessing mimicry only seen in one other bird species and never before in hummingbirds. It seemed that the nestlings of this species had evolved a defense: convincing predators they were poisonous.

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© Jeff R Clow