Apple may shift all of its US iPhone production from China to India in an effort to avoid Trump's tariffs, according to a report from The Financial Times. The goal is to manufacture all 60 million iPhone devices sold to American customers in India by 2026, doubling current production numbers in the nation. That would be a stark shift, as Apple has manufactured the majority of its iPhone products in China since they debuted in 2007.
Apple first started building iPhones in India back in 2017 and late in 2023, pledged to build up to 50 million iPhones in the nation within three years with suppliers Foxconn and Tata. With that in mind, it would only have to boost that number by 10 million to achieve the new 60 million unit goal.
Those tariffs of up to 145 percent announced earlier this month have thrown electronic manufacturing into turmoil, despite announced exemptions for smartphones and computers. India, by contrast, has only been subject to a 10 percent US tariff. However, the nation could still be subject to a 26 percent tariff once a 90-day grace period is lifted, particularly as Trump has called India a “tariff abuser” and “tariff king.”
Apple reportedly airlifted $2 billion worth of iPhones to the US from India in March to bypass impending China levies. Trump's stated goal with tariffs has been to shift more manufacturing to the US. However, many experts have said that would be virtually impossible, particularly in the electronics industry.
This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/apple-may-shift-all-us-bound-iphone-production-from-china-to-india-133049630.html?src=rss
A company backed by Jeff Bezos, Slate Auto, just came out of stealth mode to unveil its first EV, and it's incredibly interesting. The Slate Pickup is a tiny and boxy, almost Kei-like truck that will be sold in a barebones configuration for as little as $27,500, or $20,000 with the Federal US tax credit. That would make it one of the cheapest EVs available, but there is a catch: it doesn't come with a stereo, touchscreen or even paint options, and the 150 mile range makes it more of an urban runner than a cross country machine.
A good analogy to the Slate Pickup is a home-built PC that comes with the basics but can then be infinitely customized. For the entry-level model (the "Blank Slate"), you get two seats, a bed large enough to hold a sheet of plywood, plastic composite body panels and any paint color you like, as long as it's grey. Curb weight is 3,500 pounds and it's 25-inches shorter than a Ford Maverick. There's no infotainment system, just a universal phone mount and USB power. Power windows? Heck no, it comes standard with crank opening (it does have AC though). And with just a 52.7 kWh battery, range is limited to 150 miles, though it does support 150kW fast charging.
With that as a base, you can start expanding into DIY territory with more than 100 available accessories. Want more passengers? Choose from two SUV options and you'll be able to seat up to five, or go for the open air kit. Those are delivered in a flat pack and designed to be user-installed.
If you want a color scheme that better reflects your personality, get a wrap and decals. There are a number of exterior options, like a spare tire carrier, rear and front bumper upgrades, fender flares, running boards, a lift kit and tower rack lighting. Inside, you can add small or large screens, speakers and yes, a power window kit. The pickup also comes with "Slate access points" that will support future and even homemade accessories.
The battery pack can also be expanded to 84.3 kWh for a target range of 240 miles. With the standard battery, the company says you'll be able to charge to 80 percent in 30 minutes at 120kW using the fast charger. Power is limited compared to other EVs at 201 HP and 195 pound feet of torque, giving the Slate Pickup a 0-60 MPH time of 8.0 seconds and top speed of 90 mph (estimated).
Slate Auto
Where most automakers try to max out a vehicle's features, Slate is banking on a subset of buyers that don't care about, say, self-driving but do enjoy DIY personalization. In its video, the company points out that it took out everything "that wasn't a car" like "a fancy screen, colored lighting, cooled seats, self driving, self parking and automated cup holders." However, it will still comply with Federal safety standards for 2027 as it will be equipped with features like automatic emergency braking and a standard backup camera (with view displayed on the dash since there's no touchscreen).
It remains to be seen if there's a big enough market for such buyers, but the Slate Pickup is certainly affordable. The company is promising you'll pay under $20,000 for the base model if you include federal tax credits (which Trump could kill at any time, by the way) thanks to its direct, Tesla-like sales model. If you're interested, refundable vehicle reservations are now open at $50 at slate.auto.
This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/slate-auto-unveils-its-us-made-barebones-electric-pickup-costing-just-20000-120029155.html?src=rss
If you were hoping to avoid the chaos that has accompanied the Switch 2 launch by pre-ordering directly from Nintendo, that may not make it arrive any faster. In an update on its website, Nintendo says that it's seeing "very high demand" for the console, so "your invitation email may arrive after the Nintendo Switch 2 launch" set for June 5th. That may delay the shipment until after that date as well, the company said.
Nintendo opened the ability to "register your interest" for purchasing a Switch 2 earlier in Japan and a staggering 2.2 million people applied to pre-order the console. It's now making the same offer to North American users and had initially promised to send out the first batch of pre-order invitations on May 8th. For at least some people, that may now slip nearly a month or more.
Nintendo suggested visiting its launch partners, but as we've seen so far, that process has also been challenging. So far, Amazon doesn't even have an order page for the Switch 2 and customers are having trouble ordering from other retailers like Walmart, Target and Best Buy. At this point, it feels pretty unlikely that you're going to find one today, but don't give up hope.
Should you wish to apply to pre-order, beware that Nintendo hasn't made the process easy, likely to dissuade scalpers. You must have a purchased a Nintendo Switch Online membership yourself, have had any paid Nintendo Switch Online membership for at least 12 months, have opted in to share gameplay data and have at least 50 total gameplay hours.
Nintendo delayed the original launch date from April 9 to April 24 due to concerns over Trump's tariffs. It remains to be seen whether Nintendo underestimated Switch 2 demand in other territories like the US as much as it did for Japan — but given the current frenzy, that seems likely. To see full details on how to pre-order, check Engadget's article with all the details.
This article originally appeared on Engadget at https://www.engadget.com/gaming/nintendo/nintendo-warns-its-own-preorder-invites-may-arrive-after-switch-2-launch-100048014.html?src=rss
In case you're wondering how Moore's Law is doing, Taiwan Semiconductor Manufacturing Corp. (TSMC) just unveiled its latest 1.4-nanometer (nm) A14 process that will enter production in 2028. The technology promises a 15 percent performance boost, plus a 30 percent reduction in power draw compared to 2nm processors set to go into production later in 2025, TSMC said. The 1.4nm tech is likely to be used in processors for Apple, Intel and AMD.
The performance gains are thanks to a 20 percent logic density improvement over 2nm tech. The company's 2nm process saw similar improvements over the 3nm chips, so the 1.4nm chips could be up to 30 percent faster and 60 percent more efficient than current chips.
Apple's chips today are based on TSMC's 3nm process, and the upcoming iPhone 17, including a rumored ultra-slim version, will reportedly use that as well with the third-generation N3P node. So, Apple won't likely switch to TSMC's 2nm tech for another two years, as MacRumors pointed out.
That in turn means Apple won't likely employee 1.4nm tech in mobile and desktop devices for three or more generations and it could be that long before we see it in AMD and other processors as well. However, TSMC usually has multiple generations of a given node (with small improvements in each), and Apple has been adept at boosting performance of its Silicon design before switching to smaller processes.
This article originally appeared on Engadget at https://www.engadget.com/mobile/smartphones/tsmc-shows-off-14nm-chip-tech-that-will-appear-in-future-iphones-and-other-devices-121955292.html?src=rss
FILE - A person walks into the Taiwan Semiconductor Manufacturing Co., Ltd. (TSMC) headquarters in Hsinchu, Taiwan on Oct. 20, 2021. Taiwan Semiconductor Manufacturing Co., the biggest contract manufacturer of processor chips for smartphones and other products, said Thursday, Oct. 13, 2022, quarterly profit rose 79.7% over a year earlier to $8.8 billion amid surging demand. (AP Photo/Chiang Ying-ying, File)
I liked Logitech's MX Creative Console when I tested it last year, but one of biggest issues was a lack of support for specific content creation and other apps. The company has rectified that with a major update now available on the company's Logi Marketplace. It expands the console's compatibility to several key apps including DaVinci Resolve, Adobe Lightroom and Figma.
As a reminder, the MX Creative Console is a control panel that connects to your Mac or PC and is designed to speed up creative chores for apps like Adobe Premiere and Photoshop. It's more compact than rival consoles and features a modern design and a pair of slick control dials, along with dynamic display keys that change depending on the app and page you’re looking at.
A key new addition is support for Adobe's Lightroom, rather than just Lightroom Classic as before. It lets you use the dial controller on the MX Creative Console to straighten images or adjust brightness, contrast and clarity. The buttons can also be set up to do things like rate and flag images for quicker processing.
Logitech also worked with Blackmagic Design to get the console working with DaVinci Resolve, a popular editing and effects app that's an alternative to Adobe Premiere Pro. You can now use the console to navigate the timeline, cut, trim and retime clips and navigate Fusion's effects nodes efficiently.
It added similar functionality for Apple's Final Cut Pro, while also letting you do precise color grading via the app's Color Wheels. For the interface design tool Figma, the MX Creative Console lets you quickly access essential tools and actions, manage assets, text alignments, spacing and layout adjustments and adjust text size, weight and height with the dial.
Logitech got into creative control surfaces in a big way when it purchased Steam Deck rival Loupedeck in 2023. The $200 MX Creative Console arrived a year later, and though it took Adobe nearly seven months to release a major update, support for the new apps makes the console far more versatile. "Adding these highly requested plugins will unlock the MX Creative Console’s potential for a broader range of creative professionals,” noted Logitech GM Anatoliy Polyanker.
This article originally appeared on Engadget at https://www.engadget.com/computing/accessories/logitechs-mx-creative-console-editing-panel-now-supports-davinci-resolve-and-lightroom-120035406.html?src=rss
Following reported delays over political concerns, the European Commission (EC) has penalized Apple and Meta over anti-competitive activities. The fines of €500 million and €200 million respectively (around $570 million and $228 million) are the first to be issued under Europe's new Digital Markets Act (DMA), according to the EC.
The fines were issued after what the Commission called extensive consultation with the two companies after the probes were opened in March 2024. Apple violated the DMA by blocking developers from informing customers about sales and other offers outside the App Store. "Consumers cannot fully benefit from alternative and cheaper offers as Apple prevents app developers from directly informing consumers of such offers," the Commission wrote, adding that it failed to demonstrate the restrictions are "objectively necessary."
The €500 million fine levied against Apple takes into account the "gravity and duration" of the non-compliant behavior. The EC also ordered Apple to remove the restrictions and refrain from imposing them in the future.
However, the Commission also closed its investigation into another Apple matter around app choices "thanks to early and proactive engagement by Apple on a compliance solution." Namely, Apple changed its browser choice screen, made it easier for users to change default settings for things like calls, messages, keyboards and password managers, and agreed to allow users to uninstall apps like Safari.
Meanwhile, the EC hit Meta for its "consent or pay" system that forced EU users to either shell out €10 ($11) monthly for an ad-free subscription or be forced to share their data. Meta introduced a new version of the free personalized ads model in November 2024 that supposedly uses less personal data to display ads (while also cutting the subscription price to €6), but the Commission is still assessing that.
The €200 million fine thus takes into account the time period between March 2024 and November 2024 when Facebook was violating DMA rules. However, Meta could face further penalties depending on how the EC evaluates the new personalized adds. On a positive note for Meta, the EC rules that Facebook Marketplace is no longer designated under the DMA, following "careful assessment of Meta's arguments and as a result of... additional enforcement and continued monitoring measures."
Last month, Meta CEO Mark Zuckerberg specifically urged President Trump to intervene on potential EU sanctions around the pay for privacy issue. The White House also released a memo in February saying it could retaliate against any European DMA sanctions against US tech companies. However, Meta has its own problems in the US that could have more dire consequences. The Justice Department accused it of squashing competition through acquisition and could force it to sell off key apps like WhatsApp and Instagram.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/apple-and-meta-hit-with-first-fines-under-europes-new-digital-markets-act-112545713.html?src=rss
Flags of Europe as seen waving from the flagpoles. The European Flag is the symbol of Council of Europe COE and the European Union EU as seen in the Belgian capital in front of the Le Berlaymont building, European Commission headquarters next to Europa building HQ of the European Council at the European Quarter in Brussels, where the headquarters of the pan-European institutions and organizations are located. Brussels, Belgium on April 2024 (Photo by Nicolas Economou/NurPhoto via Getty Images)
Google Messages has started rolling out sensitive content warnings for nudity after first unveiling the feature late last year. The new feature will perform two key actions if the AI-based system detects message containing a nude image: it will blur any of those photo and trigger a warning if your child tries to open, send or forward them. Finally, it will provide resources for you and your child to get help. All detection happens on the device to ensure images and data remain private.
Sensitive content warnings are enabled by default for supervised users and signed-in unsupervised teens, the company notes. Parents control the feature for supervised users via the Family Link app, but unsupervised teens aged 13 to 17 can turn it off in Google Messages settings. The feature is off by default for everyone else.
With sensitive content warnings enabled, images are blurred and a "speed bump" prompt opens allowing the user to block the sender, while offering a link to a resource page detailing why nudes can be harmful. Next, it asks the user if they still want to open the message with "No, don't view," and "Yes, view" options. If an attempt is made to send an image, it provides similar options. So, it doesn't completely block children from sending nudes, but merely provides a warning.
The feature is powered by Google's SafetyCore system which allows AI-powered on-device content classification without sending "identifiable data or any of the classified content or results to Google servers," according to the company. It only just started arriving on Android devices and is not yet widely available, 9to5Google wrote.
This article originally appeared on Engadget at https://www.engadget.com/apps/google-messages-starts-rolling-out-sensitive-content-warnings-for-nude-images-130525437.html?src=rss
Subaru has unveiled its second-ever EV, the 2026 Trailseeker, at the New York International Auto Show. It's a slightly larger version of the company's first electric vehicle, the Solterra, and is likely based on the same platform — also used by Toyota with its BZ4X electric SUV. You can see a few images we grabbed of the new vehicle at the Auto Show this morning right here.
The Trailseeker is taller than the Solterra and has more cargo area, but otherwise resembles that model, with similar body creases along the doors and rear fender. It also has the same type of plastic panels around the fenders, which was something of a polarizing feature on the Solterra.
Range isn't the Trailseeker's strong point as it's equipped with a smallish 74.7-kWh lithium-ion battery and tops out at just 260 miles. Charging won't be blazingly fast either as it's limited to 150kW. However, the electric SUV will be able to handle fast charging in cold or warm conditions thanks to a battery preconditioning system, and you'll be able to pull up to any Supercharger thanks to the NACS port and Subaru's arrangement with Tesla.
Subaru
The Trailseeker does seem to have the goods when it comes to performance and offroading, though. It uses a symmetrical all-wheel drive system with dual motors putting out a combined 375 HP that propel it from 0-60 mph in 4.3 seconds. It also comes standard with 8.3 inches of ground clearance and the company's X-Mode system with settings for snow/dirt, deep snow/mud, grip control and downhill assist control.
It's also loaded with driver assist tech powered by the company's EyeSight system. That includes pre-collision braking, front cross traffic alert, blind spot monitors, lane departure alert, a panoramic view monitor, emergency stop assist, traffic jam assist, lane change assist and adaptive cruise control.
Subaru
The interior looks fairly plain but it does feature a 14-inch touchscreen, the largest on any Subaru to date. In a nod to its techie market, the EV also offers a wide center console that "provides a centralized hub for devices and personal items for easy storage," the company said. That includes two 15W chargers, two fast USB-C chargers for rear passengers, plus Apple CarPlay and Android Auto support.
Pricing will be announced in "early 2026," according to Subaru. However, it's likely to be more expensive than the company's Solterra, which currently starts at $38,495 before any tax credits, and ahead of any future tariffs levied on Japanese imports.
This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/the-2026-subaru-trailseeker-ev-has-solid-4x4-bonafides-but-mediocre-range-132516217.html?src=rss
With the A1, Sony was the first to introduce a high-resolution hybrid camera that was equally adept at stills and video — but boy was it expensive. Nikon and Canon followed that template with the R5 II and Z8 models that offered similar capabilities for less money, but those were still well north of $4,000.
Enter the S1R II. It’s Panasonic’s first camera that can not only shoot up to 8K video at the company’s usual high standards, but also capture 44-megapixel (MP) photos in rapid bursts. And unlike its rivals, the new model is available at a more reasonable $3,300 — half the price of Sony’s A1 II. At the same time, it’s a massive upgrade over the original S1R.
The main catch is the lack of a high-speed stacked sensor found in the other models, which can cause some skewing in both images and video. As I discovered, though, that tradeoff is well worth it for the lower price and picture quality that matches its competition. All of that makes the S1R II Panasonic’s best camera yet and a very tempting option in the high-resolution mirrorless category.
Design and handling
The S1R II is similar to other recent Panasonic models like the GH7 in terms of the design and control layout. It’s much lighter than the original S1R at 1.75 pounds compared to 2.24 pounds, so it’s less tiresome to carry around all day. As for handling, the massive grip has a ridge where your fingertips sit, making it nearly impossible to drop. The rubberized exterior is easy on the hands, though not quite as nice as the R5 II’s softer material.
I’ve always liked Panasonic’s controls and in that regard the S1R II may be the company’s best model yet. Along with a joystick and dials on the top front, top back and rear, it has lockable mode and burst shooting dials on top. You also get a dedicated button for photos, video and slow and quick (S&Q) modes, each with separate settings. There’s a dedicated autofocus switch, video record buttons both on top and front, a tally light and multiple programmable buttons.
The menu system is equally good, with logical color-coded menus and submenus. You can also rapidly find your most-used functions in the quick menu. All of that allowed me to shoot photos and video without fumbling for settings. You can also fully program buttons, dials and the quick menu to your own preferences.
Steve Dent for Engadget
The rear display is great for content creators and photographers alike. It tilts up and down to allow for easy overhead or shoot-from-the hip photography and also swivels out to the side so vloggers can conveniently film themselves. It’s very sharp and bright enough to use on sunny days. The electronic viewfinder is also excellent with 5.76 million dots of resolution and 100 percent magnification, matching Canon’s R5 II and beating the Nikon Z8.
Battery life isn’t a strong point, though, with 350 shots on a charge or just 280 when using the electronic viewfinder — far below the 640 shots allowed by the R5 II. It also only allows just over an hour of start-and-stop video shooting. However, Panasonic’s optional DMW-BG2 battery grip doubles endurance and also allows for battery hot-swapping.
The S1R II supports both SDXC UHS II and much faster CFexpress Type B cards, while also supporting SSD capture via the USB-C port like the S5 IIX and GH7. The latter two storage methods enable shooting in high-bandwidth RAW and ProRes to maximize quality.
Panasonic also included a full-sized HDMI port along with microphone and headphone jacks. For the best possible sound quality, the optional XLR2 accessory lets you capture four channels at up to 32-bit float quality to reduce the possibility of clipped audio. And finally, the S1R II is Panasonic’s first mirrorless model with a protective carbon fiber curtain that comes down to protect the sensor, just like recent Canon and Sony models.
Performance
Steve Dent for Engadget
Although the original S1R could only manage an anemic 6 fps burst speeds, its successor can hit 40 RAW images per second in silent electronic mode, beating all its rivals — though shooting at that speed limits quality to 12-bit RAW. To get 14-bit quality, you need to use the mechanical shutter for burst shooting which tops out at 9 fps.
However, the Panasonic S1R II doesn’t have a fast stacked sensor like rivals. The result is rolling shutter that can be a problem in some circumstances, like shooting race cars, propellers or golf swings. However, it does outperform many other non-stacked high-resolution cameras like Sony’s A7R V and Panasonic’s own S5 IIX in that area.
Pre-burst capture is now available and starts when you half-press the shutter. That lets you save up to 1.5 seconds of photos you might have otherwise missed once you fully press the shutter button.
With an overhauled phase-detect autofocus system and a new, faster processor, the S1R II features Panasonic’s fastest and smartest AF system yet. It can now lock onto a subject’s face and eyes quicker and follow their movements more smoothly, while also detecting and automatically switching between humans, animals, cars, motorcycles, bikes, trains and airplanes. I found it to be fast and generally reliable, but it’s still not quite up to Sony’s and Canon’s standards for speed and accuracy.
Panasonic boosted in-body stabilization to 8 stops. That’s nearly on par with rivals, though Canon leads the way with 8.5 stops on the R5 II. Still, it lets you freeze action at shutter speeds as low as a quarter second in case you want to blur waterfalls or moving cars when shooting handheld.
Image quality
Photo quality is outstanding with detail as good as rivals, though understandably short of Sony’s 61-megapixel A7R V. Colors are as accurate as I’ve seen on any recent camera, matching or even beating Canon’s excellent R5 II. My pro photographer friends took a number of shots with the S1R II and found it slightly superior to their Sony A1, noting that they rarely needed to white balance in post.
Thanks to the dual-ISO backside-illuminated sensor, low-light capability is excellent for a high-resolution camera, with noise well controlled up to ISO 12,800. Beyond that, grain becomes more problematic and shadows can take on a green cast. JPEG noise reduction does a good job retaining detail while suppressing noise, but gets overly aggressive above ISO 6,400.
If 44MP isn’t enough, the S1R II offers a high-resolution mode that captures eight images with a slightly offset sensor position and composes them into a single 177 megapixel file (either RAW or JPEG). It can supposedly be used without a tripod, though I found I had to remain very still to get decent images when doing so.
Video
The S1R II is Panasonic’s best mirrorless camera yet for video, albeit with some caveats I’ll discuss soon. You can capture up to 8K 30p 10-bit video at a reasonably high 300 Mbps, close to what Sony’s far more expensive A1 can do. Better still, it supports oversampled 5.8K ProRes RAW video internally with no crop for maximum dynamic range, or 4K video at up to 120 fps. Finally, the S1R II is capable of “open gate” 3:2 capture of the full sensor at up to 6.4K (and 8K down the road via a firmware update), making it easy to shoot all types of formats at once, including vertical video for social media.
Steve Dent for Engadget
Some of these resolutions, particularly the 5.9K 60 fps and 4K 120 fps modes come with a slight crop of about 1.1x and 1.04x, respectively. 4K 120 fps also uses pixel binning, which introduces a loss of resolution and other artifacts like rainbow-colored moire.
That takes us to the main downside: rolling shutter. The S1R II is actually a bit better than the S5 II in that regard, with a total readout speed of about 1/40th of a second, or about 25 milliseconds at any of the full sensor readout resolutions (8K or 5.8K). That can result in wobble or skew if you whip the camera around or film fast-moving objects. However, it’s acceptable for regular handheld shooting.
One complication is Panasonic’s dynamic range expansion (DRE) that boosts video dynamic range by a stop, mostly in an image's highlights. Enabling that feature makes rolling shutter worse.
Should you need to reduce rolling shutter, you can simply disable DRE without a big hit in quality. And shooting 4K at 60p minimizes rolling shutter so that it’s nearly on par with stacked sensor cameras, while still offering high-quality footage with just a slight crop.
As for video quality, it’s razor sharp and color rendition is accurate and pleasing. Dynamic range is on the high end of cameras I’ve tested at close to 14 stops when shooting with Panasonic’s V-log, allowing excellent shadow and highlight recovery, especially in DRE mode. It’s still very good without DRE though, particularly if you’re not shooting in bright and sunny conditions.
Frame grab from Panasonic S1R II 8K video
Steve Dent for Engadget
Video AF is also strong, keeping even quick-moving subjects in focus. Face, eye, animal and vehicle detection work well, though again, the system isn’t quite as reliable as what I saw on Sony and Canon’s latest models.
The S1R II offers more stabilization options than its rivals, though. Optical stabilization provides good results for handheld video, while electronic stabilization (EIS) smooths things further . Cranking that up to the most aggressive high EIS setting provides gimbal-like smoothness but introduces a significant 1.5x crop.
Along with those, Panasonic introduced something called “cropless” EIS. That setting takes advantage of unused areas of the sensor to correct corner distortion typical with wide angle lenses while also fixing skew. I found it worked very well to reduce rolling shutter even for quick pans and walking, which may help alleviate such concerns for some creators.
So yes, rolling shutter wobble is worse on this camera than rivals like the R5 II. However, there are ways to work around it. If minimal skewing is a critical feature then don’t buy the S1R II, but it shouldn’t be an issue for most users, particularly at this price.
Wrap-up
Steve Dent for Engadget
The S1R II is Panasonic’s best hybrid mirrorless camera to date, offering a great balance of photography and video powers. It’s also the cheapest new camera in the high-resolution hybrid full-frame category, undercutting rivals like Canon’s R5 II and the Nikon Z8.
The main downside is rolling shutter that primarily affects video. As I mentioned, though, it won’t pose a problem for many content creators and there are workarounds. Aside from that, it delivers outstanding photo and video quality while offering innovative features like cropless electronic stabilization.
If you need even more resolution, Sony’s 61MP A7R V offers slightly better image quality. And if rolling shutter is really an issue then I’d recommend Canon’s R5 II (though that model does cost $1,000 more) or the Nikon Z8. Should you want to spend considerably less, the Canon R6 II or even Panasonic’s S5 II or S5 IIx are solid picks. For other hybrid shooters, though, Panasonic’s S1R II is a great choice.
This article originally appeared on Engadget at https://www.engadget.com/cameras/panasonic-s1r-ii-review-an-excellent-hybrid-camera-thats-cheaper-than-rivals-163013065.html?src=rss
As it said it would do earlier this year, Google has laid off hundreds of employees from its Platforms and Devices division, The Information reported. That part of the company, which employs over 25,000 people, houses its Pixel phones and smartwatches, Nest devices, the Android and ChromeOS platforms and Chrome browser. In January, Google offered buyouts to let them leave as part of a "voluntary exit plan."
"Since combining the platforms and devices teams last year, we've focused on becoming more nimble and operating more effectively and this included making some job reductions in addition to the voluntary exit program that we offered in January," a Google spokesperson told The Information.
The Platform and Devices group was formed in April 2024 as a merger of two units, Platforms and Ecosystems and Devices and Services, with SVP Rick Osterloh put in charge. In January, he told employees that the buyouts were available "for those struggling to meet the demands of their role or those unhappy with the company's hybrid work setup." The decision to offer buyouts rather than immediately laying off workers was reportedly prompted by employee complaints over previous layoffs.
Meta also announced layoffs in January, and tech firms have been steadily laying off workers over the past couple of years. An exception to that has been in the area of artificial intelligence (AI) which has conversely faced a shortage of skilled employees.
This article originally appeared on Engadget at https://www.engadget.com/big-tech/google-lays-off-hundreds-of-people-from-inside-its-platform-and-devices-division-122328196.html?src=rss
Tesla has started selling its much-awaited RWD Cybertruck but it'll cost a cool $10K more than originally promised and be missing some key figures from the AWD version. However, the $69,990 Long Range model will have 350 miles of range, 100 more than Tesla stated when it first unveiled the polarizing pickup EV. The new model arrives with Tesla reportedly facing anemic Cybertruck sales and a recent backlash against the automaker and its CEO Elon Musk.
The Long Range Cybertruck is now the cheapest version of that model, but it's a far cry from the $40,000 price tag Musk promised back in 2019. It's missing a few key features like the rear power tonneau that covers the bed, with the configurator only offering a "soft tonneau" for the model. Also gone are the adaptive suspension, rear lightbar, backseat screen and bed outlets that were much-touted feature at launch.
It is $10,000 cheaper than the AWD version and offers 25 extra miles of range. However, $70,000 is a lot of money for a RWD pickup truck with a cloth interior, given that you can buy a well-equipped Ford F-150 or an extended-range F-150 Lightning for around the same price.
The Cybertruck has been much derided, but Tesla also failed to deliver it with the promised price and specs. The company at one point boasted over a million reservations for the pickup but has only sold around 50,000 units and reportedly isn't even accepting trade-ins itself for the model.
This article originally appeared on Engadget at https://www.engadget.com/transportation/evs/teslas-70000-rwd-cybertruck-arrives-with-some-key-features-removed-120044840.html?src=rss
Drones have become an important tool in a creator’s bag of tricks, allowing them to capture aerial footage that elevates their videos. And nowadays, they’ve become more accessible as video quality and features have dramatically improved while prices have dropped.
Recent budget-friendly models include DJI’s Neo and Flip drones, along with the HoverAir X1 Pro lineup, all under $500. If you’ve got more to spend, the options are similarly plentiful with drones like the DJI Mini 4 Pro and HoverAir X1 Pro Max. And for the price of a good mirrorless camera, you can get DJI’s Mavic 3 Pro that offers awesome image quality, range and other features.
Price is obviously key, but you also need to consider features like video quality, obstacle avoidance and tracking. To help you decide which one is best for you and your budget, we’ve assembled this guide to the best drones you can buy right now, complete with models aimed at novices, professionals and filmmakers.
The best drones for 2025
What to look for in a drone
Camera features
For this guide, we're looking only at drones that are basically flying cameras, so you want the best video and photo features possible. Bigger devices like DJI’s Mavic 3 Pro or Air 3S carry relatively large sensors, offering superior picture quality for nighttime cityscapes or other low-light scenes. Smaller models like the Mini 4 Pro and HoverAir X1 Max use smaller camera sensors, so they aren’t as good in dim light.
Field of view and minimum aperture are also important, with most drones typically having a wide-angle focal length, though a few others like the HoverAir X1 Max carry an ultrawide lens. Some models have multiple cameras including a wide and a zoom. As for aperture, lower numbers are better and allow for shooting in dim light. Most DJI models are solid in this regard, while the HoverAir models don’t perform as well.
Video resolution and slow-mo are also essential camera capabilities. Most drones these days can shoot at 4K with a frame rate of at least 30 fps, though some offer 6K or even 8K at up to 30 fps. Higher-end models can shoot 4K at up to 120 fps, allowing you to slow down the action dramatically to create a cinematic look.
Other noteworthy features include log or HDR video that supports higher dynamic range, particularly in bright and sunny conditions. Finally, the camera’s gimbal and stabilization are important factors to keep your footage looking as smooth as possible. Some drones have gimbals that can rotate the camera 90 degrees to give social media creators the maximum resolution for vertical formats.
Drone features: Speed, range, safety, battery life and obstacle detection
By and large, there are two types of camera drones to consider. The first are standard drones (usually with open propellers but not always) designed to fly outside and take scenic shots. Often there’s nothing to stop the props from striking skin or objects, so they can’t really be used indoors or around people. Some models like the DJI Neo and Flip have prop guards that better protect bystanders and property, as well as the drone itself.
Then there's first-person-view (FPV) camera drones, which often have propeller guards and are meant to be used both indoors or outside to capture exciting footage. Standard models don’t need to go particularly fast as they’re mainly used to shoot fun videos for social media, but FPV drones need to move at high speeds to create excitement. Because of that speed, they’re also better in breezy conditions as they can fight gusts and return home more quickly. Acrobatic abilities (often promoted by the manufacturer in ads or packaging) are also important for FPV drones, as it allows the user to perform tricks and zip around obstacles.
Battery life is another important factor. The best drones boast a battery endurance of up to 45 minutes, while FPV drones like the Avata 2 can only fly for about half that time as they tend to be heavier and carry smaller batteries to reduce weight. As a general rule, a single battery isn’t enough for any serious shooting so you’d do well to buy your drone in a kit with a few batteries and a charger.
As for range, DJI tends to dominate in this area, with its latest models able to maintain a video signal at a distance up to 20km (12.4 miles). HoverAir’s models are weaker with the top-end X1 Max model limited to just 1km (0.6 miles) when using the optional beacon system. DJI also offers multiple ways to control its drones including headsets, joystick-type controllers, motion detection controllers and smartphones.
The best drones have sensors to detect obstacles in all directions. Others are limited to only avoiding obstructions coming at them from the front and some only rely on the main camera to prevent crashes. Finally, if you want to have your drone follow you around automatically, you’ll need it to be able to track you around when you’re vlogging, riding a bike or skiing, while also avoiding obstacles.
This article originally appeared on Engadget at https://www.engadget.com/cameras/best-drone-120046775.html?src=rss
Blackmagic Design has unveiled DaVinci Resolve 20, the latest version of its editing app with free and paid versions that's a popular alternative to Adobe's Premiere Pro. The update offers over 100 new features including many powered by AI, along with improved cloud support and major quality-of-life updates to the cut, edit, color and fusion pages.
One of the key new features is called AI IntelliScript that can automatically generate a timeline based on the original project script. "AI IntelliScript will match the transcribed audio in media clips to the script and construct a timeline of the best selected takes, with any alternative takes placed on additional tracks for editor review," Blackmagic wrote. That new feature could drastically speed workflow for editors (like myself) who often use standup or voiceover clips.
Another key feature is the AI Set Extender that can create a scene extension to fill an entire frame based on a text prompt. If you want to reframe a shot or delete something, for instance, you can simply tell DaVinci Resolve what you want and it'll fill in the blanks. "Customers can even create new backgrounds behind foreground objects," the company wrote.
Other new AI features include AI Animated Subtitles, AI Mulltcam SmartSwitch (which can assemble a timeline based on who is speaking) and AI Audio Assistant. The latter can create a "professional audio mix" with a single click, according to Blackmagic Design. Finally, the AI Detect Music Beats feature does just that, analyzing music and automatically placing beat markers in the timeline.
Along with the AI stuff, DaVinci Resolve has a number of quality-of-life improvements in the cut, edit, color and fusion pages. Davinci Resolve Studio 20 (the paid version) now supports Apple Immersive Video on Apple Vision Pro, allowing creators to edit, color grade, mix audio and deliver Apple Immersive video capture on the company's recently launched URSA Cine Immersive camera.
Blackmagic Design
Other updates include improved Blackmagic Cloud support with improved collaboration tools, easier editing for vertical video, new voiceover palettes, a dedicated keyframe editor in cut and edit, a new Text+ tool, direct voiceover recording and more. On the color page, there's a new chroma warp function that lets you adjust color and saturation with a single motion. And the Fairlight audio page has a new feature that lets adjust a target clip's audio to match a reference clip, dynamic EQ to match tonality throughout a clip and Level Matcher to ensure that levels remain consistent in a given timeline.
A full list of features can be found on Blackmagic Design's DaVinci Resolve 20 product page. It's now available to download in a public beta, and as usual, DaVinci Resolve 20 is free to download while DaVinci Resolve 20 Studio costs $295 with no subscription required.
This article originally appeared on Engadget at https://www.engadget.com/apps/davinci-resolve-20s-latest-ai-feature-can-create-an-entire-timeline-based-on-a-script-120009351.html?src=rss
The trailer for M3GAN 2.0 is here and if you were expecting a copy-paste of the original's horror vibe, you may be surprised. Instead, the sequel is embracing a turn towards action in vein of Terminator 2 complete with upgrades to the original doll, a robot showdown and... a wing suit?
Set to arrive in theaters only on June 27, the film is once again directed by Gerard Johnstone and features returning cast members Allison Williams, Violet McGraw, Brian Jordan Alvarez and Jen Van Epps, along with newcomer Ivanna Sakhno (Pacific Rim: Uprising) as Amelia.
It's two years after the original M3GAN doll went on a murderous rampage (including that wild dance sequence) and was eventually destroyed. Since then, its designer Gemma has become an author and voice for more robust AI oversight, while Gemma's niece Cady (who M3GAN 1.0 swore to protect) is now a teenager.
Meanwhile, M3GAN's AI tech was stolen by a defense contractor to build super robot solidier Amelia. However, the experiment went awry and Amelia seeks murderous revenge against the AI's creators, particularly Gemma and Cady. Despite misgivings (mostly over the fact that M3GAN tried to murder her), Gemma decides to resurrect the OG doll to combat Amelia, and even adds updates to make her faster, stronger and, well, taller.
That sets up a showdown between M3GAN and Amelia, complete with guns, a Teletubby version of M3GAN, catchphrases ("hold on to your vagina") and the aforementioned wingsuit sequence. It has strong shades of Terminator 2 with the original robot doll protecting a key character from a new upgraded model. That's married with a camp aesthetic, lots of blood and even a creepy usage of Britney Spears' Oops I did it Again.
This article originally appeared on Engadget at https://www.engadget.com/entertainment/watch-m3gan-switch-from-horror-to-action-in-the-new-sequel-trailer-125749110.html?src=rss
Following the release of rival Anthropic's Claude for Education, OpenAI has announced that its $20 ChatGPT Plus tier will be free for college students until the end of May. The offer comes just in time for final exams and will provide features like OpenAI's most advanced LLM, GPT-4o and an all-new image generation tool.
"We are offering a Plus discount for students on a limited-time basis in the US and Canada," the company wrote in a FAQ. "This is an experimental consumer program and we may or may not expand this to more schools and countries over time."
On top of the aforementioned features, ChatGPT Plus will offer students benefits like priority access during peak usage times and higher message limits. It'll also grant them access to OpenAI's Deep Research, a tool that can create reports from hundreds of online sources.
AI tools have been widely adopted by students for research and other uses, with open AI recently saying that a third of young adults aged 18-24 already use ChatGPT, with much of that directed toward studies. Anthropic is going even farther than OpenAI to tap into that market with Claude for Education, by introducing a Learning mode specifically designed to guide students to a solution, rather than providing answers outright.
Where Anthropic is positioning itself more as a tutor to students, OpenAI is simply giving them access to its most powerful research tools. That brings up the subject of academic integrity and whether AI tools are doing work that students should be doing themselves. Anthropic's approach may be more palatable to institutions — along with its Claude for Education launch, the company announced that it partnered with several universities and colleges to make the new product free for students.
This article originally appeared on Engadget at https://www.engadget.com/ai/openais-20-chatgpt-plus-is-now-free-for-college-students-until-the-end-of-may-120037778.html?src=rss
ChatGPT Plus sign on the website diplayed on a laptop screen and OpenAI logo displayed on a phone screen are seen in this illustration photo taken in Krakow, Poland on February 14, 2023. (Photo by Jakub Porzycki/NurPhoto via Getty Images)
Following recent tests, Amazon is finally ready to launch its Project Kuiper space internet project in a bid to rival Elon Musk's Starlink, the company announced. The first batch of 27 satellites on the KA-01 (Kuiper Atlas 1) mission are set to launch into low earth orbit (LEO) aboard a United Launch Alliance Atlas V rocket on April 9th next week from Cape Canaveral if conditions allow. Amazon hopes to start offering the high-speed internet service "later this year," it said.
Amazon's network will eventually comprise 3,200 satellites launched from partners including ULA, Arianespace, Blue Origin and even SpaceX. Much like that company's Starlink, Project Kuiper's service will cover the entire planet when completed. It will work with a dish as small as seven inches that will deliver speeds up to 100Mbps, smaller than Starlink's Mini, or up to 1Gbps with larger dishes. The company said the cost of terminals will be under $400.
The satellites will cruise at 17,000 mph at 392 miles above earth, circling the planet in about 90 minutes. They'll use a dialectic mirror film coating that's supposed to scatter light and make them less visible to ground-based astronomers, Amazon said. SpaceX's constellation currently uses over 7,000 satellites, so the Project Kuiper and Starlink fleet will use over 10,000 LEO satellites once Amazon's network is complete.
Amazon
Amazon launched two test satellites in October 2023 and proclaimed its early tests a success, with the pair sending and retrieving data at speeds of up to 100 gigabits per second. Later in December, it bolstered the network with a network of high-speed laser cross-links that promise further speed boosts. The company claims its mesh network can move data about 30 percent faster than terrestrial fiber optic cables.
Project Kuiper’s first launch will be the heaviest payload yet for the Atlas V, which will fly in its most powerful configuration. The rocket will include five solid rocket boosters in addition to the main booster, and a payload fairing 77 feet high and 16.4 feet wide.
Despite past successful tests, the mission isn't without risk. "We’ve done extensive testing on the ground to prepare for this first mission, but there are some things you can only learn in flight, and this will be the first time we’ve flown our final satellite design and the first time we’ve deployed so many satellites at once," Project Kuiper vice president Rajeev Badyal wrote. "No matter how the mission unfolds, this is just the start of our journey, and we have all the pieces in place to learn and adapt as we prepare to launch again and again over the coming years."
This article originally appeared on Engadget at https://www.engadget.com/science/space/amazon-will-start-launching-its-project-kuiper-starlink-rival-next-week-123011012.html?src=rss
After years of lagging behind rivals when it comes to video capture (and then suddenly buying cinema camera manufacturer RED), Nikon is pushing new boundaries in that area. Its latest salvo is the $1,699 24-megapixel full-frame Z5 II, perhaps the cheapest mirrorless camera so far to support internal RAW video. It also offers improved autofocus with new AI powers, cleaner images and enhanced image stabilization.
The Z5 II is a wholesale remake of the original Z5 and that starts with video. While still limited to 4K 30 fps and cropped 4K 60 fps, it can now capture those formats internally using the company's 12-bit N-RAW format with N-log, along with 10-bit H.265 and 8-bit H.264. Interestingly, it will record in N-RAW to SDXC UHS-II cards, since the camera lacks high-speed CFexpress slots. That likely means you'll need to buy very fast (and expensive) cards and that the N-RAW video will be highly compressed. Still, it's a feature available on no other camera in this price range.
Nikon
Nikon is also promising much-improved autofocus bolstered by a new image-processing engine and tech borrowed from its high-end Z9 and Z8 models. The Z5 II can now lock onto subjects more quickly, particularly human eyes, faces and bodies, and works in lower light down to -10 EV, compared to -3 EV before. Meanwhile, the AI system can detect up to nine subject types ranging from animals (including a Bird Detection mode) to bicycles. When working in Auto-Area AF, these subjects can be detected, focused on, and tracked automatically.
Native ISOs have been boosted to 100-64000 (50-204,800 in expanded modes), up from a maximum 51,200 before. That should improve noise levels across the ISO ranges, the company said. However, resolution is still limited to 24 megapixels.
Nikon
In-body stabilization has been boosted to 7.5 stops with supported lenses, way up from five stops on the Z5. That's paired with electronic stabilization designed to keep handheld video steady.
The Z5 II's viewfinder still offers a decent 3.69-million dots of resolution, but brightness has been boosted to 3,000 nits with 13 levels of brightness control. And it now comes with a 1.7-million-dot vari-angle display that's a big improvement from the previous model's tilt-only screen. The body now has a deeper grip to improve handling and comes with a one-touch Picture Control button for previewing and switching between color profiles in real time, matching a recent trend started by Fujifilm's X100 VI.
Other features including dual SD UHS-II card slots, 3.5mm headphone and mic jacks, camera to cloud connectivity via Nikon's Imaging Cloud and a new weather-proof build "on par with the Z6 III," according to Nikon.
The Z5 II looks to be an impressive hybrid full-frame camera for the money and rivals Sony and Canon don't really have anything in the same price range that can match it. However, it also comes at a price $300 higher than the Z5 was at launch. Still, it could tempt filmmakers and others away from similarly priced crop sensor cameras from the likes of Fujifilm and Sony. The Z5 II is now on pre-order for $1,699 (body only) or $1,999 with a 24-50mm f/4-6.3 kit lens.
This article originally appeared on Engadget at https://www.engadget.com/cameras/nikons-z5-ii-is-the-cheapest-full-frame-camera-yet-with-internal-raw-video-113041486.html?src=rss
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