Her white, double-breasted blazer with a plunging neckline was designed by Jean Paul Gaultier. With this daring look, Cyrus proved she was way ahead of the "no-pants trend," which was most popular between 2016 and 2018. 

Equally bold were her accessories and hair, which included layered necklaces, black-and-white heels, and a short, volumized lob.

The form-fitting dress had a high neckline, long sleeves, and a straight, calf-length skirt. The garment was especially unique thanks to diamond-shaped cutouts on each side that extended from her chest to her legs.

Cyrus completed the look with black pumps, matching nail polish, and short, spiked hair.

Though her Marc Jacobs dress appeared to be see-through at first glance, it actually had a long-sleeved, fishnet overlay atop a nude, sleeveless piece. The outer fabric was also coated with sparkles.

To keep the emphasis on her standout dress, Cyrus opted for a classic beauty look that included black eyeliner, red lipstick, and neutral face products. Her hair, on the other hand, was styled in wispy blonde spikes that showed her brown roots.

She attended a Myspace event in a black bralette-style top, leather jacket, and white pumps. Cyrus also accessorized with a black handbag, layered necklaces, vibrant lipstick, and short blonde hair that was shaved on each side. 

It was her pants, however, that stole the show. The left leg of her pants was made from denim, and the right was made from gray sweatpants. 

First, she wore a strapless, fuzzy leotard designed to look like a gray mouse. Underneath was a nude, two-piece set made from latex, which she wore for her infamous performance with Robin Thicke.

She also wore white Creeper shoes from TUK Footwear, a choker necklace, and tiny space buns atop her head.

The bathing suit — which had a sleeveless crop top and high-cut bottoms — was designed by Markus Lupfer. 

Though she performed in just the two-piece set, heels, and clear accessories, Cyrus later added a white jacket backstage.

The suit — which had long sleeves, a deep, V-shaped neckline, and a high-cut bottom — was covered in fake bills with Cyrus' face on them.

In addition to her outfit, the musician also wore oversize gold chains, a cannabis-leaf charm, and a green choker.

One such look was a black Tom Ford design that showed almost her entire torso. It had see-through long sleeves made from mesh and thick black straps that strategically crisscrossed over her chest.

Cyrus completed the look with a sleek blonde bob and dark eye makeup.

Her black dress, designed by Alexander Wang, had a high neckline, long sleeves, and a floor-length skirt.

It was also covered in gold studs from top to bottom and had four cutouts — two teardrop-shaped ones near the neckline, and larger, half-moon-shaped cutouts across her waist.

In true Moschino style, the quirky dress had a sweetheart neckline and a giant bow that extended into a train. The red, satin gown was also covered in black-and-red hearts made from sequins.

Cyrus also wore black Doc Martens boots decorated with the same heart pattern.

Her sparkling pink outfit included a long-sleeved jacket cropped at the waist, straight-legged pants, and a matching belt with a silver buckle.

Cyrus' boots, on the other hand, were white, though the stars on them were a metallic pink shade.

The blue bow, which she wore as a bralette, had a red heart directly in the middle. She also showed her patriotic side in a red-and-white striped skirt, silver heels, and a pink feather headpiece.

And though she wasn't photographed wearing it, Cyrus also carried a sparkling red, white, and blue top hat.

On the red carpet, she wore a heart-print crop top underneath a sheer, calf-length jacket covered in the same print. She also wore matching lace tights that were entirely see-through over a red pair of underwear.

To complete the look, the musician wore red satin sandals, matching lipstick, and heart-shaped earrings.

She attended an event held by Elton John in an asymmetrical gown partially covered in sparkles and partially made from satin. The latter side was bright pink and resembled Marilyn Monroe's famous gown.

The other side, however, was silver and textured. The long-sleeved gown was also unique thanks to its cutout underneath the neckline and its zig-zag pattern that split the two fabrics.

The halter-style Stella McCartney design also had a mermaid-style skirt and an open back that showed off her tattoos. Cyrus paired the garment with gold necklaces and a short blonde hairstyle.

She arrived on the red carpet in a black Mugler pantsuit, which included pants that flared at the ankles, and an oversize jacket worn without a shirt underneath.

But it was her shoes that really stood out. Cyrus wore vegan heels designed by Bradley Kenneth Eyewear and made by Mink Shoes. They were black sandals with gold-chain straps and two heels in the shapes of her initials: "M" and "C."

For a Tom Ford fashion show, Cyrus wore black satin pants, a black top with a plunging neckline, and a long velvet jacket.

The rest of her look was even bolder. She donned platform boots with sparkling heels, oversize sunglasses, and a big, fuzzy hat.

Her strapless gown, designed by Mugler, was worn over two black undergarments.

Cyrus also wore sheer gloves covered in black beads, strappy sandals, red lipstick, and her new signature mullet.

While leaving a New York City hotel with her mom, Cyrus was photographed in a red calf-length coat, a white scoop-neck shirt, and wide-legged leather pants with silver zippers across each shin.

Of course, a face mask was part of her ensemble, as were oversize sunglasses, layers of necklaces, and a towering top hat with a wide brim. Cyrus also wore black, alligator-print platform boots and carried a handbag with what appears to be a cat-shaped handle.

Her DIY-looking T-shirt read "Let It Rock," and she tucked it into a plaid miniskirt. To complete the look, Cyrus also wore velvet heels with gray bows, fishnet tights, a white garter, and messy buns.

Her sleeveless top was made from black leather with silver sequin stars embroidered on it, while her miniskirt was covered in red-and-white sequined stripes from top to bottom.

Cyrus also wore silver jewelry, black knee-high boots with the same star pattern, and a spiked mullet.

While performing in Atlanta for the Music Midtown festival, Cyrus was photographed onstage wearing a halter shirt with a black collar and two shining hoops of fabric that draped across her chest.

She didn't wear anything else under the shirt, which showed many of her tattoos.

Her burgundy Gucci dress was covered in a sparkling blue fringe from top to bottom. It also had a thigh-high slit up its skirt, and a yellow feather belt across her hips.

Cyrus also carried a gold purse and wore metallic sandal heels.

Designed by Gucci and Balenciaga, her cream-colored suit was covered in a vibrant, floral print and the Balenciaga logo.

Cyrus wore it with a high-neck blouse underneath, a matching purse, and an oversize emerald ring.

The outfit included a sparkling blue bralette worn underneath a short coat crafted from rainbow-colored feathers. 

She also wore bedazzled platform sandals and a miniskirt made from pink lace, purple beads, and silver sequins.

The two-piece set had a backless halter top with rips in the front and a matching miniskirt with asymmetrical pleats.

She was performing "Party in the USA" when the top part of her outfit broke, forcing her to hold it up and quickly make her way backstage. Cyrus then threw on a red blazer and seamlessly carried out the rest of her performance.

"Everybody's definitely looking at me now," she then jokingly sang before adding: "I'm still in the most clothes I've ever worn onstage."

Her long-sleeved outfit was black and covered in tiny cutouts. The small circular ones extended from the garment's neckline to its pant legs, and a giant cutout with crisscross straps sat across its bodice.

Her Versace dress was strapless with a sharp, plunging neckline, cone top, and leather skirt.

Cyrus wore the bold garment with pointed pumps, black leather gloves, and her hair styled in loose waves.

She first hit the red carpet in a custom ensemble designed by Maison Margiela. The golden chain-link dress was entirely see-through and intricately designed with different patterns from top to bottom.

The metallic piece also showed off her many tattoos and paired perfectly with her blown-out hairstyle.

The custom Gucci gown had a thin bodice with a single strap, which barely covered her chest across one side of her body.

The revealing top design mirrored the gown's showstopping skirt, which was slit down the side starting at her waist.

Cyrus wore the dress with pointed pumps, a feather shawl, and a leather purse.

She was visiting New York City when she was photographed wearing a black, sleeveless gown that was see-through.

Designed by Ludovic de Saint Sernin, the dress had a mermaid-style skirt, a plunging neckline, and a piece of fabric tied across the collarbone.

Also in New York City, Cyrus wore a Schiaparelli couture design. It included a sleeveless, fishnet dress embellished with crystals and a fringe skirt, as well as a massive, fringe-covered coat.

She also carried a Schiaparelli purse with the brand's signature gold anatomy charms.

Though the Gabriela Cadena piece appeared conservative from the front with its solid gray fabric, it was actually entirely sheer down its sides.

Only clusters of silver sparkles and see-through mesh sat atop her legs, hips, and torso. Though it worked then, the partial nudity might not fly at this year's event.

Roberto Cavalli designed Jenner's sheer black gown, which might not make it past security at Cannes today.

The long-sleeved piece, crafted from mesh, showed most of her body. She wore only high-waisted underwear beneath it.

A snake print and light glitter made the dress even more dramatic.

That year, she ditched a bra when she wore her tulle gown, which showed her chest with sheer straps that acted as a top.

Its long, tiered skirt was also see-through and voluminous, though not enough to get in the way of other people walking the red carpet.

Every inch of the actor's Peter Dundas gown was dramatic that year.

It had giant puffed sleeves, a bow that extended past her torso, and a skirt train that was so long it covered numerous steps behind her.

The gown was the definition of voluminous, especially because she needed at least two people to help her get up the stairs.

The model walked the Cannes red carpet in a black number from Đỗ Long. It was made from mesh and therefore entirely sheer.

It was also cut in a daring style. The outfit featured a backless halter top, a keyhole cutout at the chest, a thong bottom, and two thin strips of fabric in place of a skirt.

Hadid wore a plain black gown at Cannes in 2021.

However, her long-sleeved Schiaparelli dress was daring with a scooped neckline that plunged to her waist.

The model also wore a golden necklace shaped like lungs to cover her chest. Though not technically nude, wearing the same pieces at the 2025 event would be risky.

The TV star was a vibrant pop of color on the red carpet thanks to her strapless yellow dress. It was crafted from tulle in tiers of ruffles that extended into a long, thick train.

Because the skirt pieces have since been banned, there's a chance that Bodi wouldn't be able to wear the same dress to this year's event.

The model wore a simple thong beneath a sleeveless look crafted from strings of crystals, which showed her body.

To complete the look, Depina sported see-through sandals and delicate jewelry.

For one red carpet, the French model wore a black Stéphane Rolland gown. It was made with thick black fabric that draped around her head and hips in a circle and down her legs as a skirt.

What made the ensemble even more daring, though, were the layered rope necklaces she wore as a top. It was bold enough to possibly break this year's dress code.

Saint Laurent created the brown halter dress she wore last year, which was almost entirely sheer. Only her waist and hips were wrapped with extra fabric to create a more opaque look.

It might not have been Hadid's most dramatic look at the film festival, but it was one of her most see-through.

The actor and model wrote on Instagram at the time that she wanted her Cannes outfit to honor Cambodian fashion.

So she tapped designer brand De l'Elegance to create her strapless gown, matching hat, and extensive green train. It was so long, however, that similar trains might not be allowed at future Cannes festivals.

Versace designed the actor's sleeveless slip, which was covered from top to bottom in translucent sequins. The dress also had a cowl neckline and the brand's signature hardware in silver across each strap.

She wore it with black patent-leather kitten heels, a micro purse in black, and small diamond stud earrings.

Also in Versace, Hathaway wore a white button-down blouse, a loose black blazer with a gold logo embellishment at its pocket, and straight-leg trousers.

Her party look was cool and chic on its own, but it became more feminine thanks to her choice of accessories.

The actor carried a sparkling gold purse, sported large sunglasses on her face, and donned heeled sandals with beaded detailing.

Her black Versace number had long sleeves, a deep V-neckline, crystal buttons, and an above-the-knee skirt.

The garment gave a feminine edge to a classic menswear piece.

It was her silver accents, however, that really stole the show. To complete her look, she added thick sunglasses, silver sandals with bow straps, and a shimmering purse with ring handles.

Getty wore a yellow Versace minidress with long sleeves, an all-over shell print, and a plunging neckline that revealed the middle section of her torso. One of Versace's signature gold safety pins held the garment together.

She completed the look with classic accessories, including black pumps, a crystal anklet with a cross charm, a gold purse, and hoop earrings.

For the Moda Operandi party, the "Espresso" singer stepped out in a sleeveless Versace dress that hugged her body and shimmered in the light.

It had sheer sequins all over its baby-blue fabric, a gold safety pin that pulled it together at the hips, and a thigh-high slit in its skirt. For shoes, Carpenter wore her signature platforms in the form of tan sandals.

The fashion designer wore one of the brightest looks of the night: a hot-pink suit over a yellow blouse printed with shell images.

She also wore platform Versace heels in the same pink shade, dangling crystal earrings, and rectangular sunglasses with cherry-red frames.

Domingo attended pre-Met Gala events throughout the weekend, and his cream suit from Eleven Sixteen for Wayman + Micah's party spoke directly to the 2025 Met Gala theme.

The bold tailoring of his cream suit represented Black dandyism, while the thick material and checked pattern made it feel modern. Domingo's tie coordinated with the suit, and his white shoes completed the outfit effortlessly.

On Sunday, Henson also played with the silhouette of a suit, arriving at the LaQuan Smith Met Gala party in a fitted jacket and matching wide-legged trousers.

The jacket was open on Henson's chest, mirroring the pointed hemline that cinched her waist. Sparkles covered the entire outfit, giving it a glitzy edge.

Williams is also a Met Gala co-chair this year, and he arrived at the dinner that Wintour hosts the night before the event in a mix of high- and low-fashion garments.

He paired a green blouse and a brown sweatshirt with khaki trousers and a Louis Vuitton trench coat. His coat matched his bag, and Williams added sunglasses and a yellow cap to the look.

The ensemble effortlessly blended styles, perhaps offering a clue as to how Williams might be approaching his Met Gala look.

Erivo's Saint Laurent suit was double-breasted, and the coordinating pants flared wide. Her blouse underneath featured a colorful pattern of stripes, bringing out the purple hue of her tie.

Tinted sunglasses and Christian Louboutin shoes completed the look.

Page's Brioni suit was bright blue and had a classic pinstripe pattern, which the actor juxtaposed with a more relaxed pink T-shirt.

Zac Posen and Kim Jones made the couture GapStudio ensemble for Moore.

It had a ruched bodice with a halter strap, a cinched waistband, and a flowing skirt that grazed the floor.

Moore wore the dress with a cream blazer draped over her shoulders, a statement diamond bangle, numerous sparkling rings, and long earrings that almost touched her shoulders.

The outfit was simple, elegant, and made perfectly for Moore.

Some aspects of the Carolina Herrera look worked for Bell, like its vibrant red color and its long, wide pant legs that made the petite actor look taller.

Other areas, though, were confusing. Its strapless bodice, for example, would have better suited a formal gown than a casual jumpsuit.

Bell could have avoided the fashion mishap by either wearing a dress or choosing a sleeved one-piece.

Williams walked the red carpet in a black Stella McCartney number. Her off-the-shoulder dress had sliced cutouts from top to bottom and a form-fitting skirt that nearly reached her ankles.

The garment stood out on its own, but Williams made it even better with accessories. She wore semi-sheer gloves, layered diamond necklaces, dangling earrings, and a variation of the Royal Oak watch from Audemars Piguet.

She looked simultaneously edgy and chic, creating a style that is entirely her own.

It's almost impossible for Johansson to look bad. Still, her Tom Ford gown left something to be desired.

The black halter piece was pretty plain with a V-neck top, a form-fitted skirt that reached the floor, and a thin gold clip that created light ruching at the waist.

Her gold choker, mixed-metal rings, and silver square earrings helped enhance the look slightly, but the Roberto Coin accessories weren't enough to make the outfit memorable.

The musician posed on the red carpet in a three-piece set that was effortlessly cool.

His black blazer was studded with gold buttons down its lapels and his trousers were fitted at the ankle to create a unique silhouette. A black tie contrasted his white button-down shirt.

Snoop Dogg completed the outfit with chain-embedded sunglasses, diamond rings, a silver square watch, and green Oxford sneakers.

Sheeran is known to attend most events in T-shirts and cargo pants, so it was nice to see the musician dressed up for the Time100 gala.

That said, the pink shade of his blazer and matching trousers was too light for him. It washed out his skin and was too close to his red hair color.

The white T-shirt and Nike sneakers he wore also felt too casual for the gala event.

Nguyen, who recently went to space with Blue Origin, walked the red carpet in a white gown that glamorously reinvented menswear.

Its blazer top was full on one side and cut in half on the other, revealing a bow waistband and her pleated skirt.

To complete the look, Nguyen wore simple black sandals and styled her hair in thin braids.

King arrived at the Time100 event in a mint-green gown. Though the color was a fun choice for the journalist, the garment didn't seem to fit right.

Its long sleeves had excess fabric at the wrists, the ruched neckline sat awkwardly at her chest, and its long skirt covered her shoes.

King, however, nailed her accessories. She wore sparkle-covered pumps, layered necklaces, and long earrings that shone through her hair.

Zuhair Murad designed an off-the-shoulder dress that perfectly suited the "It Ends With Us" actor.

It had a corseted bodice, a form-fitted waist, and extra fabric attached at the hips to create a fuller skirt. Its red fabric was also a unique shade — not as bright as the carpet, but not light enough to be pink.

Lively made the outfit even more showstopping with an assortment of jade accessories, from green bracelets and rings to statement earrings.