Two key writers of HBO's series The Last of Us are moving on, according to announcements on Instagram yesterday. Neil Druckmann, co-creator of the franchise, and Halley Gross, co-writer of The Last of Us Part 2 and frequent writer on the show, are both leaving before work begins on season 3.

Both were credited as executive producers on the show; Druckmann frequently contributed writing to episodes, as did Gross, and Druckmann also directed. Druckmann and Gross co-wrote the second game, The Last of Us Part 2.

Druckmann said in his announcement post:

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It's been 23 years since the first Battlefield game, and the video game industry is nearly unrecognizable to anyone who was immersed in it then. Many people who loved the games of that era have since become frustrated with where AAA (big budget) games have ended up.

Today, publisher EA is in full production on the next Battlefield title—but sources close to the project say it has faced culture clashes, ballooning budgets, and major disruptions that have left many team members fearful that parts of the game will not be finished to players' satisfaction in time for launch during EA's fiscal year.

They also say the company has made major structural and cultural changes to how Battlefield games are created to ensure it can release titles of unprecedented scope and scale. This is all to compete with incumbents like the Call of Duty games and Fortnite, even though no prior Battlefield has achieved anywhere close to that level of popular and commercial success.

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Last week, I attended a film festival dedicated to shorts made using generative AI. Dubbed AIFF 2025, it was an event precariously balancing between two different worlds.

The festival was hosted by Runway, a company that produces models and tools for generating images and videos. In panels and press briefings, a curated list of industry professionals made the case for Hollywood to embrace AI tools. In private meetings with industry professionals, I gained a strong sense that there is already a widening philosophical divide within the film and television business.

I also interviewed Runway CEO Cristóbal Valenzuela about the tightrope he walks as he pitches his products to an industry that has deeply divided feelings about what role AI will have in its future.

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It has been just over 130 days since Civilization VII launched to mostly positive reviews—but quite a bit of disappointment for series traditionalists. At first, developer Firaxis was releasing primarily bug, balance, and UI fixes, but today saw the release of version 1.2.2—possibly the biggest yet in terms of adding features to the game.

Available for all platforms except Switch and Switch 2—which will get it later—the update adds several tweaks that allow the game's players to customize games in a more granular way, with a particular emphasis on the ability to disable controversial new additions that a subset of players felt took things too far from the traditional Civ experience.

Many of the new options are available in the advanced settings menu during game setup, though one of the major additions is in the standard setup screen: large and huge map sizes. (Both of these new sizes have a default civilization/player count of 10.)

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We've been expecting it for a while, and now it's here: OpenAI has introduced an agentic coding tool called Codex in research preview. The tool is meant to allow experienced developers to delegate rote and relatively simple programming tasks to an AI agent that will generate production-ready code and show its work along the way.

Codex is a unique interface (not to be confused with the Codex CLI tool introduced by OpenAI last month) that can be reached from the side bar in the ChatGPT web app. Users enter a prompt and then click either "code" to have it begin producing code, or "ask" to have it answer questions and advise.

Whenever it's given a task, that task is performed in a distinct container that is preloaded with the user's codebase and is meant to accurately reflect their development environment.

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Multiple studies and investigations have found that about half of American households watch TV and movies with subtitles on, but only a relatively small portion of those include someone with a hearing disability. That's because of the trouble many people have understanding dialogue in modern viewing situations, and Netflix has now introduced a subtitles option to help.

The closed captioning we've all been using for years includes not only the words the people on-screen are saying, but additional information needed by the hard of hearing, including character names, music cues ("dramatic music intensifies") and sound effects ("loud explosion").

For those who just wanted to make sure they didn't miss a word here and there, the frequent descriptions of sound effects and music could be distracting. This new format omits those extras, just including the spoken words and nothing else—even in the same language as the spoken dialogue.

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It's not every day you get a trailer for a new, live-action Predator movie, but today is one of those days. 20th Century Studios just released the first teaser for Predator: Badlands, a feature film that unconventionally makes the classic movie monster a protagonist.

The film follows Dek (Dimitrius Schuster-Koloamatangi), a young member of the predator species and society who has been banished. He'll work closely with a Weyland-Yutani Android named Thia (Elle Fanning) to take down "the ultimate adversary," which the trailer dubs a creature that "can't be killed." The adversary looks like a very large monster we haven't seen before, judging from a few shots in the trailer.

Some or all of the film is rumored to take place on the Predator home world, and the movie intends to greatly expand on the mythology around the Predators' culture, language, and customs. It's intended as a standalone movie in the Predator/Alien universe.

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There are few areas where AI has seen more robust deployment than the field of software development. From "vibe" coding to GitHub Copilot to startups building quick-and-dirty applications with support from LLMs, AI is already deeply integrated.

However, those claiming we're mere months away from AI agents replacing most programmers should adjust their expectations because models aren't good enough at the debugging part, and debugging occupies most of a developer's time. That's the suggestion of Microsoft Research, which built a new tool called debug-gym to test and improve how AI models can debug software.

Debug-gym (available on GitHub and detailed in a blog post) is an environment that allows AI models to try and debug any existing code repository with access to debugging tools that aren't historically part of the process for these models. Microsoft found that without this approach, models are quite notably bad at debugging tasks. With the approach, they're better but still a far cry from what an experienced human developer can do.

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OpenAI today announced a significant expansion of ChatGPT's customization and memory capabilities. For some users, it will now be able to remember information from the full breadth of their prior conversations with it and adjust its responses based on that information.

This means ChatGPT will learn more about the user over time to personalize its responses, above and beyond just a handful of key facts.

Some time ago, OpenAI added a feature called "Memory" that allowed a limited number of pieces of information to be retained and used for future responses. Users often had to specifically ask ChatGPT to remember something to trigger this, though it occasionally tried to guess at what it should remember, too. (When something was added to its memory, there was a message saying that its memory had been updated.)

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AI image generator Midjourney released its first new model in quite some time today; dubbed V7, it's a ground-up rework that is available in alpha to users now.

There are two areas of improvement in V7: the first is better images, and the second is new tools and workflows.

Starting with the image improvements, V7 promises much higher coherence and consistency for hands, fingers, body parts, and "objects of all kinds." It also offers much more detailed and realistic textures and materials, like skin wrinkles or the subtleties of a ceramic pot.

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