Adobe is finally releasing Windows on Arm versions of Premiere Pro, After Effects, Audition, and Media Encoder this week. All four apps are available as public beta versions, but they do lack some features or have some known issues compared to the versions available for Intel-powered systems.

The native ARM64 version of Premiere Pro won’t currently include support for third-party extensions, raw video files like ProRes, or the hardware-accelerated playback and export of H.264 and HEVC in MP4. Those are some big missing features that Adobe is looking to make available in a future release, but the company won’t deliver the Loudness Radar effect, export to Wraptor DCP, import & export of GoPro CineForm content, or the export to the P2 Movie format in beta or final versions of Premiere Pro for Windows on Arm.

There are some known issues with Adobe After Effects for Windows on Arm, too. It also lacks ProRes support, alongside the inability to import or export ARRIRAW, SWF, GoPro CinePro, JPEG20000 in MXF, and WMV. Currently, you can’t import MotionJPEG and MKV in the beta version of After Effects, and there’s also no hardware-accelerated playback and export of H.264 and HEVC in MP4. Adobe notes that third-party plug-ins for After Effects will have to be updated for this Windows on Arm version, so there’s no support for these just yet.

There are similar features missing from the native Windows on Arm version of Audition and Media Encoder, which are both also available in beta this week.

Adobe first released an Arm beta version of Photoshop for Windows in late 2020, but the company has taken far longer to get Premiere Pro and After Effects recompiled natively for ARM64. Owners of Qualcomm-powered Copilot Plus PCs have had to use the emulated version of Premiere Pro over the past year, which didn’t have enough performance for more demanding video editing tasks.

Your college years are typically thought of as some of the best of your life, but they can be hard to enjoy to the fullest if you're worried about paying for the essentials like food, textbooks, supplies and, if you're lucky, the occasional evening out with friends. With everything going up in price, it may seem like good discounts are few and far between, but that's not the case. Students still have excellent discounts to take advantage of across the board, be it on streaming services, shopping subscriptions, digital tools and more. We’ve collected the best student discounts we could find on useful services, along with some things you’ll enjoy in your down time. Just keep in mind that most of these offers require you to prove your status as a student either by signing up with your .edu email address or providing a valid student ID.

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Engadget

You shouldn’t rely on social media to be your sole source of news. With foreign wars, new viruses, Supreme Court decisions and upcoming elections making headlines daily, it’s important to get your news from reliable sources. Yes, it’s daunting to get into the news on a regular basis, but it’s crucial to know what’s going on in the country and the world as a whole. Here are some reputable news organizations that offer student discounts on their monthly or annual subscription plans.

The Atlantic: Starts at $50 per year for digital-only access.

The New York Times: $1 per week for one year for the base subscription.

The Washington Post: $1 every four weeks for digital-only access.

The Wall Street Journal: Starting at $2 per week for one year for digital access.

This article originally appeared on Engadget at https://www.engadget.com/best-student-discounts-140038070.html?src=rss

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Adobe has a new computational photography camera app for iPhones – and one of its creators, Marc Levoy, helped make the impressive computational photography features that made some of Google’s earlier Pixel cameras shine.

The new app, called Project Indigo, was released last week by Adobe Labs. It’s free and available for the iPhone 12 Pro and Pro Max, iPhone 13 Pro and Pro Max, and all iPhone 14 models and above. (Though Adobe recommends using an iPhone 15 Pro or newer.) It also doesn’t require logging into an Adobe account to use.

“Instead of capturing a single photo, Indigo captures a burst of photos and combines them together to produce a high-quality photo with lower noise and higher dynamic range,” according to the app’s description. Indigo tries to produce a natural, “SLR-like” look for photos, and it also offers a bunch of manual controls like focus, shutter speed, ISO, and white balance.

To really understand what’s going on under the hood of Project Indigo, though, I highly recommend reading a detailed blog post from Levoy, now an Adobe Fellow who joined the company in 2020 to build a “universal camera app,” and Florian Kainz, a senior scientist. The post covers things like why smartphone cameras are good, how its computational photography works, how it creates the natural look for its photos, and some details about its image processing pipeline.

It is here I must confess that I am not a camera expert by any means. But even I found the post pretty interesting and informative. The photos in the post do look great, and Adobe has an album of photos you can browse, too.

In the post, Levoy and Kainz say that Project Indigo will also be a testbed for technologies that might get added to other flagship products, like a button to remove reflections. And down the line, the team plans to build things like an Android version, a portrait mode, and even video recording.

“This is the beginning of a journey for Adobe – towards an integrated mobile camera and editing experience that takes advantage of the latest advances in computational photography and AI,” according to Levoy and Kainz. “Our hope is that Indigo will appeal to casual mobile photographers who want a natural SLR-like look for their photos, including when viewed on large screens; to advanced photographers who want manual control and the highest possible image quality; and to anyone – casual or serious – who enjoys playing with new photographic experiences.”

• Tech giants are known for their challenging interviews.
• Google, Meta, and Nvidia top the list of rigorous interviews with multiple rounds and assessments.
• But tough questions show up across industries, according to employee reports on Glassdoor.

It's tough to break into high-paying companies.

Google is notorious for having a demanding interview process. Aside from putting job candidates through assessments, preliminary phone calls, and asking them to complete projects, the company also screens candidates through multiple rounds of interviews.

Typical interview questions range from open-ended behavioral ones like "tell me about a time that you went against the status quo" or "what does being 'Googley' mean to you?" to more technical ones.

At Nvidia, the chipmaking darling of the AI boom, candidates must also pass through rigorous rounds of assessments and interviews. "How would you describe __ technology to a non-technical person?" was a question a candidate interviewing for a job as a senior solutions architect shared on the career site Glassdoor last month. The candidate noted that they didn't receive an offer.

Tech giants top Glassdoor's list of the hardest companies to interview with. But tough questions show up across industries — from luxury carmakers like Rolls-Royce, where a candidate said they were asked to define "a single crystal," to Bacardi, where a market manager who cited a difficult interview, and no offer, recalled being asked, "If you were a cocktail what would you be and why?"

The digital PR agency Reboot Online analyzed Glassdoor data to determine which companies have the most challenging job interviews. They focused on "reputable companies" listed in the top 100 of Forbes' World's Best Employers list and examined 313,000 employee reviews on Glassdoor. For each company, they looked at the average interview difficulty rating as reported on Glassdoor.

Here's a list of the top 90 companies that put candidates through the ringer for a job, according to self-reported reviews on Glassdoor.

Adobe is building AI agents for Photoshop and Premiere Pro that can suggest ways to edit your photos or videos and then carry out the tasks for you, according to a blog written today by Ely Greenfield, Adobe’s CTO of digital media.

Adobe Photoshop’s agentic AI, or what the company calls its “creative agent,” will be presented in a new floating Actions panel that will recommend context-aware edits after analyzing your photo. For instance, it will be able to suggest removing people standing in the background or creating a greater depth of field by blurring everything behind the subject. All you need to do is click the suggestion and it will be carried out automatically.

Long-time Photoshop users are used to manually manipulating photos by tediously masking people and objects and then creating layers so changes can be made to only certain parts of the image. Adobe has already added AI features that let you extend and fill photos across a larger canvas, or delete unwanted objects or people from the background using Distraction Removal.

Adobe’s vision is that Photoshop users will be able to prompt agents with natural language, making it easier to learn the steps needed to perform a task (although the agent will still be able to do it for you). And you can continue prompting the agent to make more changes, or manually make adjustments in the layers. In one example video, someone asks the agent to clean up an image and add a text box behind a person, and the agent then lists out steps including: remove background people, auto brighten, remove distracting objects, create “subject” layer, create text layer, and organize layers.

For Premiere Pro, Adobe will build on the new Media Intelligence feature introduced last week, which analyzes videos for objects and composition so you can find the footage you need. A future agent will let you direct the agent to make a rough video cut.

“While AI can’t replace human creative inspiration, with your input it can make some educated guesses to help you get your project off the ground,” Greenfield wrote in the blog. “It can also help you learn how to perform complex tasks with a few simple keystrokes, helping you grow as an editor.” Premiere Pro’s creative agent will eventually help editors refine shot choices, adjust color, mix audio, and more. Adobe also just launched Generative Extend, which uses AI to add seconds to your clips to help fit a transition.

Adobe will introduce the technology behind the first AI agent, which will be for Photoshop, at its Max event in London on April 24th.

When you set up a new camera, or even go to take a picture on some smartphones, you’re presented with a key choice: JPG or RAW?

JPGs are ready to post just about anywhere, while RAWs yield an unfinished file filled with extra data that allows for much richer post-processing. That option for a RAW file (and even the generic name, RAW) has been standardized across the camera industry — but despite that, the camera world has never actually settled on one standardized RAW format.

Most cameras capture RAW files in proprietary formats, like Canon’s CR3, Nikon’s NEF, and Sony’s ARW. The result is a world of compatibility issues. Photo editing software needs to specifically support not just each manufacturer’s file type but also make changes for each new camera that shoots it. That creates pain for app developers and early camera adopters who want to know that their preferred software will just work.

Adobe tried to solve this problem years ago with a universal RAW format, DNG (Digital Negative), which it open-sourced for anyone to use. A handful of camera manufacturers have since adopted DNG as their RAW format. But the largest names in the space still use their own proprie …

Read the full story at The Verge.