Sideras, 31, is a model and content creator based in Los Angeles. She set her wedding date to Johnston, a 28-year-old tech recruiter, for July 13, 2023, just six months after he popped the question.

Sideras had always wanted a summer wedding and didn't want to wait a year and a half to get married.

"The engagement process can be very stressful, and I just wanted to do it as quickly as possible," she said. "Six months felt like enough time for me."

"I love the movie 'Father of the Bride,'" Sideras told Business Insider of her vision for her "casual and celebratory" wedding. "I think that's such a sweet movie, and I love that aesthetic. I just wanted a backyard wedding."

Sideras and Johnston planned to invite between 125 and 150 people to the wedding, but they wanted to keep their budget at $25,000, to which Sideras' parents contributed.

According to The Knot, the average cost of a wedding in California is over $39,000, but Sideras didn't want to go into debt paying for their event.

"You have to cut it off somewhere," Sideras said.

Although she wanted a backyard wedding, Sideras didn't have a backyard in Los Angeles for the event, as she lives in an apartment.

She first searched Vrbo and Airbnb for homes she could rent for the weekend of the wedding, but she couldn't find a rental property that allowed for large events.

Then, she stumbled upon the Bissell House in Pasadena after hours of searching online. The venue has since closed, but it had the spacious backyard Sideras was looking for, as well as a beautiful interior.

"As soon as we got there, I could tell, 'This is it,'" Sideras said. "The Bissell House had so many antiques and beautiful furniture, and the wallpaper and everything inside. It was like the perfect grandma shabby chic house."

Sideras rented the house for $10,000 for three days and two nights, using it as lodging for her and Johnston's families over the weekend. The couple also hosted their rehearsal dinner at the Bissell House, so they didn't have to pay for an additional venue.

As she focused on the backyard wedding aesthetic, Sideras hopped on Pinterest to make a vision board for her wedding.

"I knew I wanted long tables with dinner party vibes. That was one of the first photos I pinned," she said. "And then I saw mismatched plates and linens. I love anything in life that can be mismatched."

She decided she wanted mismatched dishware, linens, and vases, but she quickly discovered that renting from an event company would be out of her budget when the first vendor she contacted told her it would cost $5,000 for dishware alone.

Sideras, her mom, and her aunt all love thrifting. They frequently text each other photos of their bargain finds. When she realized thrifted dishware would be the most economical choice for her wedding, Sideras recruited the pair to help.

They scoured thrift stores and buy nothing groups, using a mood board Sideras made as guidance for what to find. They ended up sourcing around 130 dinner, dessert plates, and wine glasses, sticking to a maximum budget of $1 per item.

"It was so fun for my mom, my aunt, and me to constantly be texting each other like, 'I just got these five plates' or 'just got this set of 10 plates from my buy nothing group,'" Sideras said.

Sideras' mom brought many of the plates from her home in Indiana to the wedding, and the others lived at the bride's apartment until the event.

For her napkins, Sideras turned to Maxsold, which allows users to bid for items online that they can go pick up in person.

She bought pink cloth napkins through the site and found some additional napkins at thrift stores. At the wedding, they were arranged to look like flowers atop mismatched gingham tablecloths, which Sedaris bought from a wholesale site.

Thrift shopping saved Sideras thousands on place settings.

"We spent under $500 for every single place setting that we got," she said. "I ended up keeping 12 plates or so, and I sold some or gave some away."

"I feel like everyone knows flowers are an insane cost for weddings," Sideras said. "I would have loved to spend thousands of dollars on florals because they're beautiful, but unfortunately, it was just not in the budget."

Sideras said one of her bridesmaids, who was also getting married in 2023, used the Los Angeles Flower Market for her wedding flowers, which inspired Sideras to do the same.

"We just went the day before, and I didn't really have a vision, to be honest," she said. "Since it was a backyard wedding, I felt like it didn't need to be fancy white roses or anything like that."

She got advice from her friends on how many flowers she would need to make floral arrangements for the tables and her bridesmaids' bouquets, as well as guidance on which flowers would best withstand the July heat. She spent around $400.

"Three or four of us went to the flower market to pick them up, and then we brought them back to the apartment and arranged them all," she said. "It probably took an afternoon."

Kelly Jean Ross arranged Sideras' $250 bouquet, which featured an array of pink and white flowers.

"I paid someone to make my own bouquet because I knew that would be in a majority of the photos, and she did amazing," Sideras said. "I was so happy that I spent money on that."

"Table and chair rentals — that's another insanely expensive cost," Sideras said, telling Business Insider that she was quoted a minimum of $5,000 for table and chair rentals from an event company in town.

"I ended up going on Facebook Marketplace," she said.

Sideras rented folding tables and wooden chairs from two small businesses she found on the site. It cost a few dollars per table and $1 per chair, so they didn't add much to the budget.

Sideras found a black-and-white checked dance floor on Facebook Marketplace for the event. She and Johnston didn't invest in a formal DJ, either.

"My husband has a few friends who work in the music industry, so he just had one friend who was manning the speakers," she said. They also used an app that seamlessly transitions from song to song for the dancing portion of the evening.

"It was awesome, and we were able to play Justin Bieber and all the songs that DJs never play," she said.

From helping her source decor to setting up the wedding on the day of the event, Sideras' community was integral in making the wedding come together without breaking the bank.

For instance, Sideras' friend Ashlyn Rudy served as her wedding coordinator. During the rehearsal dinner, Rudy noticed the reception area getting dark as the night went on, and she immediately sprang into action.

"She had a friend who was a lighting person, so she's like, 'I'm going to get some lights,'" Sideras said.

By the wedding day, they had plenty of string lights to keep the reception space bright, and Sideras didn't have to do any extra work.

The couple didn't add flowers or an archway to the ceremony space, and they reused the same chairs they used for dinner for guests.

They also didn't have much signage for the wedding. They just had a welcome sign made by a friend at the front entrance.

Stationery costs can add up, and keeping it as simple as possible helped the couple save money.

Sideras wanted different wedding dresses for her ceremony and reception, setting a budget of $1,000 for both. She pictured herself in a vintage gown with puff sleeves and a tea-length skirt for the ceremony.

"My mom and I went to so many places, and no one really had one," she said.

Eventually, she contacted a now-closed vintage store called The Gorky, asking if they had anything like what she was imagining. By chance, the store had a $400 dress in the back of its stockroom that fit the bill.

"A staffer sent me a photo, and I was like, 'Oh my gosh, I think this is it,'" Sedaris said. "It didn't have puff sleeves yet, but it had sleeves that could become puff sleeves."

She went with her mom to the store to try it on, and the gown fit perfectly. It was meant to be.

The Gorky recommended a seamstress to Sideras, who created the puffy sleeves of her dreams.

Sideras was also a fan of a voluminous veil she had seen photos of, but she didn't want to spend $600 on the accessory.

She asked her tailor if she could make a similar veil, and she was able to for just $100.

Sideras got her second dress from Anthropologie, allowing her to stick to her budget.

Catering is often the most expensive aspect of a wedding, as feeding over 100 people a three-course meal can be costly.

Sideras and Johnston found a workaround, having pizza from La Pizzeria Co. at the nuptials instead of a more formal meal.

"It was between tacos and pizza because we love both of those," Sideras said. "I just emailed a whole bunch of different pizza places that did catering, and I went with the cheapest one."

"They were amazing, and it was just a flat fee for the amount of people," she said of La Pizzeria Co. "There was also salad and other little things included."

They also just served wine and beer from coolers, so they didn't have to pay for a bartender. Not every wedding venue allows that, but it's a great way to save if you have the option.

Wedding cakes can cost hundreds — if not thousands — of dollars, which was also out of budget for Sideras and Johnston.

"I knew I wanted just a simple strawberry shortcake-style cake for us to cut into," Sideras said, adding that she didn't "want it to look overly professional." Her sister-in-law ended up making the cake for them.

"I think she just made a box cake and decorated it cute, and that was perfect," she said.

Because she didn't want to pay for an expensive wedding cake, Sideras bought a few sheet cakes from Costco instead.

Her aunt picked them up, decorated them with strawberries, and displayed pieces on some of the thrifted plates Sedaris bought.

"That was really sweet, and no one even knew that it was Costco cake because it was already cut up," she said. "It turns out Costco cake is a hit."

Sideras tapped photographer Bliss Katherine, whom she had previously worked with as a model.

"I always just kind of knew that I wanted her to be our photographer," Sideras said. "I've worked with so many photographers, so that was really, really important to me."

"The photos are insane, so that was the best use of our money," she added.

"You have to pick one or two things that are important to you, and then the rest you just have to let go," she said. "I would have loved to have a live band, but that would have been very expensive."

Likewise, she thinks it can be helpful to approach the wedding as just an event when searching for rentals, as some retailers can charge a premium for wedding items.

"Don't be afraid to ask for discounts for things, too," she said. "What's the worst they're going to say? No?"

She also recommends using the resources you have in your community, especially if you live in a pricier market like Los Angeles, and trying not to put too much pressure on the event.

"I think I'm a pretty chill person, so I was never really that stressed," she said.

"It felt incredible," Sideras said of her wedding day. "We have so many people tell us to this day, 'Oh my gosh, that was my favorite wedding I've been to.'"

"It was so calm and relaxed and just felt so us," she added. "It was so special, and I will love it forever."

Rehman owns Bilal Rehman Studio, a luxury design studio based in Houston, Texas.

Rehman designs for people of all incomes, but he got his start in luxury decor, specializing in high-end spaces.

"I have an appreciation for the world of luxury because of the attention to detail and the craftsmanship," he told BI of why he likes to work in luxury homes. 

Rehman turned his expertise into a viral sensation with his TikTok account, where he shares his home decor advice and has amassed millions of views on his videos. 

He spoke to BI about one of the most popular topics on his TikTok, sharing ways people miss opportunities to make their spaces look luxurious in almost every room of their homes.

"I think the No. 1 thing that they do is that they don't use the proper scale of furniture or accessories or rugs in their space," Rehman said when asked how people most often make their homes look cheap.

If you don't have much floor space, it might be your instinct to fill your home with small pieces, but Rehman said that may actually make your space look less put together.

"People think that just because you're in an apartment, you have to buy small-scale furniture, and that's not true," he said. "Go buy the big couch, buy the big rug, buy the coffee table that's oversized because what people don't realize is that scale makes your space feel bigger."

Rehman said your space will look more luxurious if you fill it with a handful of statement pieces rather than too many small pieces.

"There's a fine art of not cramming your space with too much stuff and underdoing it to where all the furniture feels like it's miniature," Rehman said. 

Rehman said kitchens often look "cluttered" and cheap when you fill your cabinets with flatware, dinnerware, and glassware that don't match, particularly if you have open cabinetry.

"It doesn't look cohesive or expensive. It starts to look like you went and dug through a bargain bin to find all these pieces, but for the same price, you could buy a really beautiful matching set of mugs or plates or appliances to elevate your space," Rehman said. 

He also advised people to think about aesthetics as well as function for any item that will live on their countertops, pointing to Smeg toasters as an example.

"There are cheaper alternatives, of course, but Smeg is a great player in the game of taking something utilitarian and making it artistic," he added. "I have a chrome Smeg toaster on my countertop and I love it. It's just so pretty to look at, and it's taking something so basic and making it elevated."

It can be natural to fill your bathroom counters with products, but Rehman told BI that not having more sophisticated storage can make your space feel cheap. 

"Do not have all your products on the countertop," Rehman said. "Especially if you're dealing with a smaller bathroom, that empty visual space is your friend that makes your bathroom feel high-end."

He said to prioritize putting out items you use daily, and find other storage solutions for things you use less often.

"It makes it feel bigger. It makes it feel cleaner. And honestly, when everything is organized, it's so much easier to get ready in the morning and get ready at nighttime when you know where everything is," Rehman said. "When you're dealing with a bathroom, really be intentional on what's out and what's hidden and put away."

And if you don't have much storage space, remember to invest in functional items with aesthetic appeal, like coordinating soap-bottle sets or a nice toothbrush holder.

Rehman said thinking strategically about your choice of bath mat can make a huge difference in your home, particularly if you have limited space in your bathroom. 

"Don't buy a whole bunch of different bath mats, like the small bath mats meant to go in front of the toilet or the shower or the sink," Rehman advised. "Instead, try to get a large-scale rug or a large-scale runner that creates this unified piece in your bathroom and makes it feel clean and simple."

If you're hesitant about putting a real rug in your bathroom, Rehman said to remember that there are plenty of water-friendly rugs on the market.

"Just get a cool rug from Ruggable and throw it in your washing machine every couple of weeks," he added. "That looks so much better in the end than all these mismatched mats that are moving all over the place."

Matching bedroom sets might seem like the easiest solution to making your room look cohesive, but Rehman said it's rare for the set to look as good in your home as it does in the store.

"It looks so good when you walk into a store, and everything matches because they set it up in a certain way, but the second you take it home and you put it in your bedroom, it literally just looks like you went to a big-box store, picked up that room, and dropped it into your house," Rehman said.

"It has no personality, it doesn't look collected, it doesn't look designer, it doesn't feel high-end at all," he said. "Instead of doing that, the same money that you're spending on that, spend it on mismatched pieces that are cohesive."

Rehman said it's a better idea to find pieces that complement each other, as this will make the space look more intentional.

Rehman advised people to approach decorating the outside of their homes just as they do their interiors.

"Don't be afraid to accessorize your outdoor space," he said, pointing to items like rugs and layered looks. "Put art on your brick on the outside of your house."

"You're going to walk outside, and there's going to be a seamless flow from the inside to the out," Rehman said. "It just makes your space feel so much grander and so much more put together."

He said investing in pieces that complement the natural colors of your environment can help make the space feel even more cohesive and chic.

Of course, the furniture you choose for your home, especially pieces like couches and beds, should be comfortable, but Rehman said it's just as important to prioritize its appearance.

"When people are going to buy furniture, they focus so heavily on the comfort and they don't focus on the style," he said. "They end up buying this big, bubbly couch that has lots of padding, and it has a built-in cupholder and USB chargers. That's great for maybe a movie room, but in your main living room, where you're entertaining, you want to feel sexy, and you want to have people over, and you want to create different moods."

Rehman said there are so many affordable, comfortable pieces with aesthetic appeal that he doesn't understand why people wouldn't pick prettier pieces whenever possible.

"In today's market, there's been so much innovation with the world of design and furniture that finding things that are stylish and comfortable is so much easier than it was five years ago," he said. "Just take that little extra step and go find things that are the best of both worlds."

The Duchess of Sussex launched her As Ever brand in the spring, selling items like fruit spreads, high-end honey, and flower petal sprinkles.

As Ever's first two product drops sold out within an hour, and in June, the company announced it was debuting its first-ever wine, a 2023 Napa Valley Rosé curated by Meghan.

As Ever said its rosé is supposed to taste "crisp" and has notes of "stone fruit, gentle minerality, and a lasting finish," much like Provençal rosés from France.

The rosé retails for $30 on As Ever's website, and it sold out almost immediately after going on sale on July 1. The bottles are only available in packs of three, six, or twelve, so it costs consumers at least $90 to taste Meghan's rosé. As Ever has not yet announced if or when it'll restock the rosé.

I've been writing about the royal family and Meghan for years. I've also been closely following As Ever over the past few months as Meghan further expands into the lifestyle space.

Plus, I'm a big rosé fan when I'm off the clock, so I knew I had to try Meghan's wine when it was released.

I decided the best way to experience As Ever's rosé would be in a blind taste test, comparing it to a few other popular rosés on the market.

I didn't think it would be fair to assess the wines by myself, especially because I'm pretty easy to please when it comes to rosé. Give me a glass of pink, cold wine, and I'll be a happy camper.

Three of my colleagues graciously volunteered to spend a Tuesday afternoon drinking with me. (They are such givers, I know.)

Here's a quick rundown of why you can trust us. Spoiler alert: The main qualification is that we like drinking wine.

Callie Ahlgrim, senior pop culture writer: I did work at a wine bar for like a year, but that was a long, long time ago. And since then, I drink wine recreationally and copiously.

Samantha Rollins, deputy editor of entertainment and real estate: I'm a wine enthusiast who has been to France, the rosé capital of the world, in my opinion. So that's my only qualification.

Joi-Marie McKenzie, editor in chief, Life: I'm a new wine lover. I did not drink wine that much in my 20s. I love Rieslings and rosés, and I just got into red. So I think I would be quite picky because I'm sort of new to the whole thing.

Samantha Pettyjohn, senior lifestyle reporter (me): I love rosé, especially in the summer. I'm also well-versed in Meghan Markle and went to California wine country on my honeymoon.

For the taste test, I selected three wines in addition to As Ever, choosing rosés that were pretty similar in price point to Meghan's.

It seemed only fitting to include another celebrity brand, so I chose Côtes de Provence Rosé from Château Miraval, Brad Pitt's wine company. Pitt's Provençal-style rosé cost $23.88.

Next, I selected the $22.49 Summer Water Rosé, which is made on the California coast and offers a slightly different experience with a screw cap.

Finally, I included Whispering Angel, one of the most popular rosés on the market. It's a personal favorite of mine and is made in the Provençal-style like As Ever. It was $22.96.

As Ever ended up being the most expensive wine of the bunch, which wasn't surprising considering it isn't widely available like the others.

For the test, I put a piece of tape on the bottom of each wine glass with "A," "B," "C," or "D" written on it, which corresponded to one of the wines. The code was:

• A: Summer Water
• B: As Ever
• C: Whispering Angel
• D: Château Miraval

The wine was poured out of sight and given to us in a random order, so we didn't know which rosé we were tasting.

First, we tried Miraval's rosé, aka Brad Pitt's wine, aka "wine D" during the test. The flavor was a bit intense for some of us.

McKenzie: It's good to me.

Ahlgrim: It has kind of a sharp aftertaste.

Rollins: It's honestly kind of bitter. I usually like bitter things, but it's a little too bitter.

Pettyjohn: I like it. It's sharp, and I wish I had some cheese to eat with it. It has a champagne-y flavor.

McKenzie: And that, to me, resonates.

Rollins: There's something about it that I don't really like.

Pettyjohn: If a bottle were offered to me, I would certainly have a glass, if not two.

McKenzie: It'd be perfect for hot weather.

Ahlgrim: I think it's more of a dinner wine than a relaxing by the pool kind of wine.

Next, we tried Summer Water, known to us as "wine A." We immediately noticed that it had a pinker hue and a distinct aroma. As we took our first sip, it was easy to see why.

Pettyjohn: Oh, that is way more berry-forward.

Rollins: It's a little more effervescent.

Pettyjohn: This is definitely more pool vibes to me.

McKenzie: This is a better wine.

Ahlgrim: Lighter.

McKenzie: I didn't notice the aftertaste being that sharp on D, but now, this has no aftertaste, and I'm like, "This is better."

Ahlgrim: I like a funkier, tangier wine, but I think most people expect rosé to be a bit sweeter and smoother. So I think this fits what people reach for when they reach for a rosé, more so than the first one.

McKenzie: As a sweet enthusiast, it has my vote.

Ahlgrim: I don't know if I would spend $30 on it because it feels like such easy drinking.

Rollins: To me, this is giving rosé all day. There ain't nothing wrong with it.

As Ever was the third wine we tried, under the alias "wine B." It had the most unexpected flavor profile of the bunch.

Ahlgrim: Oh, I like the smell. This smells more expensive.

Pettyjohn: This tastes expensive. But it doesn't taste like rosé to me. It's good, but it is not what I would expect.

Rollins: This is like a very dry white, maybe.

McKenzie: It has a very bold flavor.

Ahlgrim: I actually like that I don't think it tastes like a rosé. It's much bolder than I expected. I feel like it's aged.

Rollins: There's something oaky about it.

Pettyjohn: It's fancy.

Ahlgrim: It's earthy, almost.

McKenzie: It tastes like a chardonnay. It is giving oak chardonnay.

The final wine of the test was Whispering Angel, which we labeled "wine C." It was a hit or miss vibe for the testers.

Pettyjohn: I do like this one. This is what I would consider easy rosé drinking.

Ahlgrim: Oh, this is bland.

McKenzie: It's very harsh on my tongue. I don't prefer this at all.

Rollins: Really? This one seems like an easier drinking version of B and D.

McKenzie: This one? I don't like it at all. I just taste more of the alcoholic taste, which I don't love.

Ahlgrim: Yes, I think there's very little flavor, and it's more alcohol-forward. This is my least favorite of the four.

Rollins: I feel like this one splits the difference between all of them. It's got a bit of the berry of the other ones, but it's still dry, and it's got the rosé.

Ahlgrim: If somebody gave me a glass of this by the pool, I would drink it, but I would not opt for this if I had the other options.

While we still didn't know which wine was which, we compared them to each other, referring to them by their letter code.

Overall, our takeaway was that Summer Water was the best for casual rosé drinking, thanks to its light and berry flavor, but the taste of As Ever's wine stood out for being unexpected and refreshing.

Miraval sat in the middle of the pack, while Whispering Angel was too alcohol-forward for McKenzie and Ahlgrim.

When we finally found out which wine was which, we were all surprised that "wine B" was As Ever.

Ahlgrim: Oh, that's the one that doesn't taste like rosé! It's weird, and I like that.

McKenzie: It was my number two favorite!

Ahlgrim: As Ever was my top in terms of what I like in a wine. I like a weirder flavor, but I think Summer Water is more rosé-y. But if I saw As Ever at the store, I would buy it again.

Pettyjohn: Me too. I would buy this again, and I think it would be nice if you paired it with fruit or cheese — that vibe. If you brought this to a party, your friends would be like, "Oh, the rosé you brought is so good. Where did you get it?"

Rollins: I would be curious to drink it in a cup, like in one of the "Love Is Blind" cups, where you can't see what color it is, and just be like, "What does that taste like to you?"

Ahlgrim: I admire that Meghan didn't take the easiest route. So many celebrities have an alcohol brand, so I think it was bold of her to do something that does not taste like every other rosé on the market.

Pettyjohn: If I put my Meghan Scholar hat on, I also feel this reflects her as a flavor. You think you're going to get one thing, but then she surprises you, and it's a really lovely flavor, even if it's not necessarily what you were expecting.

McKenzie: It's something that I would order again.

Pettyjohn: Me too.

McKenzie: Her rosé beats Brad Pitt's.

Ahlgrim: 100%.

Once we knew which wine it was, we checked out the As Ever bottle. Its 14.5% alcohol content — the highest of the four — surprised us, particularly because it didn't taste too alcohol-forward. We also liked that the wine seemed versatile.

Ahlgrim: It is the best bang for your buck if you're looking for the highest alcohol content.

McKenzie: 14.5% is pretty high.

Ahlgrim: That surprises me because because of how alcohol-forward I felt like the Whispering Angel was. I expected that to be the highest.

Pettyjohn: I like to make a rosé sangria, and I think As Ever would be good with that.

Ahlgrim: Ooh, with a bit of prosecco or seltzer in it? Yeah, because the flavor is so strong, it would lend itself well to a mix.

Pettyjohn: Yes, exactly.

Ahlgrim: It's not a poolside rosé. It's like a charcuterie rosé.

Pettyjohn: I can see Meghan on her patio, talking to one of her friends, and drinking it.

Ahlgrim, McKenzie, and I said we would buy As Ever down the line, though we want people to know they shouldn't expect a classic rosé flavor. Rollins had reservations, especially because the bottles are only available in three, six, or 12 packs.

Rollins: As Ever was interesting, but I definitely wouldn't order three bottles because of the price and strong flavor. You really have to love the flavor.

Pettyjohn: I would buy it! When I went to Sonoma, one winery had a rosé you could try, and it was very similar to this. It didn't taste how you expected a rosé to taste, but it was good.

McKenzie: It's a good wine. I would order it again. It was my top two. It tastes like a chardonnay, and I don't mind that.

Ahlgrim: The Summer Water would be what I would drink on a Saturday during the day in the summer. Then I would switch to Meghan's at night.

Pettyjohn: I couldn't have said it better myself.

A few days after the official taste test, I revisited As Ever rosé, pouring a glass for myself and my husband.

I gave it a sniff, inhaling that full-bodied, almost orange wine-like scent that surprised me during the test. It was inviting and bright, and as I took a sip, I was delighted that As Ever tasted even more refreshing and crisp than I remembered. My husband was a fan, too, and I had to remind myself not to drink it too quickly over dinner.

Meghan's rosé is a hit in my book, and I'm intrigued to see how her foray into the wine industry continues. Cheers!

Michele walked the red carpet in a black tuxedo dress designed by Michael Kors.

The neckline dipped low, and a slit cut the skirt on one side, creating a sexy and balanced look. Michele also let the dress speak for itself, wearing black heels and simple jewelry.

Strong wore a floor-length, long-sleeve coat dress designed by Badgley Mischka. It had a pretty silhouette, with its collared neckline, belted waist, and full skirt.

However, the green dress was covered in an array of hot pink flowers from head to toe. The pattern was overwhelming to the eye, and the look might have been better if Strong wore the coat unbuttoned with an unpatterned shift underneath it to break up the colors.

Schiaparelli designed Erivo's taupe gown, which had a regal feel that set the tone for her role as host of the evening.

The gown's column skirt had a sheen to it, while the off-the-shoulder bodice was covered in sparkly, floral beading. The neckline hovered around Erivo's frame, playing with structure.

Holmes wore a custom Prada ensemble to the Tonys. The look featured the two main colors associated with "Wicked," as it had a high-neck, green blouse and a column-style pink skirt adorned with sparkly beading.

The two garments looked like they belonged to different outfits, and the green top in particular felt too casual for the Tonys. Holmes could have stood out on the red carpet if she had paired the skirt with a better top, but the look fell flat as it was.

Tamara Ralph Couture designed Amal Clooney's white gown, which had an off-the-shoulder neckline and hugged her figure before ending in a scalloped hem at her ankle.

Rows of pearls adorned the dress, making it look like the lawyer was dripping in the gems. White heels with a pointed detail completed her elegant ensemble.

George Clooney, on the other hand, just wore a black tuxedo and bow tie for the evening. It's a classic look, but it would have been nice to see him add a fashionable flair to the outfit through a brooch or other accessory.

Escola won the Tony for best performance by an actor in a leading role in a play on Sunday for their performance as Mary Todd Lincoln in "Oh, Mary!"

They accepted the award in a custom Wiederhoeft gown that paid tribute to Bernadette Peters, whom Escola used to emulate in YouTube videos and live performances. She also wore a similar dress when she won a Tony in 1999.

Escola's soft-blue gown had a corset bodice with a halter neckline. Ruched, off-the-shoulder sleeves made of sparkly fabric coordinated with a swath of matching fabric on Escola's waist, which gave way to a sparkly skirt. A long train trailed behind them, adding glamour to the look.

A red wig and choker tied Escola's outfit together.

Chenoweth attended the Tonys in a blue gown designed by Christian Siriano.

The corset bodice had a pointed neckline with exposed boning and sheer panels on the bodice. The asymmetrical skirt was also transparent, sitting atop a shorter bubble skirt that gave it volume.

Everything about Chenoweth's outfit looked like it belonged in 2012 instead of 2025, from the boning and sheer fabric to the electric-blue color. Chenoweth could have updated the look with modern accessories or a fuller skirt.

Raver-Lampman's deep-blue suit consisted of a jacket with a bow fastening and wide-legged pants.

She wore the suit with no top, exposing her black bra and giving the ensemble a sexy edge.

Genny designed Soo's dress, which was made of a sheer fabric in pale pink.

The bodice was busy, featuring one strap, a large bow covered in beading on the chest, and a cutout. A fabric ruffle sat on Soo's waist, and the skirt flowed to the floor.

Although the dress had interesting elements, like the bow and waist ruffle, the transparent fabric distracted from every other part of the look, making the outfit feel busier than it was. Because the fabric was such a statement, the dress would have been better for Soo if it didn't feature the bow or additional detailing, as it would have offered a cleaner look.

The actor and content creator chose an emerald green suit from Naked Wardrobe for the Tonys.

Allen wore the oversize jacket open, showing off a low-cut white blouse and the high waistline of his wide-legged trousers. Heeled, white boots peeked out from underneath the pants, and Allen's glasses conveyed a sophisticated feel for the ensemble.

Hough's white Christian Siriano gown was pretty. It had a form-fitting silhouette before poofing out in a mermaid skirt made of voluminous tulle.

However, the ensemble felt imbalanced because Hough didn't wear any jewelry with the look and kept her bob down.

The outfit would have felt more cohesive if she had added statement earrings or a bold necklace. As she wore it, it seemed like Hough just forgot to add accessories.

Sink, who was nominated for best performance by an actress in a leading role in a play for her performance in "John Proctor is the Villain," arrived at the Tonys in a custom Prada dress.

The silky, silver dress had a low, V-neckline, and it cinched at her waist before flowing into a floor-length skirt with a subtle train. Sparkly, clustered embellishments framed the neckline and formed a bow in the center for a pop of texture.

Paired with silver earrings, Sink's gown was glamorous without being over the top.

Twiggy Moore designed Lawrence's mermaid-style pink dress. The gown was covered in large black polka dots, a strip of black fabric on the neckline, and a coordinating one on the skirt, complete with a bow.

The dark color and size of the polka dots were too much for the dress, and the gown would have looked sleeker if the dots had been smaller or a paler hue.

Lawrence was nominated for best performance by a featured artist in a musical at the Tonys.

Criss won a Tony for best performance by an actor in a leading role in a musical in "Maybe Happy Ending," which also took home the award for best musical.

Criss accepted the award in a black tuxedo, pairing high-waisted, wide-legged pants with a cropped jacket. The jacket featured white lapels and white buttons, putting a fresh spin on the traditional tuxedo look.

Versace designed the actor's sleeveless slip, which was covered from top to bottom in translucent sequins. The dress also had a cowl neckline and the brand's signature hardware in silver across each strap.

She wore it with black patent-leather kitten heels, a micro purse in black, and small diamond stud earrings.

Also in Versace, Hathaway wore a white button-down blouse, a loose black blazer with a gold logo embellishment at its pocket, and straight-leg trousers.

Her party look was cool and chic on its own, but it became more feminine thanks to her choice of accessories.

The actor carried a sparkling gold purse, sported large sunglasses on her face, and donned heeled sandals with beaded detailing.

Her black Versace number had long sleeves, a deep V-neckline, crystal buttons, and an above-the-knee skirt.

The garment gave a feminine edge to a classic menswear piece.

It was her silver accents, however, that really stole the show. To complete her look, she added thick sunglasses, silver sandals with bow straps, and a shimmering purse with ring handles.

Getty wore a yellow Versace minidress with long sleeves, an all-over shell print, and a plunging neckline that revealed the middle section of her torso. One of Versace's signature gold safety pins held the garment together.

She completed the look with classic accessories, including black pumps, a crystal anklet with a cross charm, a gold purse, and hoop earrings.

For the Moda Operandi party, the "Espresso" singer stepped out in a sleeveless Versace dress that hugged her body and shimmered in the light.

It had sheer sequins all over its baby-blue fabric, a gold safety pin that pulled it together at the hips, and a thigh-high slit in its skirt. For shoes, Carpenter wore her signature platforms in the form of tan sandals.

The fashion designer wore one of the brightest looks of the night: a hot-pink suit over a yellow blouse printed with shell images.

She also wore platform Versace heels in the same pink shade, dangling crystal earrings, and rectangular sunglasses with cherry-red frames.

Domingo attended pre-Met Gala events throughout the weekend, and his cream suit from Eleven Sixteen for Wayman + Micah's party spoke directly to the 2025 Met Gala theme.

The bold tailoring of his cream suit represented Black dandyism, while the thick material and checked pattern made it feel modern. Domingo's tie coordinated with the suit, and his white shoes completed the outfit effortlessly.

On Sunday, Henson also played with the silhouette of a suit, arriving at the LaQuan Smith Met Gala party in a fitted jacket and matching wide-legged trousers.

The jacket was open on Henson's chest, mirroring the pointed hemline that cinched her waist. Sparkles covered the entire outfit, giving it a glitzy edge.

Williams is also a Met Gala co-chair this year, and he arrived at the dinner that Wintour hosts the night before the event in a mix of high- and low-fashion garments.

He paired a green blouse and a brown sweatshirt with khaki trousers and a Louis Vuitton trench coat. His coat matched his bag, and Williams added sunglasses and a yellow cap to the look.

The ensemble effortlessly blended styles, perhaps offering a clue as to how Williams might be approaching his Met Gala look.

Erivo's Saint Laurent suit was double-breasted, and the coordinating pants flared wide. Her blouse underneath featured a colorful pattern of stripes, bringing out the purple hue of her tie.

Tinted sunglasses and Christian Louboutin shoes completed the look.

Page's Brioni suit was bright blue and had a classic pinstripe pattern, which the actor juxtaposed with a more relaxed pink T-shirt.

After being turned into a couch meme at her very first Met Gala the year prior (more on that in a second), Kardashian chose to play it safe for the 2014 theme, "Charles James: Beyond Fashion." 

Alber Elbaz designed her custom Lanvin gown, which featured a black satin belt and a thigh-high slit. 

The gown was undoubtedly pretty and would've looked great for a movie premiere or awards show, but it was nothing special for a night that encourages celebrities to push the envelope.

Kardashian's ensemble was actually supposed to look completely different. She revealed on her now-inactive website that the gown was originally made of "this amazing leather with metallic detailing." Her design team only decided to redo it in blue satin at the last minute.  

Kardashian still planned to pair her new gown with a chunky belt and leather cuffs, but she ditched them before walking the red carpet because, according to E!, they were "a bit too rock 'n' roll."

As a Met Gala novice, it was clear Kardashian didn't want to rock the boat too much on the carpet. Still, we wish we could've seen the far edgier look she envisioned in 2014.

Kardashian wore a metallic silver Balmain gown with a thigh-high slit for the "Manus x Machina: Fashion in an Age of Technology" theme in 2016. 

We loved the fabric of the silver dress, and Kardashian took a bit of a risk with her beauty by bleaching her eyebrows. However, the look didn't stand out among a sea of similar metallic looks. 

Kardashian was also overshadowed by her date, then-husband Kanye West. The rapper made headlines that year for daring to wear denim to the Met Gala. 

When looking back on her Met Gala looks in 2019, Kardashian revealed that she felt insecure ahead of the event because she hadn't "lost all of my baby weight" after giving birth to her son Saint in December 2015, which is likely why she stuck to her usual silhouette.

The "Heavenly Bodies: Fashion and the Catholic Imagination" Met Gala will likely go down as one of the boldest in the event's history. Stars like Rihanna, Ariana Grande, and Blake Lively delivered stunning looks referencing everything from the Pope to the Sistine Chapel. 

Because of all the eye-catching looks, Kardashian didn't make waves with her custom gold Versace dress, although the number did nab her a few spots on best-dressed lists. 

Kardashian personally designed the chain-mail gown with Donatella Versace, and we loved the dark eye makeup and high pony she paired it with.

While the reality TV star hadn't yet mastered how to steal the show at the Met Gala, her style was definitely becoming a little bolder.

At first glance, Kardashian's off-the-shoulder white dress for the "Rei Kawakubo/Comme des Garçons: Art of the In-Between" theme might seem even simpler than the gowns we've already discussed. 

But the chic and beachy outfit, which Kardashian paired with sandals and minimal makeup, felt like a statement from the reality TV star. On a night when everyone would dial it up and go avant-garde, Kardashian decided to do something completely different — and it worked. One headline praised Kardashian's "seriously toned down" look.

"I figured everyone was going to go really over the top, and I just wanted to be really simple," Kardashian, who attended the event without West for the first time, told Vogue on the red carpet.

The 2017 Met Gala also happened just a few months after Kardashian was robbed at gunpoint in Paris, and $11 million in jewels were stolen from her hotel room. The simple Vivienne Westwood dress and her lack of accessories felt like a statement from Kardashian, who later discussed the trauma she experienced from the robbery.

Designed by Peter Dundas, the dress was covered with strategically placed crystals and featured a long train of white feathers. Kardashian revealed on Instagram that her inspiration had been Cher's iconic 1974 Met Gala outfit.

Other naked dresses were popular on the red carpet that year. Stars like Beyoncé and Jennifer Lopez won praise for their sheer numbers, and Rihanna had the most standout look of the night by upstaging everyone with her custom Guo Pei gown — now one of the most iconic Met Gala looks of all time. 

But Kardashian's gown was bold, stunning, and told a story. It was the first inkling of her realizing she could become a force on the Met Gala red carpet.

Kardashian wore a custom John Galliano dress to the "Sleeping Beauties: Reawakening Fashion" gala, which had a "Garden of Time" dress code.

Kardashian's look leaned into the garden aspect of the dress code, though it clearly had a through-line to her previous Met Gala looks as well.

Like dresses she wore in previous years, the gown was metallic and featured a dramatic, waist-cinching corset. Floral detailing adorned the strapless bodice, while the floor-length skirt was made of interlocking, floral appliqué that showed peeks of Kardashian's legs. Her blond hair added to the edgy feel of the look.

The gown was well suited to the theme, but the gray shrug Kardashian wore atop looked disjointed with the rest of the look. The outfit would have been stronger if Kardashian had let the dress speak for itself.

Kardashian arrived at the "Karl Lagerfeld: A Line of Beauty" Met Gala in a Schiaparelli gown made almost entirely of pearl strands.

The strings of pearls created a halter-style bodice and barely-there skirt, which sat atop taupe shapewear.

Lagerfeld often gravitated toward pearls in his designs, making the ensemble an apt choice for the ball. However, the look also referenced Kardashian's 2007 Playboy shoot, for which she posed only wearing pearls, so it made even more of a statement.

Kris Jenner said her now meme-ified comment, "You're doing amazing, sweetie," to Kardashian during the shoot, as captured on "Keeping Up With the Kardashians."

Kardashian also celebrated her Skims empire with the shapewear she wore under the pearls, using the Met Gala as a platform for her own success. The company was worth $3.2 billion as of 2022.

Kardashian arrived in the most jaw-dropping look of the night at the 2021 Met Gala with the theme, "In America: A Lexicon of Fashion." Her Balenciaga bodysuit and oversized T-shirt dress covered her from head to toe, including a face-covering mask and gloves.

She was only visible in silhouette, with her ponytail and a train flowing behind her as she walked the Met Gala carpet.

It was an instant meme because of its avant-garde nature. Still, Balenciaga's creative director, Demna Gvasalia, later explained that the outfit was designed to highlight how iconic Kardashian's body had become in pop culture. 

"People would know instantly it was Kim because of her silhouette. They wouldn't even need to see her face, you know?" Gvasalia told Vogue at the time. "And I think that the whole power of her celebrity, that people wouldn't need to see her face to know it's her."

Kardashian arrived at the "Camp: Notes on Fashion" gala in a Thierry Mugler gown that hugged her figure and was adorned with crystals. The dress appeared sheer, as it matched her skin tone.

After the gala, Kardashian revealed she went to extreme lengths to wear the skin-tight dress, including taking corset lessons to breathe in it.

She also couldn't go to the bathroom in the dress, and in a clip from "Keeping Up With the Kardashians," she said she was willing to urinate on herself in the gown if there was an emergency. 

The dress was pretty, but Kardashian's drastic measures made the dress so memorable.

Kardashian made her Met Gala debut in 2013 when she was expecting her first child, North West. 

The gala's theme was "Punk: Chaos to Couture," and Kardashian wore a long-sleeve, floral Riccardo Tisci dress. It had a high neckline, which contrasted with its daring, thigh-high slit. Matching, open-toe shoes completed the look.

Kardashian told Vogue in 2019 that Tisci wanted the floral pattern to symbolize sending a pregnant woman flowers, which she said was "such a sweet message." Tisci also told Kardashian that Anna Wintour wanted her to wear the floral dress, so she did.

Social media users immediately took to Twitter to criticize the look after Kardashian walked the red carpet. Many compared the dress to a couch, to the star's dismay.

"I was crying, like, the whole way home because I just couldn't believe it," Kardashian said in the same interview with Vogue.

Looking back at the dress, Kim has a different perspective. "Now I love it," she told the magazine. "Now it's, like, sick."

Although it wasn't for the reasons she wanted, Kardashian was the talk of the event from her very first Met Gala, which was even more impressive considering she was attending as Kanye West's date.

Kardashian made headlines when she arrived at the 2022 "In America: An Anthology of Fashion" Met Gala in the dress Marilyn Monroe wore to sing "Happy Birthday" to President John F. Kennedy in 1962.

The sheer Jean Louis dress was embellished from head to toe, and Kardashian dyed her hair platinum blond to fully recreate Monroe's look.

"In a sense, it's the original naked dress. That's why it was so shocking," Kardashian told Vogue of the gown.

She borrowed the dress from Ripley's Believe It or Not! Museum in Orlando, which acquired it for $4.81 million in 2016, according to a Ripley's press release. Kardashian wore the gown on the red carpet, but she changed into a replica immediately after because it was so fragile. 

Kardashian once again took extreme measures to fit into Monroe's dress. She said she lost 16 pounds in three weeks so she could wear it. 

The conversation around the dress continued for weeks after the Met Gala, as people accused Kardashian of damaging the gown when she wore it.

In June 2022, Ripley's and Kardashian sent Business Insider a joint statement saying she "did not, in any way, damage the garment in the short amount of time it was worn at the Met Gala." 

Kardashian solidified her status as the Met Gala it-girl with her Marilyn Monroe look, which was truly a once-in-a-lifetime fashion moment.

The white gown had a halter neckline with silver embellishments on the bodice.

She paired the dress with black mesh gloves and a red rose to fit the "Poiret: King of Fashion" theme.

It was an understated look compared to other outfits Rihanna wore to the Met Gala in the years to come.

The suit included a jacket with puffy sleeves, a bow tie, and ankle-length pants. She paired it with black gloves and black pumps.

The jacket's dramatic, oversize shoulder pads fit the event's "The Model as Muse" theme. Rihanna's edgy pixie cut completed the chic look.

The semi-sheer dress designed by Stella McCartney had a scalloped, one-shoulder neckline and a slit on the skirt, showing off her criss-cross pumps.

The gown was eye-catching, but Rihanna's long, bright-red side-braid gave the look a pop of color.

The form-fitting gown Rihanna wore to the "Schiaparelli and Prada: Impossible Conversations" gala had long sleeves, a boat neckline, and flowed to the floor.

It hugged Rihanna's figure, and the gown's texturing caught the light as she walked the red carpet.

Rihanna's two-piece featured a long-sleeve crop top with pointed sleeves and a high-waisted skirt with a side train. She wore a sparkly choker that blended with the neckline of the dress.

The ensemble's backless crop top felt modern and fresh.

Rihanna solidified her status as a Met Gala legend at the "China: Through the Looking Glass" gala.

Her custom yellow look sat off her shoulders. It featured faux fur sleeves and trim, and intricate detailing adorned the ensemble.

The singer making her way down the red carpet while her long train flowed behind her will always be an iconic Met Gala moment.

The 2018 Met Gala theme was "Rei Kawakubo/Comme des Garçons: Art of the In-Between." Rihanna appropriately went with a Comme des Garçons design.

The dress was made entirely of colorful, three-dimensional petals that floated around her. Rihanna paired the look with red heels, lacing her thighs, and pink-toned makeup.

Rihanna's jewel-encrusted silver look featured a mini dress, a separate, longer skirt, and a jacket. A large, pointed headpiece and silver jewelry coordinated with the look.

Demna Gvasalia designed the Fenty founder's custom Balenciaga coatdress. Its collar popped around her shoulders, and the skirt was a subtle mermaid.

Rihanna paired the look with a beanie hat, a diamond necklace, and a stunning crystal headpiece. 

Rihanna wore a custom Valentino Haute Couture gown to the "Karl Lagerfeld: A Line of Beauty" gala.

The gown's form-fitting bodice showed off her baby bump with a rosette in the center, though Rihanna covered it with a hooded, rosette-covered jacket and fingerless gloves when she walked the red carpet. Her dropped-waist skirt flowed into a long train, which trailed behind her on the carpet.

Rihanna completed the look with funky sunglasses that had eyelashes on them.

Swift's white Ralph Lauren gown featured a pointed neckline, ruffled, off-the-shoulder sleeves, and a coordinating skirt.

The dress was pretty, but it didn't stand out in a way that fit the "American Woman: Fashioning A National Identity" on the red carpet.

Likewise, instead of elevating her outfit with accessories, Swift wore minimal jewelry and kept her hair in a demure updo.

Swift arrived at the "Alexander McQueen: Savage Beauty" gala in a one-shoulder J. Mendel gown. The dress mixed taupe and frayed, black fabric, and it had a textured, mermaid skirt.

The dress was well-suited to the theme, but Swift's simple updo took away from the effect. A more over-the-top hairstyle could have taken the outfit to another level.

Swift sported another J. Mendel gown for the 2013 "PUNK: Chaos to Couture" Met Gala.

The bodice of the black, floor-length gown was covered in cutouts of sheer, webbed fabric, and it had a cutout on the bodice.

A jeweled collar and dramatic eye makeup completed the look, which fit the punk theme well.

Swift attended her first Met Gala in 2008 wearing a gold ombré gown from Badgley Mischka. 

The dress celebrated the "Superheroes: Fashion and Fantasy" theme with its head-to-toe embellishments and shape that nodded to a mermaid tail.

The look seemed to be an Easter egg for Swift's "Fearless" album, which was released in October 2008.

The album cover had golden tones, on which Swift was photographed with her hair flowing around her as she spun her head — which Swift modernized for "Fearless (Taylor's Version)" in 2021.

Her Met Gala gown had the same color scheme, and her hair was styled similarly. The look set the tone for the release of Swift's second album just months before its release.

The 2014 Met Gala's theme was "Charles James: Beyond Fashion." The event's white-tie dress code called for formal looks from celebrities, and Swift rose to the occasion in a soft-pink Oscar de la Renta gown.

The dress had a scooped neckline and was embroidered with delicate flowers. The column dress had a low back and a dramatic train flowing from an oversized bow.

The elegant dress was modern but evoked the glamour of Old Hollywood, and unlike in years past, Swift matched the look of the dress with her hair, which was swept to the side in soft waves. It was a step up from her past looks.

Swift was a Met Gala co-chair in 2016, so it's no surprise she embraced the "Manus x Machina: Fashion in an Age of Technology" theme. 

Her custom Louis Vuitton dress was metallic, featuring a scaled pattern and daring cutouts along the stomach. Swift paired the dress with heels that wrapped to her knees. Bleached hair and black lipstick completed the futuristic look, making the look edgy overall.

The departure from Swift's typically softer looks made it a standout on the Met Gala carpet and in Swift's fashion history, but it became truly iconic because the 2016 Met Gala proved significant for Swift personally and musically.

Swift was first romantically linked to Tom Hiddleston at the Gala, as a video of her dancing with him in a Louis Vuitton dress went viral. Fans also speculate that Swift met Joe Alwyn, whom she dated for six years, the same night. Swift and Alywn split in February 2023, and she's been dating Travis Kelce since the summer of 2023.

Fans also suspect her interactions with both Hiddleston and Alwyn at the Gala served as inspiration for two songs on her album "Reputation" — "Dress" and "Getaway Car."

The silver-toned look she wore to the Met Gala also mimicked the coloring of her "Reputation" cover, again connecting the album to the event.